As world attention is renewed and refocused on the Israeli-Palestinian conflict at the sixtieth anniversary of its seminal year of 1948, Marda Dunsky takes a close look at how more than two dozen major American print and broadcast outlets have reported the conflict in recent years. Beginning with the failed Camp David summit of July 2000 through the waning of the second Palestinian uprising in the summer of 2004, she finds that the media omit two key contextual elements: the significant impact that U.S. policy has had and continues to have on the trajectory of the conflict, and the way international law and consensus have addressed the key issues of Israeli settlement and annexation policies and Palestinian refugees. Dunsky explores how reports of the conflict routinely take on the contours of American policy and rarely challenge the premises of this "Washington consensus." She also examines the media's responses to allegations of biased coverage and gauges the effect that mainstream news reporting has on public opinion and U.S. foreign policy.

Released in 1969, the film Battle of Britain went on to become one of the most iconic war movies ever produced. The film drew many respected British actors to accept roles as key figures of the battle, including Sir Laurence Olivier as Hugh Dowding and Trevor Howard as Keith Park. It also starred Michael Caine, Christopher Plummer and Robert Shaw as squadron leaders. As well as its large all-star international cast, the film was notable for its spectacular flying sequences which were on a far grander scale than anything that had been seen on film before. At the time of its release, Battle of Britain was singled out for its efforts to portray the events of the summer of 1940 in great accuracy. To achieve this, Battle of Britain veterans such as Group Captain Tom Gleave, Wing Commander Robert Stanford Tuck, Wing Commander Douglas Bader, Squadron Leader Bolesław Drobiński and Luftwaffe General Adolf Galland were all involved as consultants. This detailed description of the making of the film is supported by a mouth-watering selection of pictures that were taken during the production stages. The images cover not only the many vintage aircraft used in the film, but also the airfields, the actors, and even the merchandise which accompanied the film’s release in 1969 – plus a whole lot more. There are numerous air-to-air shots of the Spitfires, Messerschmitts, Hurricanes and Heinkels that were brought together for the film. There are also images that capture the moment that Battle of Britain veterans, some of whom were acting as consultants, visited the sets. Interviews with people who worked on the film, such as Hamish Mahaddie, John Blake and Ron Goodwin, among others, bring the story to life.

From award-winning author Sara Zarr comes a story of the small moments that show us who we are, and how family is not just something you’re part of, but something you make. Lou and her family don’t have much, but for Lou it's enough. Mom. Her sister, Casey. Their apartment in the city. Her best friend, Beth. It would be better if Dad could stop drinking and be there for her and Casey, and if they didn't have to worry about money all the time. But Lou doesn’t need better—she only needs enough. What’s enough for Lou, however, is not enough for Mom. Steve, Mom's boyfriend, isn’t a bad guy, he's just…not what Lou is used to. And now, he and Mom are getting married, and that means moving. Packing up life as they’ve known it and storing it in Steve’s garage. Lou will be separated from everything in her small but predictable life, farther from Dad than ever. Their last night in the city, Lou receives a mysterious birthday gift: A guitar, left for her by their front door. There’s nothing saying who left it, but it must be from Dad. And as she leaves the only place she’s ever known, she starts to believe that if she can learn how to play it, maybe she can bring a piece of him, and of her old life, home.

Perfect for fans of The School for Good and Evil and A Tale of Magic…, this Barnes & Noble Children’s Book Award finalist and Amazon Best Book of the Month is a charming fantasy debut that puts a new spin on the legend of Camelot Twelve-year-old Ellie can’t help that she’s a witch, the most hated member of society. Determined to prove her worth and eschew her heritage, Ellie applies to the Fairy Godmother Academy—her golden ticket to societal acceptance. But Ellie’s dreams are squashed when she receives the dreaded draft letter to serve as a knight of King Arthur’s legendary Round Table. She can get out of the draft—but only if she saves a lost cause. Enter Caedmon, a boy from Wisconsin struggling with the death of his best friend. He first dismisses the draft as ridiculous; magic can’t possibly exist. But when Merlin’s ancient magic foretells his family’s death if he doesn’t follow through, he travels to the knights’ castle, where he learns of a wicked curse leeching the knights of their power. To break the curse, Ellie and Caedmon must pass a series of deathly trials and reforge the lost, shattered sword of Excalibur. And unless Ellie accepts her witch magic and Caedmon rises to become the knight he’s meant to be, they will both fail—and the world will fall to the same darkness that brought King Arthur and Camelot to ruin.

Naji al-Ali grew up in the Palestinian refugee camp of Ain al-Hilweh in the south Lebanese city of Sidon, where his gift for drawing was discovered by the Palestinian poet Ghassan Kanafani in the late 1950s. Early the following decade he left for Kuwait, embarking on a thirty-year career that would see his cartoons published daily in newspapers from Cairo to Beirut, London to Paris. Resolutely independent and unaligned to any political party, Naji al-Ali strove to speak to and for the ordinary Arab people; the pointed satire of his stark, symbolic cartoons brought him widespread renown. Through his most celebrated creation, the witness-child Handala, al-Ali criticized the brutality of Israeli occupation, the venality and corruption of the regimes in the region, and the suffering of the Palestinian people, earning him many powerful enemies and the soubriquet “the Palestinian Malcolm X.” For the first time in book form, A Child in Palestine presents the work of one of the Arab world’s greatest cartoonists, revered throughout the region for his outspokenness, honesty and humanity. “That was when the character Handala was born. The young, barefoot Handala was a symbol of my childhood. He was the age I was when I had left Palestine and, in a sense, I am still that age today and I feel that I can recall and sense every bush, every stone, every house and every tree I passed when I was a child in Palestine. The character of Handala was a sort of icon that protected my soul from falling whenever I felt sluggish or I was ignoring my duty. That child was like a splash of fresh water on my forehead, bringing me to attention and keeping me from error and loss. He was the arrow of the compass, pointing steadily towards Palestine. Not just Palestine in geographical terms, but Palestine in its humanitarian sense—the symbol of a just cause, whether it is located in Egypt, Vietnam or South Africa.”—Naji al-Ali, in conversation with Radwa Ashour

Winner, American Library Association Booklist’s Top of the List, 2019 Adult Nonfiction Acclaimed writer Marie Arana delivers a cultural history of Latin America and the three driving forces that have shaped the character of the region: exploitation (silver), violence (sword), and religion (stone). “Meticulously researched, [this] book’s greatest strengths are the power of its epic narrative, the beauty of its prose, and its rich portrayals of character…Marvelous” (The Washington Post). Leonor Gonzales lives in a tiny community perched 18,000 feet above sea level in the Andean cordillera of Peru, the highest human habitation on earth. Like her late husband, she works the gold mines much as the Indians were forced to do at the time of the Spanish Conquest. Illiteracy, malnutrition, and disease reign as they did five hundred years ago. And now, just as then, a miner’s survival depends on a vast global market whose fluctuations are controlled in faraway places. Carlos Buergos is a Cuban who fought in the civil war in Angola and now lives in a quiet community outside New Orleans. He was among hundreds of criminals Cuba expelled to the US in 1980. His story echoes the violence that has coursed through the Americas since before Columbus to the crushing savagery of the Spanish Conquest, and from 19th- and 20th-century wars and revolutions to the military crackdowns that convulse Latin America to this day. Xavier Albó is a Jesuit priest from Barcelona who emigrated to Bolivia, where he works among the indigenous people. He considers himself an Indian in head and heart and, for this, is well known in his adopted country. Although his aim is to learn rather than proselytize, he is an inheritor of a checkered past, where priests marched alongside conquistadors, converting the natives to Christianity, often forcibly, in the effort to win the New World. Ever since, the Catholic Church has played a central role in the political life of Latin America—sometimes for good, sometimes not. In this “timely and excellent volume” (NPR) Marie Arana seamlessly weaves these stories with the history of the past millennium to explain three enduring themes that have defined Latin America since pre-Columbian times: the foreign greed for its mineral riches, an ingrained propensity to violence, and the abiding power of religion. Silver, Sword, and Stone combines “learned historical analysis with in-depth reporting and political commentary...[and] an informed and authoritative voice, one that deserves a wide audience” (The New York Times Book Review).

From Muhammed to the Ottoman empires and the modern struggle for Palestine, Akbar's story explains how Jihad thrives on complex and shifting notions of persecution, victory and sacrifice and the Muslim control over this phenomenon.

In what is widely considered the most influential book ever written by Walter Lippmann, the late journalist and social critic provides a fundamental treatise on the nature of human information and communication. The work is divided into eight parts, covering such varied issues as stereotypes, image making, and organized intelligence. The study begins with an analysis of "the world outside and the pictures in our heads", a leitmotif that starts with issues of censorship and privacy, speed, words, and clarity, and ends with a careful survey of the modern newspaper. Lippmann's conclusions are as meaningful in a world of television and computers as in the earlier period when newspapers were dominant. Public Opinion is of enduring significance for communications scholars, historians, sociologists, and political scientists. Copyright © Libri GmbH. All rights reserved.

A fallen Empire. A forbidden royal romance. An ancient treaty with the Fae.In a world tainted by greed and rebellion, death prowls the shadows of the once glorious Sun Empire, waiting to devour those who dare fight back.Corvus, heir to the most powerful House, is a threat to the Emperor, despite being the dearest friend of Crown Princess Saphyr. When the Emperor forbids their friendship, Corvus forms an Alliance to overthrow him, until betrayal forces Corvus into exile. After the lethal Queen of the Sirens emerges from the secret realm of Sirenibus, Corvus is tempted by an irresistible deal at a dangerous price. Caught up in a conspiracy and a war between light and darkness, can he and Saphyr save the people from a terrible destiny and restore the Empire to its former glory? Or will Corvus have to sacrifice more than he is willing to give? Will his life be enough, or will it also demand his soul?