In Loca Motion, Michelle Habell-Pall argues that performances like Diva L.A. play a vital role in shaping and understanding contemporary transnational social dynamics.

The first collection of poetry by the incredible and audacious spoken-word poet from Los Angeles, Marisela Norte. Winner of San Diego City Works Press's Ben Reitman Award, this collection takes readers on fantastic journeys into the heart and soul of what it means to be Chicana, human, a woman in 21st Century southern California.

Contains over thirty essays which explore the complex contexts of political engagement--family and intimate relationships, friendships, neighborhood, community, work environment, race, religious, and other cultural groupings--that structure perceptions of women's opportunities for political participation.

Reviled on its release, Peeping Tom (1960) all-but ended the career of director Michael Powell, previously one of Britain's most revered filmmakers. The story of a murderous cameraman and his compulsion to record his killings, Powell's film stunned the same critics who had acclaimed him for the work he'd made with writer-producer Emeric Pressburger (The Life and Death of Colonel Blimp, 1943; A Matter of Life and Death, 1946), resulting in the film falling out of circulation almost as soon as it was released. It took the 1970s 'Movie Brat' generation to rehabilitate the director, and the film, which is now regarded as a masterpiece. In this Devil's Advocate, published to coincide with the film's 60th anniversary, Kiri Walden charts the origins, production and devastating critical reception of Peeping Tom, comparing it to the treatment meted out to its contemporary horror classic, Alfred Hitchcock's Psycho (1960).

At Dupont University, an innocent college freshman named Charlotte Simmons learns that her intellect alone will not help her survive.

This essential teaching guide focuses on an emerging body of literature by U.S. Latina and Latin American Women writers. It will assist non-specialist educators in syllabus revision, new course design and classroom presentation. The inclusive focus of the book - that is, combining both US Latina and Latin American women writers - is significant because it introduces a more global and transnational way of approaching the literature. The introduction outlines the major historical experiences that inform the literature, the important genres, periods, movements and authors in its evolution; the traditions and influences that shape the works; and key critical issues of which teachers should be aware. The collection seeks to provide readers with a variety of Latina texts that will guarantee its long-term usefulness to teachers and students of pan-American literature. Because it is no longer possible to understand U.S. Latina literature without taking into consideration the histories and cultures of Latin America, the volume will, through its organization, argue for a more globalized type of analysis which considers the similarities as well as the differences in U.S. and Latin American women's cultural productions. In this context, the term Latina evokes a diasporic, transnational condition in order to address some of the pedagogical issues posed by the bicultural nature which is inherent in pan-American women's literature.

American filmmaker Ray Dennis Steckler may forever be remembered for his cult classic The Incredibly Strange Creatures Who Stopped Living and Became Mixed-Up Zombies!!? but his career path is even more fascinating than his strange signature film. Between 1962 and 1986, Steckler wrote, directed, edited and occasionally acted in nine more underground feature films. After his live oddities roadshows helped propel the director to even greater cult infamy, Steckler turned his camera towards the adult film world. Between 1970 and 1984, Steckler directed no fewer than three dozen of these explicit genre pieces. This book covers Steckler's nearly 50 movies, including several lost, incomplete or experimental films. Each entry includes a full list of cast and crew credits, along with a plot synopsis, plenty of images and behind-the-scenes anecdotes. Transcriptions of the author's interviews with Steckler's ex-wife Carolyn Brandt, his daughter Laura H. Steckler, actor Ron Jason and stuntman and actor Gary Kent are included along with an homage chapter and an overview of the director's collectable memorabilia.

Reprint. Originally published: New York: Grosset & Dunlap, A1909.