The Mexico Reader is a vivid and comprehensive guide to muchos Méxicos—the many varied histories and cultures of Mexico. Unparalleled in scope, it covers pre-Columbian times to the present, from the extraordinary power and influence of the Roman Catholic Church to Mexico’s uneven postrevolutionary modernization, from chronic economic and political instability to its rich cultural heritage. Bringing together over eighty selections that include poetry, folklore, photo essays, songs, political cartoons, memoirs, journalism, and scholarly writing, this volume highlights the voices of everyday Mexicans—indigenous peoples, artists, soldiers, priests, peasants, and workers. It also includes pieces by politicians and foreign diplomats; by literary giants Octavio Paz, Gloria Anzaldúa, and Carlos Fuentes; and by and about revolutionary leaders Pancho Villa and Emiliano Zapata. This revised and updated edition features new selections that address twenty-first-century developments, including the rise of narcopolitics, the economic and personal costs of the United States’ mass deportation programs, the political activism of indigenous healers and manufacturing workers, and the impact of the COVID-19 pandemic. The Mexico Reader is an essential resource for travelers, students, and experts alike.

Perhaps no other institution has had a more significant impact on Latin American history than the large landed estate—the hacienda. In Mexico, the latifundio, an estate usually composed of two or more haciendas, dominated the social and economic structure of the country for four hundred years. A Mexican Family Empire is a careful examination of the largest latifundio ever to have existed, not only in Mexico but also in all of Latin America—the latifundio of the Sánchez Navarros. Located in the northern state of Coahuila, the Sánchez Navarro family's latifundio was composed of seventeen haciendas and covered more than 16.5 million acres—the size of West Virginia. Charles H. Harris places the history of the latifundio in perspective by showing the interaction between the various activities of the Sánchez Navarros and the evolution of landholding itself. In his discussion of the acquisition of land, the technology of ranching, labor problems, and production on the Sánchez Navarro estate, and of the family's involvement in commerce and politics, Harris finds that the development of the latifundio was only one aspect in the Sánchez Navarros' rise to power. Although the Sánchez Navarros conformed in some respects to the stereotypes advanced about hacendados, in terms of landownership and the use of debt peonage, in many important areas a different picture emerges. For example, the family's salient characteristic was a business mentality; they built the latifundio to make money, with status only a secondary consideration. Moreover, the family's extensive commercial activities belie the generalization that the objective of every hacendado was to make the estates self-sufficient. Harris emphasizes the great importance of the Sánchez Navarros' widespread network of family connections in their commercial and political activities. A Mexican Family Empire is based on the Sánchez Navarro papers—75,000 pages of personal letters, business correspondence, hacienda reports and inventories, wills, land titles, and court records spanning the period from 1658 to 1895. Harris's thorough research of these documents has resulted in the first complete social, economic, and political history of a great estate. The geographical and chronological boundaries of his study permit analysis of both continuity and change in Mexico's evolving socioeconomic structure during one of the most decisive periods in its history—the era of transition from colony to nation.

Mothers Making Latin America utilizes a combination of gender scholarship and source material to dispel the belief that women were separated from—or unimportant to—central developments in Latin American history since independence. Presents nuanced issues in gender historiography for Latin America in a readable narrative for undergraduate students Offers brief, primary-source document excerpts at the end of each chapter that instructors can use to stimulate class discussion Adheres to a focus on motherhood, which allows for a coherent narrative that touches upon important themes without falling into a “list of facts” textbook style

This book captures and reveals the intriguing complexities of daily life in Mexico, from its artistic pursuits to its political and economic patterns. It is of interest to students who during their professional career expect to come into contact with citizens of Mexican origin in the United States.

Much has been written about Continental influences on American and British literature, but Mexican influences have gone relatively unobserved. Yet, as this study shows, Mexican experiences have had a singular influence on the development of literature in English. Drewey Wayne Gunn considers prominent American and British writers who either visited or lived in Mexico during the period 1556-1973 and who, as a result of their experiences, wrote works with a Mexican setting. Gunn finds that, while certain elements reflecting the Mexican experience--colors, landscape, manners of the people, political atmosphere, a sense of the alien--are present in the writings, the authors reveal less about Mexico than would be expected. It is, rather, the expression of the Mexican experience that reveals much about the authors. The Mexican journey often marked the beginning, the end, or the turning point in a literary career. Gunn shows the impact of Mexican culture on each writer, discusses the relationship between the writer's experience and his work, and traces the influences among various writers. He makes available a great deal of biographical and literary material that has not before been available in one source, and he provides new insight into our cultural relationship with Mexico. Among the British writers considered are D. H. Lawrence, Aldous Huxley, Malcolm Lowry, Graham Greene, and Evelyn Waugh. Among the American writers considered are Stephen Crane, Katherine Anne Porter, John Dos Passos, Hart Crane, Archibald MacLeish, John Steinbeck, Tennessee Williams, Saul Bellow, William Carlos Williams, Wright Morris, and Robert Lowell.

Thirty years ago, modernization theory contended that notions of honor would become obsolete in modern democracies. Being an archaic remnant of our pre-modern past, honor would be substituted by dignity under modern conditions. When honor does emerge as a valid social theme in modern society, as it sometimes does during court hearings, in gang fights, and in violent reactions to insult, it is often ascribed to immigration from pre-modern cultures where honor still matters in social life. Thus honor becomes part of the cultural baggage that is transfered to the host country through migration. However, the fact that highly modern social formations like MC gangs are also obsessed with honor seriously questions the validity of classical modernization theories. It seems that honor is not just a pre-modern weed in a modern garden of dignity, but an integral part of modernity. Since honor emerges under pre-modern as well as under modern conditions, it is relevant to ask under which circumstances it becomes a theme in interaction. Blurring the distinction between the modern and the pre-modern in this manner allows us to ask what honor is really all about. Containing a wealth of international contributions from Scandinavia, USA, Mexico, Kurdistan, Indonesia, Pakistan, Sri Lanka and Japan, Tournaments of Power provides first-hand ethnographic accounts and important answers to these vital questions.

A short history of the Chipko movement in India, one of the world's most famous examples of a grassroots environmental protest movement. This is a revised and expanded edition of a widely-reviewed book originally published in 1990.