"Pedro and George are fed up with the children of the world getting them confused. Pedro is a crocodile, and George is an alligator. There's a difference, you know. This determined pair decides to go on a mission to prove who's who, once and for all"--

Pedro is a small donkey who escapes the oppression and hardship of being forced into labor. He leaves his home in search of love and respect, wanting to become the best donkey in the world. Pedro is an extraordinary animal. He is born into a group of donkeys who transport tourists in the small town of Lindos, on the Greek island of Rhodes. The work is difficult, so the donkeys are unhappy because their owner is very demanding. The little donkey learns quickly from the other donkeys, developing the skills he needs to escape and build a life for himself. On Pedro’s first day of work, attempting to carry a very fat and aggressive tourist, he struggles. He is too small and weak to carry the tourist’s weight. When the tourist abuses Pedro, he fights back. His mother begs him to run away and find a better life. He escapes, promising that he will return for her. Pedro meets a little girl while he is eating flowers outside a florist shop. She convinces her grandfather to let the donkey live with them. One day, Pedro stops a bank robbery. His fame as a hero brings him to the attention of his past owner, who wants his donkey back. Will Pedro be able to stay with his new friend, or will he have to return to his old life?

Beseeched by his dying mother to locate his father, Pedro Paramo, whom they fled from years ago, Juan Preciado sets out for Comala. Comala is a town alive with whispers and shadows--a place seemingly populated only by memory and hallucinations. 49 photos.

This landmark publication collects three decades of writing from one of the most original, provocative and consistently entertaining voices of our time. Anyone who cares about language and culture should have this book in their life. Thirty years ago, Jonathan Meades published a volume of reportorial journalism, essays, criticism, squibs and fictions called Peter Knows What Dick Likes. The critic James Wood was moved to write: ‘When journalism is like this, journalism and literature become one.’ Pedro and Ricky Come Again is every bit as rich and catholic as its predecessor. It is bigger, darker, funnier, and just as impervious to taste and manners. It bristles with wit and pin-sharp eloquence, whether Meades is contemplating northernness in a German forest or hymning the virtues of slang. From the indefensibility of nationalism and the ubiquitous abuse of the word ‘iconic’, to John Lennon’s shopping lists and the wine they call Black Tower, the work assembled here demonstrates Meades's unparalleled range and erudition, with pieces on cities, artists, sex, England, concrete, politics and much, much more.

From the 8-time All Star and 3-time Cy Young Award-winning pitcher, a bold, no-holds-barred memoir of his career, from his hardscrabble upbringing in the Dominican Republic to becoming one of the greatest pitchers of all time

Pedro Gomez of ESPN was a beloved figure in the world of baseball and his death from sudden cardiac arrest on Feb. 7, 2021, unleashed an outpouring of heartfelt tributes. He was 58, both a hard-nosed reporter and a smiling ambassador of the sport. These 62 personal essays soar beyond sports to delve into life lessons. Pedro, a proud Cuban American, was known for his dramatic reporting from Havana. Fully and fluidly bilingual, he did as much as anyone to bridge the wide gap that had existed between U.S.-born players and the Latin Americans now so important to the game's vitality and future growth. He was also a family man who loved to talk about his three children, Sierra, Dante and Rio, a Boston Red Sox prospect.Pedro was universally known as a smiling presence who brought out the best in people. His humanity and generosity of spirit shaped countless lives, including one of his ESPN bosses, Rob King, who was so moved by Pedro's advice to him--"Remember who you are"--that he printed up the words and posted them on the wall of his office in Bristol. King is one of a diverse collection of contributors whose personal essays turn Pedro's shocking death into an occasion to reflect on the deeper truths of life we too often overlook. Part The Pride of Havana and part Tuesdays With Morrie, part The Tender Bar and part Ball Four, this is the rare essay collection that reads like a novel, full of achingly honest emotion and painful insights, a book about friendship, a book about standing for something, a book about joy and love. Former New York Times writer Jack Curry writes about Pedro's passion for live music, and former Sports Illustrated writer Tim Kurkjian brings alive spring-training basketball games with executives like Sandy Anderson and Billy Beane and Pedro right in the mix. Detroit manager AJ Hinch and formers Texas manager Ron Washington both reveal that in their darkest hours Pedro gave them some of the best advice of their lives. Hall of Famers Dennis Eckersley, Tony La Russa, Peter Gammons, Ross Newhan, Tracy Ringolsby and Dan Shaughnessy are among the contributors. So are likely future Hall of Famers Max Scherzer and Dusty Baker. Pulitzer-Prize-winning Washington Post war correspondent Steve Fainaru, award-winning writers from Howard Bryant and Mike Barnicle to Tim Keown, Ken Rosenthal and Dave Sheinin also contribute. Rounding out the mix are current and former ESPN stars including Rachel Nichols, Shelley M. Smith, Peter Gammons, Bob Ley and Keith Olbermann. This is a book to rekindle in any lapsed fan a love of going to the ballpark, but it's also a wakeup call that transcends sports. To any journalist, worn down by the demands of a punishing job, to anyone anywhere, pummeled by pandemic times and the dark mood of the country in recent years, these essays will light a spark to seize every opportunity to make a difference, in your work and in the lives of people who matter to you.

When the Big Bad Wolf is mistaken for a dog, he comes to live in a boy's closet and eat chocolate chip cookies.

The Mad Patagonian is a multi-generational epic spanning three centuries and five continents in which members of the Escoraz family are looking to find true love (and some version of paradise) in a world that has been torn apart by the random even bestialviolence of Fascism in all its forms.

Banned in Cuba but celebrated throughout the Spanish-speaking world, this picaresque novel in stories chronicles the misadventures of Pedro Juan, a former Cuban journalist living from hand to mouth in the squalor of contemporary Havana, half disgusted and half fascinated by the depths to which he has sunk. Like the lives of so many of his neighbors in the crumbling, once-elegant apartment houses that line Havana's waterfront, Pedro Juan's days and nights have been reduced by the so-called special times -- the harsh recession that followed the Soviet Union's collapse -- to the struggle of surviving the daily grit through the escapist pursuit of sex. Pedro Juan scrapes by under the shadow of hunger -- all the while observing his lovers and friends, strangers on the street, and their suffering with an unsentimental, mocking, yet sympathetic eye.

On the day Pedro Sanjuan moved into his new office at the UN Secretariat in 1984, he had the foresight to unscrew his telephone receiver. Out fell a little packet of high-grade cocaine. When he confronted the undersecretary to the chief Soviet diplomat—really a KGB colonel and the top Russian spy—the agent laughed good-naturedly and congratulated him on passing the test. That was the beginning of Sanjuan’s long, peculiar odyssey into the looking-glass world of the United Nations Secretariat. Pedro Sanjuan had been appointed by then–Vice President George H. W. Bush to a high-ranking UN post. His real mission: to keep an eye on Soviet espionage activities. Over the years, the Russians had managed to install nearly four hundred KGB and GRU agents in strategic positions throughout the Secretariat, and had turned it into a massive spy facility, operating openly and with absolute impunity on American soil. But this, it turned out, was the least of the problem. Sanjuan soon discovered that incompetence, corruption, anti-Semitism, and outright criminality were rife throughout the UN Secretariat. Among the shady activities that he personally observed or documented were rigged bidding for major service contracts; drug transactions conducted in the UN’s parking garage; sale of shotguns and beryllium directly out of the UN building; ties to global organized crime figures; use of UN Information Centers and other agencies to disseminate anti-US and pro-PLO propaganda; systematic theft and abuse of UN facilities and budgets in East Africa; graft and corruption in Vienna; widespread sexual harrassment; use of the UN employee’s lounge to plan anti-Israel and anti-US activities by Muslim delegates; open celebration of 9/11 by said delegates in the halls of the UN; and inexplicable tolerance of all of the above on the part of the secretary general and the US government. Sanjuan’s cast of characters includes every secretary general from Kurt Waldheim to Kofi Annan, and a large number of bureaucratic rogues and scoundrels. Much of what he documents in The UN Gang is absurdly comical. But its seriousness should not be overlooked. Ultimately, Sanjuan argues, the weakness and corruption of the UN is our own responsibility. During the Cold War, the superpowers conspired to render it a useless forum for international pronouncements and posturing. Now, however, it has become the focal point of global resistance to American interests and policies. Will we continue to host an unholy convention of anti-Semitic, America-hating hypocrites? Or will we take steps to reform this once-proud institution and make it serve the ends of peace, justice, and international order? Only time will tell.