From USA Today & Wall Street Journal best-selling author Emma Slate comes a billionaire standalone romance. Hadrian Rhys is every woman’s dream. The Scottish billionaire is handsome and shockingly masculine. He looks like a modern Viking in a suit. At first glance, he’s perfect… But something dark lurks beneath the surface of his manufactured facade. And it entices me in spite of my better judgement. So, when he offers me a contract to spend six months with him on his private island, I say yes. Night after night in his bed, Hadrian makes me unravel. He plays my body like he owns it. But he doesn’t just want my pleasure—he wants my ultimate surrender. He demands the truth from me, and begins to uncover carefully guarded secrets… Secrets my mother died to protect. Over time, I want to give in. What is it about this man that makes me want to yield? Why does my resistance crumble in his presence? My mother warned me not to trust anyone. But maybe—just maybe—Hadrian Rhys is powerful enough to save us both from what’s coming…

The example of Old Regime France provides a source for many of the ideas about capitalism, modernization, and peasant protest that concern social scientists today. Hilton Root challenges traditional assumptions and proposes a new interpretation of the relationship between state and society. This title is part of UC Press's Voices Revived program, which commemorates University of California Press's mission to seek out and cultivate the brightest minds and give them voice, reach, and impact. Drawing on a backlist dating to 1893, Voices Revived makes high-quality, peer-reviewed scholarship accessible once again using print-on-demand technology. This title was originally published in 1988. The example of Old Regime France provides a source for many of the ideas about capitalism, modernization, and peasant protest that concern social scientists today. Hilton Root challenges traditional assumptions and proposes a new interpretation of the rel

"Originally published in 2016 in Great Britain by Hodder and Stoughton."

The end is coming. Logen Ninefingers might only have one more fight in him - but it's going to be a big one. Battle rages across the North, the King of the Northmen still stands firm, and there's only one man who can stop him. His oldest friend, and his oldest enemy. It's past time for the Bloody-Nine to come home. With too many masters and too little time, Superior Glokta is fighting a different kind of war. A secret struggle in which no-one is safe, and no-one can be trusted. His days with a sword are far behind him. It's a good thing blackmail, threats and torture still work well enough. Jezal dan Luthar has decided that winning glory is far too painful, and turned his back on soldiering for a simple life with the woman he loves. But love can be painful too, and glory has a nasty habit of creeping up on a man when he least expects it. While the King of the Union lies on his deathbead, the peasants revolt and the nobles scramble to steal his crown. No-one believes that the shadow of war is falling across the very heart of the Union. The First of the Magi has a plan to save the world, as he always does. But there are risks. There is no risk more terrible, after all, than to break the First Law...

'A stunning piece of modern fantasy writing' RJ Barker 'Utterly compelling, thoroughly engrossing and written with such skilful assurance I could barely put it down' Nicholas Eames NO MAN IS ABOVE THE LAW The Empire of the Wolf simmers with unrest. Rebels, heretics and powerful patricians all challenge the power of the imperial throne. Only the Order of Justices stands in the way of chaos. Sir Konrad Vonvalt is the most feared Justice of all, upholding the law by way of his sharp mind, arcane powers and skill as a swordsman. At his side stands Helena Sedanka, his clerk and protégé, orphaned by the wars that forged the empire. When the pair investigate the murder of a provincial aristocrat, they unearth a conspiracy that stretches to the very top of imperial society. As the stakes rise and become ever more personal, Vonvalt and Helena must make a choice: will they abandon the laws they've sworn to uphold in order to protect the empire? Introducing an unforgettable protagonist destined to become a fantasy icon, The Justice of Kings is an unmissable debut where action, intrigue and magic collide. Praise for The Justice of Kings 'A fantastic debut' Peter McLean 'The Justice of Kings is equal parts heroic fantasy and murder mystery . . . Richard Swan's sophisticated take on the fantasy genre will leave readers hungry for more' Sebastien de Castell 'A fascinating look at justice, vengeance and the law - great characters, compelling and wonderfully written. A brilliant debut and fantastic start to the series' James Islington 'Totally addictive. A truly riveting tale about law, war, morality and justice' Novel Notions 'A marvellously detailed world with an engrossing adventure from a unique perspective' K. S. Villoso 'Swan has built a dark and gritty world, filled it with beautifully written characters and lays out a master-crafted story to create an incredible book that you can't put down' FanFiAddict 'A brilliant book, with intrigue, excellent character arcs, a brutal magic system and a story I just could not put down' Grimdark Magazine 'Riveting . . . Swan crafts a strong, dynamic character in Vonvalt, and the twists will keep readers turning the pages' Publishers Weekly

An epic standalone novel of historical fiction tinged with mystery, set against the backdrop of medieval Germany's Peasant War from the best-selling author of the Hangman’s Daughter series. In 1524, in what is now Germany, hundreds of thousands of peasants revolted against the harsh treatment of their aristocratic overlords. Agnes is the daughter of one of these overlords, but she is not a typical sixteenth-century girl, refusing to wear dresses and spending more time with her pet falcon than potential suitors. There is only one suitor she is interested in: Mathis, a childhood friend whom she can never marry due to his low birth status. In the midst of war, Agnes’s falcon finds a mysterious ring, and Agnes begins having strange but seemingly meaningful dreams. Dreams that lead her and Mathis to run away from their home in Trifels Castle and into the midst of the tumultuous Peasants’ War, cast into an adventure that will lead them to shocking revelations about themselves and the future of the emerging German states. “Pötzsch paints picturesque landscapes, whether it’s damp, dark castles, the stink of a medieval tannery, or whirlpool-plagued Rhine River rapids . . . Combine Princess Bride with Germanic history circa 1500, add a dash of Lord of the Rings, and there’s a week of good fun.” — Kirkus Reviews “The war scenes are grimly realistic, and the narration gripping . . . The author makes the fantastical elements work by harnessing them to the grim reality of the Peasants’ War, setting his far-fetched romance in an utterly convincing world of economic hardship, social strife and religious and political uncertainty.” — Wall Street Journal

“An excellent account” of Britain’s tradition of parceling out land for the public to grow food on, and the colorful history behind it (The Independent). This lively book tells the story of the private garden plots known as allotments—from their origin in the seventeenth century, when new enclosures that deprived the peasantry of access to common lands were fiercely protested, to the victory gardens of the world wars, and into the present day, when they serve less as a means of survival than as a respite from the modern world. While delving into the effects of the Napoleonic Wars, the Corn Laws, and the utopian dissenters known as the Diggers, the author reveals the multiple roles of allotments—and champions their history in the hope of protecting them for the future. “Foley’s book reminds us that the right to share the earth has always been an asymmetric struggle.” —The Guardian “Fascinating and handsomely illustrated.” —Daily Mail “Well-told . . . . [a] gallop through the history of useful rather than ornamental crops.” —Spectator Australia

"It is difficult to decide which is the more impressive: the authority and control with which Mr. Bendix writes of the traditions, the institutions, and the technological and social developments of cultures as diverse as the British, French, German, Russian, and Japanese, or the skill with which he weaves his separate stories into a persuasive scenario of the modern revolution. A remarkable achievement."--Gordon A. Craig, Stanford University ""Kings or People" is equal to the grandeur of its subject: the political origins of the modern world. With Barrington Moore's "Social Origins of Dictatorship and Democracy" and Immanuels Wallerstein's "The Modern World System" which it matches in boldness, while differing radically in perspective, it is one of the truly powerful ventures in comparative historical sociology to have appeared in recent years."--Clifford Geertz "A brilliant achievement that will be equally fascinating for the general reader, the student, and the specialized scholar."--Henry W. Ehrmann

In lieu of payment... Flynn Campbell now owns my fate. To settle my brother's debts, I become a waitress in the Scottish tycoon’s burlesque club. My duties were explicit, boundaries set. But the truth alters everything. Wealthy beyond belief, Flynn commands more than just opulent resorts—he reigns over the Scottish underworld. And I’m pulled into his dark world of organized crime. It’s dangerous and thrilling, unleashing a part of me I never knew existed. Soon, I’m completely ensnared in the treacherous web of the mafia. And I fall desperately, achingly in love with Flynn Campbell. But loving Flynn comes at a price. For him, there's no deed too dire. Even if it means crossing the ultimate line.