The study is supplemented with over ninety musical examples and includes a comprehensive musical and poetic anthology, with lyrics in both Russian and English."--BOOK JACKET.

Presented here is a rare collection of some of the best Gypsy folk songs popular among the Romanies of Russia and Eastern Europe. All offered in the original Romany tribal dialect, as appropriate to each song, with easy-to-follow pronunciation guide specially formulated for the native English speaker and literal (word-for-word) English translation. the appended short historical and linguistic overview offers a rare insight into the history, traditions, language as well as the music and songs of this unique and mysterious people. Great addition to any pianist's collection!

Russian Folk Songs for Guitar Solo is a selection of nine popular traditional Russian songs arranged for acoustic guitar. In working on the adaptation of these traditional songs I tried to keep to the authentic melodic and rhythmic structure intact. I even took one step further by creating a harmonic structure which preserved the vocal tradition while maintaining the original phrases and rhythmic variations. I also tried to adapt folk guitar technique in my version of these popular and charming Russian songs. the arrangements are in notation and tablature and will be useful for both the fingerstyle steel stringed and nylon stringed guitarists.

This volume presents a unique study of war songs created during and after World War II, known in Russia as the “Great Patriotic War”. The most popular war songs, such as “Katyusha”, “The Sacred War”, “Dark Night”, “My Moscow”, “In the Dugout”, “Victory Day”, provide illuminating insights into the musical culture of the former Soviet Union and modern Russia. In the year of the 70th anniversary of victory in the war, the book studies the cultural heritage of famous war songs from a new perspective, exploring the historical background of their creation and analysing their lyrics as part of Russian cultural heritage. The book also discusses the modifications required when translating the songs from Russian to English. It concludes with a description an educational project studying war songs at Moscow schools run under the auspices of UNESCO.