In the thirty years after Russian peasants were emancipated in 1861, they became a major focus of Russian intellectual life. This text is the first to examine the revealing images of the peasant created by Russian writers, scholars, journalists, and government officials during that period, as the identity and fate of the Russian peasant became an integral component in the future of Russia envisioned by liberal reformers and conservatives alike. Frierson examines the persisting stereotypes created by Tolstoy, Dostoevsky and other intellectuals seeking to understand village life, from the likable narod, the simple folk, to the exploitative kulak, the village strongman.

Scholars who study peasant society now realize that peasants are not passive, but quite capable of acting in their own interests. But, do coherent political ideas emerge within peasant society or do peasants act in a world where elites define political issues? Peasant Intellectuals is based on ethnographic research begun in 1966 and includes interviews with hundreds of people from all levels of Tanzanian society. Steven Feierman provides the history of the struggles to define the most basic issues of public political discourse in the Shambaa-speaking region of Tanzania. Feierman also shows that peasant society contains a rich body of alternative sources of political language from which future debates will be shaped.

By tracing the artistic vocabulary, techniques and working methods of icon painters in the last 400 years, Tarasov shows how icons have been integral to the history of Russian art, influenced by folk traditions and Western European currents alike.

This study of the Soviet political posters issued between 1918 and 1953, describes the archetypal images they featured, such as the worker, the peasant woman, the enemy and the leader. It analyzes these Bolshevik icons and explains how they defined the popular outlook in Soviet Russia.

Examines how peasant migration—the movement of males to cities for wage labor—affected villages before the Bolshevik revolution. New Russian sources are utilized.

The supremacy of pure feeling Dabbling in fauvism and cubism before founding the Suprematist movement, Russian painter and sculptor Kasimir Malevich (1879-1935) was a leading figure of the avant-garde and a pioneer of the non-objective style that he felt would "free viewers from the material world." In 1915, the same year he produced his most famous painting, "Black Square," he published the manifesto From Cubism to Suprematism. To critics who accused his work of being devoid of beauty and nature, he responded "art does not need us, and it never did." His 1918 painting "Suprematist Composition: White on White," one of the most radical artworks of its time, fetched $60 million at auction in 2008. The supremacy of pure feeling About the Series: Each book in TASCHEN's Basic Art series features: a detailed chronological summary of the life and oeuvre of the artist, covering his or her cultural and historical importance a concise biography approximately 100 illustrations with explanatory captions

First published in 1990 The World of the Russian Peasant is designed to provide a wide-ranging survey of new developments in Russian peasant studies. Editors Eklof and Frank paint a broad picture of what life was like for the vast majority of Russia’s population before 1917. Individual authors treat the intricacies of the village community and peasant commune, social structure, the everyday life and labour of peasant women, the impact of migration, the spread of education, and peasant art, religion, justice, and politics. The result is a portrait of a people greatly influenced by rapid and radical changes in the world yet seeking to maintain control over their lives and their communities. This is a must read for students of Russian history, Russian peasantry and rural sociology.

During the 1930's, 23 million peasants left their villages and moved to Soviet cities, where they comprised almost half the urban population and more than half the nation's industrial workers. Drawing on previously inaccessible archival materials, David L. Hoffmann shows how this massive migration to the cities—an influx unprecedented in world history—had major consequences for the nature of the Soviet system and the character of Russian society even today.Hoffmann focuses on events in Moscow between the launching of the industrialization drive in 1929 and the outbreak of war in 1941. He reconstructs the attempts of Party leaders to reshape the social identity and behavior of the millions of newly urbanized workers, who appeared to offer a broad base of support for the socialist regime. The former peasants, however, had brought with them their own forms of cultural expression, social organization, work habits, and attitudes toward authority. Hoffmann demonstrates that Moscow's new inhabitants established social identities and understandings of the world very different from those prescribed by Soviet authorities. Their refusal to conform to the authorities' model of a loyal proletariat thwarted Party efforts to construct a social and political order consistent with Bolshevik ideology. The conservative and coercive policies that Party leaders adopted in response, he argues, contributed to the Soviet Union's emergence as an authoritarian welfare state.