See the art that helped create the Grammy Award Nominated music video Do the Evolution by legendary band Pearl Jam, a Rock and Roll Hall of Fame 2017 inductee. Drawing inspiration from the Grammy Award nominated music video of the same name, Do the Evolution takes fans inside this unforgettable work of art. Directed by visionary comics legend Todd McFarlane (Spawn) and veteran animator Kevin Altieri (Batman: The Animated Series), this achievement in animation told a graphic and dark history of the world in four gripping minutes and is widely considered one of the best music videos of all time. Now, the full story of the making of this historic video will be told. Lushly illustrated by the video's striking animation cells with never before seen storyboards and designs from the video, the video's co-producer, Joe Pearson, will guide readers through the fascinating process of bringing the band’s vision to life in this one-of-a-kind art book.

Published to commemorate the influential band's twentieth anniversary, an illustrated portrait covers their achievements while sharing reproductions of rare archival memorabilia, personal photos, and tour notes.

There has never been a band like Pearl Jam. The Seattle quintet has recorded eleven studio albums; sold some 85 million records; played over a thousand shows, in fifty countries; and had five different albums reach number one. But Pearl Jam’s story is about much more than music. Through resilience, integrity, and sheer force of will, they transcended several eras, and shaped the way a whole generation thought about art, entertainment, and commerce. Not for You: Pearl Jam and the Present Tense is the first full-length biography of America’s preeminent band, from Ten to Gigaton. A study of their role in history – from Operation Desert Storm to the Dixie Chicks; "Jeremy" to Columbine; Kurt Cobain to Chris Cornell; Ticketmaster to Trump – Not for You explores the band's origins and evolution over thirty years of American culture. It starts with their founding, and the eruption of grunge, in 1991; continues through their golden age (Vs., Vitalogy, No Code, and Yield); their middle period (Binaural, Riot Act); and the more divisive recent catalog. Along the way, it considers the band’s activism, idealism, and impact, from “W.M.A.” to the Battle of Seattle and Body of War. More than the first critical study, Not for You is a tribute to a famously obsessive fan base, in the spirit of Nick Hornby’s Fever Pitch. It's an old-fashioned – if, at times, ambivalent – appreciation; a reflection on pleasure, fandom, and guilt; and an essay on the nature of adolescence, nostalgia, and adulthood. Partly social history, partly autobiography, and entirely outspoken, discursive, and droll, Not for You is the first full-length treatment of Pearl Jam's odyssey and importance in the culture, from the ’90s to the present.

This history of the LP is a must-have for any music connoisseur! When vinyl LP records took over the music industry in the late 1950s, a new era began. No longer bound by the time constraints of the shellac 78s that had been in use since the 1910s, recording artists could now present an entire album—rather than a lone three-minute single—on a vinyl LP, giving listeners a completely new way to experience their music. In recent years, vinyl has found a second life as an art form, collected and appreciated by music connoisseurs across the world. Vinyl: The Art of Making Records examines the origins of the vinyl format and its evolution throughout the 20th century, and also provides an in-depth look at how vinyl LPs are manufactured and packaged—often with striking artwork that makes them beloved by music enthusiasts today. Also included are four removable art prints, each representing a sample of album covers from the 1960s, 1970s, 1980s, and 1990s.

The first scholarly discussion on the band, Pearl Jam and Philosophy examines both the songs (music and lyrics) and the activities (live performances, political commitments) of one of the most celebrated and charismatic rock bands of the last 30 years. The book investigates the philosophical aspects of their music at various levels: existential, spiritual, ethical, political, metaphysical and aesthetic. This philosophical interpretation is also dependent on the application of textual and poetic analysis: the interdisciplinary volume puts philosophical aspects of the band's lyrics in close dialogue with 19th- and 20th-century European and American poetry. Through this widespread philosophical examination, the book further looks into the band's immense popularity and commercial success, their deeply loyal fanbase and genuine sense of community surrounding their music, and the pivotal place the band holds within popular music and contemporary culture.

Pearl Jam. Not many bands have achieved a status needing no adjective or description. Pearl Jam has. And fewer still have had an insider, much less a member, obsessively capture onstage and offhand pics of the experience-the friends, family, and fans...and one very famous plastic toy. Luckily for uslead guitaristMike McCreadydid-trusty Polaroid camera in hand. Documenting years of touring and travels, McCready snaps meetings with heroes and inspirations from all walks of life; time spent with crazy friends and family; and momentsfeaturing wildly artistic takes on art, nature, and architecture. Also: he once rocked a fab grey shift. And true to form for one not taking things too seriously, Mike sometimes had his pal, Mr. Potato Head, pop in and share in the fun. As wonderfully intimate as group "selfies" with the likes of Neil Young, Questlove, Jimmy Page, Ann and Nancy Wilson, Joey Ramone, Johnny Ramone, The Edge, Ben Harper, Peter Buck, Paul McCartney, Mike Mills, Sting, Macklemore and Ryan Lewis, Carrie Brownstein, Robert Plant, Peter Frampton, Dave Grohl, Gene Simmons, Bono, Jack White, Danny Clinch, Lady Gaga, Laura Dern, Dustin Hoffman, Judd Apatow, Will Ferrell, Leslie Mann, Jimmy Fallon, Mira Sorvino, Tim Robbins, Hugh Jackman, Venus Williams, and Kate Hudson are, it's the massive homage to the band's fans taken from stage view, in places from the Pacific Northwest to Peru, from Brussels to Bolivia, that brings McCready's manic intimacy come roaring to life. Of Potato Heads and Polaroidsis the scrapbook for our rockstar world-friends, family, and fans. With some wattage. And a great deal of fun and good times.

Vs. is the sound of a band on fire. The same confluence of talent, passion, timing, and fate that made “grunge” the world's soundtrack also lit a short fuse beneath Pearl Jam. The band combusted between late 1992 and mid-1994, the span during which they planned, recorded, and supported their sophomore record. The spotlight, the pressure, the pace-it all nearly turned the thriving act to ash. Eddie Vedder, the reluctant public face of the band, responded by lashing out lyrically. Jeff Ament, Mike McCready, and Stone Gossard, who beheld success with varying degrees of anxious satisfaction, attacked their instruments in solidarity. Dave Abbruzzese welcomed the rock-star lifestyle, and left his mark on the record with more than just potent percussion. Vs. roils with fury-and at times, gently steams-over the trappings of fame, human faults, and societal injustice. The record is a thrashing testament to Pearl Jam's urgent creativity and greater-good interests, and the band's logistical calculations behind it drew a career-defining line in the sand. It promised the world that Pearl Jam would neither burn out nor fade away. This book weaves research, little-known details, and band members' memories into a definitive account of how Vs. set them on a path toward enduring integrity and relevance.

A page-turning novel that is also an exploration of the great philosophical concepts of Western thought, Jostein Gaarder's Sophie's World has fired the imagination of readers all over the world, with more than twenty million copies in print. One day fourteen-year-old Sophie Amundsen comes home from school to find in her mailbox two notes, with one question on each: "Who are you?" and "Where does the world come from?" From that irresistible beginning, Sophie becomes obsessed with questions that take her far beyond what she knows of her Norwegian village. Through those letters, she enrolls in a kind of correspondence course, covering Socrates to Sartre, with a mysterious philosopher, while receiving letters addressed to another girl. Who is Hilde? And why does her mail keep turning up? To unravel this riddle, Sophie must use the philosophy she is learning—but the truth turns out to be far more complicated than she could have imagined.

Faith embarks on a journey deep into the exclusive art world with hellish consequences after she accompanies her lovers, the free-spirited Poppy and the elusive Louis, straight into the the epicenter of dark magic, Turin, Italy. As she dabbles with new paint and new partners, her own power begins to shed light on who or what she truly is and the devil will be by her side to guide her hand . . . New York Times bestselling writer Brian Azzarello (Batman: Damned, 100 Bullets) and artist Maria Llovet (Heartbeat) present the next chapter of their acclaimed erotic thriller as Faith descends into the world of dark magic and the even darker corners of the human soul. Collects Faithless II #1-6 for mature audiences.

Fashion ingenue, magazine editor, kimono designer, femme fatale, prize-winning writer--Uno Chiyo has becomeone of twentieth-century Japan's most accomplished and celebrated women. In this two-part volume, Rebecca L. Copeland offers Western readers a fascinating portrait of Uno's life along with translations of three of her distinctive works of short fiction. Part One depicts Uno's sometimes turbulent passage from obscurity in a small village to national literary prominence. There are the early years under her father's stern turelage; the first scandalous, failed romance which cost her her job as a schoolteacher; her apprenticeship at Enrakuken, the coffee shop of the literary elite whose ranks she laters joined as a resident of the "Magome Literati Village"; her series of passionate and troubled relationships and marriages. Throughout, Dr. Copeland focuses on the evolution of Uno's art and discusses her major works, paying special attention to the effect being female had on Uno's development as a writer. The three stories in Part Two are examples of Uno's work at its finest. "The Puppet Maker" (1942), a much-admired reflection on art and life, describes an encounter with a venerable carver of puppets. "The Sound of the Wind" (1969) is the tale of a wife at the turn of the century who willingly denies her own needs. "This Powder Box" (1966) shows a progressive career woman coming to terms with an old love affair. At once compelling and lyrical, the stories are a masterful interpretation of tradition, of women, and of self-fulfullment. The Sound of the Wind: The Life and Works of Uno Chiyo will engage both specialists and general readers interested in twentieth-century Japan, literature, and women's issues.