As the British armies march on Charleston, a young girl dreams of love For two years, General Washington and his rebels have outfoxed the British army, humiliating them so soundly that the redcoats have been forced to change strategy. Let Washington have the Northern colonies, they decide—we will attack the South. And the prime target, the jewel of the Southern states, is Charleston. In this cosmopolitan port city where war is about to erupt, Colleen McClagan watches the sea and waits for her lover’s return. It has been four years since Jason Paxton crossed the Atlantic to study music in Europe, and Colleen has counted every day. When he finally returns to the colonies, the two find they are united not only by love, but also by a thirst for liberty. As Colleen writes revolutionary pamphlets, Jason joins the patriots as a secret agent, staking his life on the hope that the land of his birth will one day be free.

A War on My Body; A War on My Rights--a profoundly personal and collaborative book led by Texas high school Valedictorian Paxton Smith, with contributions from numerous reproductive rights activists and public personalities, including renowned women's rights lawyer Gloria Allred, reproductive and immigrant justice warrior Sadie Hernandez, New York Congresswoman Carolyn B. Maloney, victims rights attorney Judie Saunders and former Texas Senator Wendy Davis. The book will be released on January 22, 2022 --49 years after the U.S. Supreme Court ruled to protect a pregnant woman's rights to abortion in the landmark Roe vs. Wade case.A riveting, educational, and powerful assemblage from a multitude of global leaders, entertainers, educators, medical and legal professionals spanning several generations and walks of life. A War on My Body; A War on My Rights chronicles the history of abortion rights, its role in gender equality and its cruciality to healthcare infrastructure while offering a mosaic of raw, passionate perspective of the crisis concerning women's reproductive rights and the dire impending consequences should the right to choose wane in the United States and on a global scale. It is a tribute to leadership and advocacy, illuminating the voices of those willing to take a stand on an issue that has long been cloaked in controversy and dishonor.

What is fascism? By focusing on the concrete: what the fascists did, rather than what they said, the esteemed historian Robert O. Paxton answers this question. From the first violent uniformed bands beating up “enemies of the state,” through Mussolini’s rise to power, to Germany’s fascist radicalization in World War II, Paxton shows clearly why fascists came to power in some countries and not others, and explores whether fascism could exist outside the early-twentieth-century European setting in which it emerged. "A deeply intelligent and very readable book. . . . Historical analysis at its best." –The Economist The Anatomy of Fascism will have a lasting impact on our understanding of modern European history, just as Paxton’s classic Vichy France redefined our vision of World War II. Based on a lifetime of research, this compelling and important book transforms our knowledge of fascism–“the major political innovation of the twentieth century, and the source of much of its pain.”

In just three months in 1940, Denmark, Norway, Belgium, the Netherlands, Luxembourg, and France fell to the Nazis. The German occupation of Western Europe had begun—but a brave few rose up in defiance. National resistance has long been celebrated in remembrances of World War II, depicted as making significant contributions to the defeat of Nazi Germany. However, the so-called army of shadows drew heavily on the support of London and Washington, a fact often forgotten in postwar Europe. The Resistance in Western Europe, 1940–1945 is a sweeping analytical history of the underground anti-Nazi forces during World War II. Examining clandestine organizations in Norway, Denmark, the Netherlands, Belgium, France, and Italy, Olivier Wieviorka sheds new light on the factors that shaped the resistance and its place in the grand scheme of Anglo-American military strategy. While national actors played a leading role in fomenting resistance, British and American intelligence services and propaganda as well as financial, material, and logistical support were crucial to its activities and growth. Wieviorka illuminates the policies of governments in exile and resistance actors regarding cooperation with the British and Americans, pointing to the persistence of national self-interest and long-standing historical tensions. Drawing on a wide range of archival sources and bringing together the political, diplomatic, and military dimensions of the conflict, this book is the first account of the resistance on a continental scale and from a trans-European perspective.

Martial Culture, Silver Screen analyzes war movies, one of the most popular genres in American cinema, for what they reveal about the narratives and ideologies that shape U.S. national identity. Edited by Matthew Christopher Hulbert and Matthew E. Stanley, this volume explores the extent to which the motion picture industry, particularly Hollywood, has played an outsized role in the construction and evolution of American self-definition. Moving chronologically, eleven essays highlight cinematic versions of military and cultural conflicts spanning from the American Revolution to the War on Terror. Each focuses on a selection of films about a specific war or historical period, often foregrounding recent productions that remain understudied in the critical literature on cinema, history, and cultural memory. Scrutinizing cinema through the lens of nationalism and its “invention of tradition,” Martial Culture, Silver Screen considers how movies possess the power to frame ideologies, provide social coherence, betray collective neuroses and fears, construct narratives of victimhood or heroism, forge communities of remembrance, and cement tradition and convention. Hollywood war films routinely present broad, identifiable narratives—such as that of the rugged pioneer or the “good war”—through which filmmakers invent representations of the past, establishing narratives that advance discrete social and political functions in the present. As a result, cinematic versions of wartime conflicts condition and reinforce popular understandings of American national character as it relates to violence, individualism, democracy, militarism, capitalism, masculinity, race, class, and empire. Approaching war movies as identity-forging apparatuses and tools of social power, Martial Culture, Silver Screen lays bare how cinematic versions of warfare have helped define for audiences what it means to be American.

To avenge her brother, a Gypsy girl will travel the world Adriana was only a child when she watched her parents die. As hateful villagers attacked her family’s camp, Adriana’s brother Giuseppe carried her into the woods. He told her to close her eyes, but she watched the carnage, and the memory has stayed with her ever since. Now a young woman, she is on the verge of choosing a husband when her life is again turned upside down. At a quiet English village fair, Adriana is telling fortunes when one of the local nobility attempts to have his way with her. Giuseppe is killed while defending her honor, and Adriana vows revenge. England offers no justice for Gypsies, and so Adriana must take her vengeance in blood. When her plot against her brother’s killer fails, she is forced to flee to the New World, where she will encounter a passion greater than any she has ever known.

From the shores of the Potomac, a society girl begins an epic journey Karen Hampton comes to Washington, DC, from New York City to celebrate the end of the Civil War. For weeks she dances, dines, and drinks, until all the parties and receptions have blurred together. By the end of the season, she has accomplished what every debutante is after: betrothal to an up-and-coming politician. But Karen is not satisfied with her prize. She intends to marry for love, and there is but one man in Washington who can move her heart. She first meets him under the dome of the Capitol, and then sees him again while bathing on the banks of the river. He is Vance Paxton, an upstart Texas representative whose copper skin and frontier clothes mark him as more than a creature of the Beltway. His love will carry her away from Washington to one of the last great battles of the American West, where Karen Hampton will learn what it means to live.

An attempt has been made to arrange the pamphlets reprinted in this volume in a chronological/argumentative sequence. The grammar, punctuation, and spelling of the originals have been kept; however, occasionally, where the spelling in the original might arouse serious question in the mind of the reader, the conventional symbol sic has been placed after the word. For permission to reprint these pamphlets I wish to thank the American Philosophical Society; The Historical Society of Pennsylvania; The Huntington Library, San Marino, Califor The Library Company of Philadelphia; and The New nia; York Public Library. I am particularly grateful for the generous help given me by the staffs of the American Philosophical Society and The Historical Society of Pennsylvania; I es pecially wish to thank Mr. Nicholas Biddle Wainwright, Re search Librarian of the latter Society, for prompt aid from a far distance in a number of trying circumstances. For permission to quote from Mr. Brooke Hindle's "The March of the Paxton Men," thanks are due to Mr. Lawrence W. Turner, editor of the William and Mary Quarter!J. TABLE OF CONTENTS Preface VII Introduction I A Narrative of the Late Massacres, in Lancaster County, of a Number of Indians, Friends of this Province, By Persons unknown. 55 Copy of a Letter From Charles Read, Esq: To The Hon: John Ladd, Esq: And his Associates, Justices of the Peace for the County of Gloucester. 77 The Cloven-Foot discovered.