This major monograph on the life and work of artist Paula Rego surveys a career that spans six decades, combining literary and artistic perspectives. "Paula Rego is an outstanding artist. She deserves an outstanding book. And now she has one." —Waldemar Januszczak, Art Critic, The Sunday Times A prolific painter and printmaker, Paula Rego is an artist of astonishing power with a unique and unforgettable aesthetic. Capturing the extraordinary aspects of Rego’s work, author Deryn Rees-Jones places autobiographical narratives alongside stories suggested by Rego’s pictures. She explores their rich and textured layering of references to the old masters, fiction, fairytales, poems, the folk traditions of Rego’s native Portugal, politics, feminism, and more. The result is a highly original work that addresses urgent and topical questions on gender, subject and object, and self and other. Taking its cues from the artist, this fascinating study invites us to reflect on the complexities of storytelling. Rooted in close interpretation of the artworks, we see how Rego’s art intersects with the work of other women artists, such as Cindy Sherman and Louise Bourgeois, as well as writers, from Charlotte Bronte¨ and Angela Carter to Franz Kafka and Martin McDonagh. A definitive volume on the artist’s oeuvre, Paula Rego continues to raise questions, elevating it beyond a retrospective to something both provocative and authoritative.

In these powerful and stylishly written essays, Maria Manuel Lisboa dissects the work of Paula Rego, the Portuguese-born artist considered one of the greatest artists of modern times. Focusing primarily on Rego's work since the 1980s, Lisboa explores the complex relationships between violence and nurturing, power and impotence, politics and the family that run through Rego's art. Taking a historicist approach to the evolution of the artist's work, Lisboa embeds the works within Rego's personal history as well as Portugal's (and indeed other nations') stories, and reveals the interrelationship between political significance and the raw emotion that lies at the heart of Rego's uncompromising iconographic style. Fundamental to Lisboa's analysis is an understanding that apparent opposites - male and female, sacred and profane, aggression and submissiveness - often co-exist in Rego's work in a way that is both disturbing and destabilising. This collection of essays brings together both unpublished and previously published work to make a significant contribution to scholarship about Paula Rego. It will also be of interest to scholars and students of contemporary painting, Portuguese and British feminist art, and the political and ideological aspects of the visual arts.

A major publication on the radical and political work of one of Britain's most celebrated living figurative artists. Born in Lisbon in 1935, Dame Paula Rego DBE left Portugal as a teenager to study in London, which has been her principal home for more than sixty years. She is celebrated for bold and intense paintings, drawings and prints that intertwine the private and the public, the intimate and the political, combining autobiographical elements with stories from literature, folklore and mythology, references to earlier art, and observations on the contemporary world. She uses arresting imagery and dark symbolism to create unsettling narrative tableaux that challenge the established order and unpick social and sexual codes embodied by family, religion and the state. Charged with a unique psychic and emotional drama and magic realism, her works express what it is to be human - and a woman in particular - and living under the oppressive hierarchies and controlling mores of patriarchal society. This book accompanies a major touring exhibition spanning Rego's entire career since the 1960s, with a focus on work that addresses the moral challenges to humanity, particularly in the face of violence, poverty, political tyranny, gender discrimination, and grief. The selected pictures, which include previously unseen paintings and works on paper from the artist's family and close friends, reflect Rego's perspective as an empathetic, courageous woman and a defender of justice. The book includes a substantial text by exhibition curator Catherine Lampert that will consider Rego's oeuvre as a whole and draw upon the artist's own interpretations and revelations about individual works, as well as appreciations of the artist's achievements by the acclaimed young American writer Kate Zambreno and new Irish author Sally Rooney

After a career spanning nearly half a centuury, Paula Rego is acknowledged to be one of the leading figurative artists at work today. Drawing on literature, fairy tales, myths, religious stories and the cartoons of Walt Disney, among other sources, she creates strongly narrative works imbued with a sense of subversive mystery. Writer and curator Fiona Bradley provides a key to understanding Rego's imagery through her searching account ogf the artist's life and working practices.

Full of the macabre touches and dark humor that have made Paula Rego's reputation, "Stone Soup "is a new version of the traditional Portuguese folktale by her daughter, the designer and writer, Cas Willing.Typically read to children to encourage cooperation in times of scarcity, the fable has existed in numerous incarnations for centuries. We follow the efforts of a young female traveler in her attempt to save herself from starvation, persuading a suspicious townspeople to supply her with food for her mysterious Stone Soup. All of the thirteen watercolor and ink paintings are reproduced here, bringing together Rego s expressive cast of figures amidst their troubled landscape."

Looking back over the national, religious and sexual politics of Portugal during Rego's childhood under the shadow of the Salazar dictatorship and subsequently, Lisboa locates the origins of the artist's preoccupation with power and powerlessness, violence and abuse within the political and ideological status quo of Portugal, past and present.

Presents a catalogue of the 2007 retrospective exhibition at the Reina Sofia in Madrid, including 250 illustrations of paintings, drawings and prints from 1953 to 2007, interviews with Rego, essays by Marco Livingstone and Robert Hughes, chronology and bibliography.

Published to accompany the exhibition held at Marlborough Fine Art Gallery, London, 11 October - 18 November 2006.

Etchings by a Portuguese artist educated in England provide a satirical reinterpretation of traditional English nursery rhymes in terms of the rigid sex roles, repressions, and conflicts of the society of her youth