Acclaimed music writer Robert Hilburn’s “epic” and “definitive” (Rolling Stone) biography of music icon Paul Simon, written with Simon’s full participation—but without his editorial control—that “reminds us how titanic this musician is” (The Washington Post). For more than fifty years, Paul Simon has spoken to us in songs about alienation, doubt, resilience, and empathy in ways that have established him as one of the most beloved artists in American pop music history. Songs like “The Sound of Silence,” “Bridge Over Troubled Water,” “Still Crazy After All These Years,” and “Graceland” have moved beyond the sales charts and into our cultural consciousness. But Simon is a deeply private person who has said he will not write an autobiography or talk to biographers. Finally, however, he has opened up for Robert Hilburn—for more than one hundred hours of interviews—in this “brilliant and entertaining portrait of Simon that will likely be the definitive biography” (Publishers Weekly, starred review). Over the course of three years, Hilburn conducted in-depth interviews with scores of Paul Simon’s friends, family, colleagues, and others—including ex-wives Carrie Fisher and Peggy Harper, who spoke for the first time—and even penetrated the inner circle of Simon’s long-reclusive muse, Kathy Chitty. The result is a deeply human account of the challenges and sacrifices of a life in music at the highest level. In the process, Hilburn documents Simon’s search for artistry and his constant struggle to protect that artistry against distractions—fame, marriage, divorce, drugs, record company interference, rejection, and insecurity—that have derailed so many great pop figures. “As engaging as a lively American tune” (People), Paul Simon is a “straight-shooting tour de force…that does thorough justice to this American prophet and pop star” (USA TODAY, four out of four stars). “Read it if you like Simon; read it if you want to discover how talent unfolds itself” (Stephen King).

A revelatory account of the life of beloved American music icon, Paul Simon, by the bestselling rock biographer Peter Ames Carlin To have been alive during the last sixty years is to have lived with the music of Paul Simon. The boy from Queens scored his first hit record in 1957, just months after Elvis Presley ignited the rock era. As the songwriting half of Simon & Garfunkel, his work helped define the youth movement of the '60s. On his own in the '70s, Simon made radio-dominating hits. He kicked off the '80s by reuniting with Garfunkel to perform for half a million New Yorkers in Central Park. Five years later, Simon’s album “Graceland” sold millions and spurred an international political controversy. And it doesn’t stop there. The grandchild of Jewish emigrants from Galicia in the Austro-Hungarian empire, the 75-year-old singer-songwriter has not only sold more than 100 million records, won 15 Grammy awards and been installed into the Rock ‘n’ Roll Hall of Fame twice, but has also animated the meaning—and flexibility—of personal and cultural identity in a rapidly shrinking world. Simon has also lived one of the most vibrant lives of modern times; a story replete with tales of Carrie Fisher, Leonard Bernstein, Bob Dylan, Woody Allen, Shelley Duvall, Nelson Mandela, drugs, depression, marriage, divorce, and more. A life story with the scope and power of an epic novel, Carlin’s Homeward Bound is the first major biography of one of the most influential popular artists in American history.

The classic collection of candid interviews with the greatest songwriters of our time, including Bob Dylan, Brian Wilson, Patti Smith, Paul Simon, Tom Petty, and dozens more This expanded fourth edition of Songwriters on Songwriting includes ten new interviews--with Alanis Morissette, Lenny Kravitz, Lou Reed, and others. In these pages, sixty-two of the greatest songwriters of our time go straight to the source of the magic of songwriting by offering their thoughts, feelings, and opinions on their art. Representing almost every genre of popular music, from blues to pop to rock, here are the figures that have shaped American music as we know it.

This comprehensive collection from the legendary folk icon features lyrics from each of Simon's 10 original studio albums, as well as lyrics from the renowned Simon & Garfunkel records. 50 b&w photographs throughout.

Chronicles the life of the famous musician and songwriter, including his early years as a doo-wop singer, his tumultuous partnership with Art Garfunkel, and his failed 1998 musical "The Capeman."

Former Senator Paul Simon delivers stirring eveidence of a catastrophic water crisis which will explode upon the global community unless drastic measures are taken in all corners of the world, including in our own backyards.

Paul Simon is commonly acknowledged to be one of the most successful singer-songwriters of the pop-rock era. After a brief biographical overview, this title examines Simon's songwriting work, providing a critical discussion of each song. It also discusses the variety of musical elements that contribute significantly to the value of Simon's work.

(Music Sales America). 14 of his best, arranged for piano and voice with guitar chord frames. Includes: The Boxer * Bridge Over Troubled Water * 59th Street Bridge Song (Feeling Groovy) * Homeward Bound * I Am a Rock * Mother and Child Reunion * Scarborough Fair/Canticle * The Sound of Silence * Still Crazy After All These Years * You Can Call Me Al * and more.

(Music Sales America). 23 top songs from Simon's solo career as well as his days with Garfunkel. Includes: America * Graceland * A Hazy Shade of Winter * I Am a Rock * Kodachrome * Mother and Child Reunion * The Sound of Silence * Still Crazy After All These Years * You Can Call Me Al * more.

In this revised edition of his earlier biography, Paul Simon provides an inspiring account of the life and work of Elijah Lovejoy, an avid abolitionist in the 1830s and the first martyr to freedom of the press in the United States. Lovejoy was a native New Englander, the son of a Congregational minister. He came to the Midwest in 1827 in pursuit of a teaching career and succeeded in running his own school for two years in St. Louis. Teaching failed to challenge Lovejoy, however, so he bought a half interest in the St. Louis Times and became its editor. In 1832, after experiencing a religious conversion, he returned east to study for the ministry at Princeton Theological Seminary. After his graduation, Lovejoy was called back to St. Louis by a group of Christian businessmen to serve as the editor of a new religious newspaper, the Observer, promoting religion, morality, and education. It was through this forum that Lovejoy took an ever stronger stance against slavery. In the slave state of Missouri, such a view was not onlyunpopular, but in the eyes of many, criminal. As a result, Lovejoy and his family suffered repeated persecution and acts of violence from angry mobs. In July 1836, in hopes of finding a more tolerant community in a "free" state, he moved both his printing press and his family across the Mississippi River to Alton, Illinois. The move to Alton was a fateful one. Lovejoy's press was dismantled and thrown into the river by a mob on the night of its arrival. Lovejoy ordered a new printing press, and it, too, was destroyed eleven months later. A determined and dedicated man, Lovejoy ordered a third press, and city officials took special precautions to ensure its safety after delivery. Nevertheless, an organized and angry mob rolled this third press, still in its crate, into the river exactly one month after Lovejoy's second press had been destroyed. A fourth press, housed in a large stone warehouse and guarded by Lovejoy and his supporters, met the same fate but only after a drunken mob had killed Lovejoy himself. He was buried two days later, 9 November 1837, on his thirty-fifth birthday. No one was ever convicted of his murder. Rather than suppressing the abolitionist movement, Lovejoy's death caused an eruption of antislavery activity throughout the nation. At a protest meeting in Ohio, John Brown dedicated his life to fighting slavery, and Wendell Phillips emerged from a Lovejoy protest meeting in Boston to become a leader in the antislavery fight. Simon defines Lovejoy's fight as a struggle for human dignity and the oppressed. He distinguishes Lovejoy as a courageous and admirable individual and his story as an important and enduring one for both the cause of freedom for the slaves and the cause of freedom of the press.