The first-ever graphic biography of Paul Robeson, Ballad of an American, charts Robeson’s career as a singer, actor, scholar, athlete, and activist who achieved global fame. Through his films, concerts, and records, he became a potent symbol representing the promise of a multicultural, multiracial American democracy at a time when, despite his stardom, he was denied personal access to his many audiences. Robeson was a major figure in the rise of anti-colonialism in Africa and elsewhere, and a tireless campaigner for internationalism, peace, and human rights. Later in life, he embraced the civil rights and antiwar movements with the hope that new generations would attain his ideals of a peaceful and abundant world. Ballad of an American features beautifully drawn chapters by artist Sharon Rudahl, a compelling narrative about his life, and an afterword on the lasting impact of Robeson’s work in both the arts and politics. This graphic biography will enable all kinds of readers—especially newer generations who may be unfamiliar with him—to understand his life’s story and everlasting global significance. Ballad of an American: A Graphic Biography of Paul Robeson is published in conjunction with Rutgers University’s centennial commemoration of Robeson’s 1919 graduation from the university. Study guide for Ballad of an American: A Graphic Biography of Paul Robeson (https://d3tto5i5w9ogdd.cloudfront.net/wp-content/uploads/2021/05/10201015/YA_Adult-Study-Guide-for-A-Graphic-Biography-of-Paul-Robeson.pdf). View the blad for Ballad of an American.

Robeson's international achievements as a singer and actor in starring roles on stage and screen made him the most celebrated black American of his day, but his outspoken criticism of racism in the United States, his strong support of African independence, and his fascination with the Soviet Union placed him under the debilitating scrutiny of McCarthyism. Blacklisted, his famed voice silenced, Here I Stand offered a bold answer to his accusers. It remains today a defiant challenge to the prevailing fear and racism that continues to characterize American society.

This title presents the biography of African American singer and actor Paul Robeson who spoke out against the poverty and injustice he found in the world. It introduces a new generation of young readers to this courageous and inspiring man.

The inspiring life and legacy of vocal artist and civil rights icon Paul Robeson—one of the most important public figures in the twentieth century—adapted for young adults by the acclaimed Robeson biographer "As an artist I come to sing, but as a citizen, I will always speak for peace, and no one can silence me in this." —Paul Robeson Paul Robeson was destined for greatness. The son of an ex-slave who upon his college graduation ranked first in his class, Robeson was proclaimed the future "leader of the colored race in America." Although a graduate of Columbia Law School, he abandoned his law career (and the racism he encountered there) and began a hugely successful career as an internationally celebrated actor and singer. The predictions seemed to have been correct—Paul Robeson's triumphs on the stage earned him esteem among white and Black Americans across the country, although his daring and principled activism eventually made him an outcast from the entertainment industry, and his radical views made many consider him a public enemy. With the original biography lavishly praised in the Washington Post as "enthralling . . . a marvelous story marvelously told," this will be a thrilling new addition to the young adult canon. Featuring contextualizing sidebars, explanations of key terms, and photographs from Paul Robeson's life and times, Paul Robeson: No One Can Silence Me will introduce readers in middle and high school to the inspiring and complicated life of one of America's most fascinating figures, whose story of artistry, heroism, conviction, and conflict is newly relevant today.

Paul Robeson was one of the most famous people in the world; to his enemies he was also one of the most dangerous. From the 1930s to the 1960s, the African American singer was the voice of the people, both on stage and as a political activist who refused to be silenced as he fought for the rights of the oppressed. His message of peace, equality and justice was understood as much on the streets of Manchester, Moscow, Johannesburg and Bombay as it was in Harlem and Washington, DC. Jordan Goodman tells the story of Robeson during the tumultuous Cold War when the United States government became so worried by his impact abroad that it tried to silence him. Drawing on extensive new archival material from Robeson's FBI, State Department, MI6 and KGB files, he shows the major international scope of this effort.

Paul Robeson, despite being one of the greatest Renaissance figures in American history, still remains in relative anonymity. An exceptional scholar, lawyer, athlete, stage and screen actor, linguist, singer, civil rights and political activist, he performed brilliantly in every professional enterprise he undertook. Any serious treatment of civil rights history and radical politics as well as American sports, musical, theatrical, and film history must consider the enormous contributions of Paul Robeson. And yet, Paul Robeson remains virtually unknown by millions of educated Americans. People typically know him for only one, if any, of the major successes of his life: the concert singer best known for “Old Man River,” the star of Shakespeare’s Othello on Broadway in the early 1940s, the political activist blacklisted for his radical views and activism during the era of McCarthyism in the 1950s. Paul Robeson For Beginners demystifies and bestows light and long overdue credence to the life of this extraordinary American.

Paul Robeson: A Life of Activism and Art is the biography of an African American icon and a demonstration of historian Lindsey R. Swindall's knack for thorough, detailed research and reflection. Paul Robeson was, at points in his life, an actor, singer, football player, political activist and writer, one of the most diversely talented members of the Harlem Renaissance. Swindall centers Robeson's story around the argument that while Robeson leaned toward Socialism, a Pan-African perspective is fundamental to understanding his life as an artist and political advocate. Many previous works on Robeson have focused primarily on his involvement with the US Communist Party, paying little attention to the broader African influences on his politics and art. With each chapter focused on a decade of his life, this book affords us a fresh look at his story, and the ways in which the struggles, successes and studies of his formative years came to shape him as an artist, activist and man later on. Robeson’s story is one not simply of politics and protest, but of a man’s lifelong evolution from an athlete to an entertainer to an indispensible man of letters and African American thought. Swindall neatly outlines the events of Robeson's life in a way that freshly presents him as a man whose work was influenced by more than just his circumstances, but by a spirit rooted in dedication to the African's place in American art and politics.

From his cavernous voice and unparalleled artistry to his fearless struggle for human rights, Paul Robeson was one of the twentieth century's greatest icons and polymaths. In Everything Man Shana L. Redmond traces Robeson's continuing cultural resonances in popular culture and politics. She follows his appearance throughout the twentieth century in the forms of sonic and visual vibration and holography; theater, art, and play; and the physical environment. Redmond thereby creates an imaginative cartography in which Robeson remains present and accountable to all those he inspired and defended. With her bold and unique theorization of antiphonal life, Redmond charts the possibility of continued communication, care, and collectivity with those who are dead but never gone.

A world-famous singer and actor, a trained lawyer, an early star of American professional football and a polyglot who spoke over a dozen languages. These could be the crowning achievements of a life well-lived, yet for Paul Robeson the higher calling of social justice led him to abandon both the NFL and Hollywood and become one of the most important political activists of his generation - battling both Jim Crow and Joseph McCarthy.Gerald Horne's new biography uses Robeson's remarkable and revolutionary life to tell the story of the 20th century's great political struggles: against racism, against colonialism, and for international socialism. This critical and searching account provides an opportunity for readers to comprehend the triumphs and tragedies of the revolutionary progressive movement of which Robeson was not just a part, but, perhaps, its most resonant symbol.