Since the mid-twentieth century, apocalyptic thought has been championed as a central category for understanding the New Testament writings and the letters of Paul above all. But “apocalyptic” has meant different things to different scholars. Even the assertion of an “apocalyptic Paul” has been contested: does it mean the invasive power of God that breaks with the present age (Ernst Käsemann), or the broader scope of revealed heavenly mysteries, including the working out of a “many-staged plan of salvation” (N. T. Wright), or something else altogether? Paul and the Apocalyptic Imagination brings together eminent Pauline scholars from diverse perspectives, along with experts of Second Temple Judaism, Hellenistic philosophy, patristics, and modern theology, to explore the contours of the current debate. Contributors discuss the history of what apocalypticism, and an “apocalyptic Paul,” have meant at different times and for different interpreters; examine different aspects of Paul’s thought and practice to test the usefulness of the category; and show how different implicit understandings of apocalypticism shape different contemporary presentations of Paul’s significance.

Romans 5-8 revolve around God's dramatic cosmic activity and its implications for humanity and all of creation. Apocalyptic Paul measures the power of Paul's rhetoric about the relationship of cosmic power to the Law, interpretations of righteousness and the self, and the link between grace and obedience. A revealing study of Paul's understanding of humanity in light of God's apocalyptic action through Jesus Christ, Apocalyptic Paul illuminates Romans 5-8 and shows how critical this neglected part of Romans was to Paul's literary project.

One of the most widely praised studies of Jewish apocalyptic literature ever written, The Apocalyptic Imagination by John J. Collins has served for over thirty years as a helpful, relevant, comprehensive survey of the apocalyptic literary genre. After an initial overview of things apocalyptic, Collins proceeds to deal with individual apocalyptic texts — the early Enoch literature, the book of Daniel, the Dead Sea Scrolls, and others — concluding with an examination of apocalypticism in early Christianity. Collins has updated this third edition throughout to account for the recent profusion of studies germane to ancient Jewish apocalypticism, and he has also substantially revised and updated the bibliography.

Throughout Christian history, apocalyptic visions of the approaching end of time have provided a persistent and enigmatic theme for history and prophecy. Apocalyptic literature played a particularly important role in the medieval world, where legends of the Antichrist, Gog and Magog, and the Last Roman Emperor were widely circulated. Although scholars have long recognized that a body of Byzantine prophetic literature served as the source for these ideas, the Byzantine textual tradition, its sources, and the way in which it was transmitted to the West have neve been thoroughly understood. For more than fifteen years prior to his death in 1977, Paul J. Alexander devoted his energies to the clarification of the Byzantine apocalyptic tradition. These studies, left uncompleted at his death, trace the development of a textual tradition that passed from Syriac through Greek to Slavonic and Latin literature. Using a combination of philological and historical detection, the author establishes the time, place, and circumstances of composition for each of the major surviving texts, identifying lost works known only through descriptions. In showing how Byzantine prophecy served as a bridge between ancient eschatological works and the medieval West, Alexander demonstrates that apocalyptic literature represents a creative source for the expression of political and religious thought in the medieval world. This title is part of UC Press's Voices Revived program, which commemorates University of California Press's mission to seek out and cultivate the brightest minds and give them voice, reach, and impact. Drawing on a backlist dating to 1893, Voices Revived makes high-quality, peer-reviewed scholarship accessible once again using print-on-demand technology. This title was originally published in 1985.

Will be welcomed by teachers in search of an anthology for use in undergraduate courses in Jewish and early Christian apocalyptic literature, ---Religious Studies Review. The texts are taken from standard English editions and are arranged according to the model developed by the Society of Biblical Literature's Genres Project. 352 pages, softcover. Hendrickson.

The year 167 B.C.E. marked the beginning of a period of intense persecution for the people of Judea, as Seleucid emperor Antiochus IV Epiphanes attempted -- forcibly and brutally -- to eradicate traditional Jewish religious practices. In Apocalypse against Empire Anathea Portier-Young reconstructs the historical events and key players in this traumatic episode in Jewish history and provides a sophisticated treatment of resistance in early Judaism. Building on a solid contextual foundation, Portier-Young argues that the first Jewish apocalypses emerged as a literature of resistance to Hellenistic imperial rule. In particular, Portier-Young contends, the book of Daniel, the Apocalypse of Weeks, and the Book of Dreams were written to supply an oppressed people with a potent antidote to the destructive propaganda of the empire -- renewing their faith in the God of the covenant and answering state terror with radical visions of hope.

Apocalytic literature has addressed human concerns for over two millennia. This volume surveys the source texts, their reception, and relevance.

Constructing Antichrist engages readers with the question: what does Paul have to do with the Antichrist? Integrating new scholarship in apocalypticism and the history of exegesis, this book is the first longitudinal study of the role of Paul in apocalyptic thought

Apocalyptic Transformation explores how one the oldest sense-making paradigms, the apocalyptic myth, is altered when postmodern authors and filmmakers adopt it. It examines how postmodern writers adapt a fundamentally religious story for a secular audience and it proposes that even as these writers use the myth in traditional ways, they simultaneously undermine and criticize the grand narrative of apocalypse itself.