Drawing on her own experiences and observations, Debbie writes from the heart in this very personal Devotional book.

A Pattern of Prayer is a guide to prayer based on the daily, weekly, and occasional prayers of an intentional, ecumenical, Christian community called Grace and Main Fellowship in Danville, Virginia. It's designed to cultivate a rhythm to the life of prayer either in groups or by individuals. Providing a structure for morning, midday, evening, and night prayer, it is an excellent devotional aid that also allows the reader, or readers, to pray along with others wherever they may be. Also included are some of the prayers and blessings used in the work of the community, as well as the community's "identity statements" or "little rule." To make use of the prayerbook, all you'll need, in addition to the book, is a Bible.

Is it singing? A church service? All of life? Helping Christians think more theologically about the nature of true worship, Rhythms of Grace shows how the gospel is all about worship and worship is all about the gospel. Mike Cosper ultimately answers the question: What is worship?

Religious imagery was ubiquitous in late-nineteenth-century American life: department stores, schoolbooks, postcards, and popular magazines all featured elements of Christian visual culture. Such imagery was not limited to commercial and religious artifacts, however, for it also found its way into contemporary fine art. In Signs of Grace, Kristin Schwain looks anew at the explicitly religious work of four prominent artists in this period--Thomas Eakins, F. Holland Day, Abbott Handerson Thayer, and Henry Ossawa Tanner--and argues that art and religion performed analogous functions within American culture. Fully expressing the concerns and values of turn-of-the-century Americans, this artwork depicted religious figures and encouraged the beholders' communion with them.Describing how these artists drew on their religious beliefs and practices, as well as how beholders looked to art to provide a transcendent experience, Schwain explores how a modern conception of faith as an individual relationship with the divine facilitated this sanctified relationship between art and viewer. This stress on the interior and subjective experience of religion accentuated the artist's efforts to engage beholders personally with works of art; how better to fix the viewer's attention than to hold out the promise of salvation? Schwain shows that while these new visual practices emphasized individual encounters with art objects, they also carried profound social implications. By negotiating changes in religious belief--by aestheticizing faith in a new, particularly American manner--these practices contributed to evolving debates about art, ethnicity, sexuality, and gender.

Explore this stunning quality of God’s grace: It never ends! In this revision of a foundational work, John Piper reveals how grace is not only God’s undeserved gift to us in the past, but also God’s power to make good happen for us today, tomorrow, and forever. True life for the follower of Jesus really is a moment-by-moment trust that God is dependable and fulfills his promises. This is living by faith in future grace, which provides God's mercy, provision, and wisdom—everything we need—to accomplish his good plans for us. In Future Grace, chapter by chapter—one for each day of the month—Piper reveals how cherishing the promises of God helps break the power of persistent sin issues like anxiety, despondency, greed, lust, bitterness, impatience, pride, misplaced shame, and more. Ultimate joy, peace, and hope in life and death are found in a confident, continual awareness of the reality of future grace.

The arrival of a wealthy young man leads Grace to question what she really wants in life.

According to the Pattern is a Christian Romance by Grace Livingston Hill MRS. Claude Winthrop sat in her pretty sitting room alone under the lamplight making buttonholes. Her eyes were swimming in stringing tears that she would not for the world let fall. She felt as if a new law of attraction held them there to blind and torture her. She could not let them fall, for no more were left; they were burned up by the emotions that were raging in her soul, and if these tears were gone her eyeballs would surely scorch the lids. She was exercising strong control over her lips that longed to open in a groan that should increase until it reached a shriek that all the world could hear. Her fingers flew with nervous haste, setting the needle in dainty stitches in the soft white dress for her baby girl. She had not supposed when she fashioned the little garment the day before and laid it aside ready for the finishing that she would think of its wearer to-night in so much agony. Ah, her baby girl, and her boy, and the older sister!

Grace in Practice is a challenging call to live life under grace -- a concept most Christians secretly have trouble with. Paul Zahl pulls no punches, contending that no matter how often we talk about salvation by grace, in our "can-do" society we often cling instead to a righteousness of works. Asserting throughout that grace always trumps both law and church, Zahl illuminates an expansive view of grace in everything, extending the good news of grace to all creation. Conversationally written and filled with fascinating insights, Grace in Practice will reward any Christian who seeks to understand the full measure of God's grace and the total freedom it offers.

Christianity struggles to show how living on earth matters for living with God. While people of faith increasingly seek practical ways to respond to the environmental crisis, theology has had difficulty contextualizing the crisis and interpreting the responses. In Ecologies of Grace, Willis Jenkins presents a field-shaping introduction to Christian environmental ethics that offers resources for renewing theology. Observing how religious environmental practices often draw on concepts of grace, Jenkins maps the way Christian environmental strategies draw from traditions of salvation as they engage the problems of environmental ethics. He then uses this new map to explore afresh the ecological dimensions of Christian theology. Jenkins first shows how Christian ethics uniquely frames environmental issues, and then how those approaches both challenge and reinhabit theological traditions. He identifies three major strategies for making environmental problems intelligible to Christian moral experience. Each one draws on a distinct pattern of grace as it adapts a secular approach to environmental ethics. The strategies of ecojustice, stewardship, and ecological spirituality make environments matter for Christian experience by drawing on patterns of sanctification, redemption, and deification. He then confronts the problems of each of these strategies through critical reappraisals of Thomas Aquinas, Karl Barth, and Sergei Bulgakov. Each represents a soteriological tradition which Jenkins explores as an ecology of grace, letting environmental questions guide investigation into how nature becomes significant for Christian experience. By being particularly sensitive to the ways in which environmental problems are made intelligible to Christian moral experience, Jenkins guides his readers toward a fuller understanding of Christianity and ecology. He not only makes sense of the variety of Christian environmental ethics, but by showing how environmental issues come to the heart of Christian experience, prepares fertile ground for theological renewal.

The biblical teaching in Grow in Grace will appeal to Christians at all stages, while its straightforward explanation of the patterns of God's work in his people makes it ideal for those who are just beginning.