Patriarchy’s Creative Resilience explores the disturbing sustainability of White male supremacy. Kramp traces an imaginative failure and an imaginative success; his focus on British speculative fiction published between 1870 and 1900 demonstrates how even this elastic and wildly inventive literary form remains incapable of promoting non- patriarchal masculinity, and he attributes this inability to the creative resiliency of white male supremacy. He demonstrates the inventive use of diverse resources that we frequently view as custom or uncomplicated history and a versatility that we often dismiss as sheer power. He draws on an archive of late nineteenth- century speculative fiction to detail a versatile patriarchal toolbox, including hegemonic masculinity, control of dangerous women, hyperbolic and sentimental performances of male sovereignty, and reversions to authoritarian, at times violent conduct. He also considers how the classic military strategy of dividing to conquer undergirds all these tactics, inhibiting our creating energies and dynamic collaborations. Various chapters demonstrate the enterprise, ingenuity, and adaptability of patriarchy to refashion and rejustify normalized systems of oppression. While scholars have consistently identified moments and agents of resistance to patriarchal structures by highlighting creativity, resiliency, and resourcefulness, Kramp’s project reveals how patriarchy itself is creative, resilient, and resourceful.

Patriarchy's Creative Resilience explores the disturbing sustainability of white male supremacy. Kramp traces an imaginative failure and an imaginative success; his focus on British speculative fiction published between 1870-1900 demonstrates how even this elastic and wildly inventive literary form remains incapable of promoting non-patriarchal masculinity, and he attributes this inability to the creative resiliency of white male supremacy. He demonstrates the inventive use of diverse resources that we frequently view as custom or uncomplicated history and a versatility that we often dismiss as sheer power. He draws on an archive of late nineteenth-century speculative fiction to detail a versatile patriarchal toolbox, including hegemonic masculinity, control of dangerous women, hyperbolic and sentimental performances of male sovereignty, and reversions to authoritarian, at times violent conduct. He also considers how the classic military strategy of dividing to conquer undergirds all these tactics, inhibiting our creating energies and dynamic collaborations. Various chapters demonstrate the enterprise, ingenuity, and adaptability of patriarchy to refashion and re-justify normalized systems of oppression. While scholars have consistently identified moments and agents of resistance to patriarchal structures by highlighting creativity, resiliency, and resourcefulness, Kramp's project reveals how patriarchy itself is creative, resilient, and resourceful.

While W. B. Yeats’s influential account of the ‘Tragic Generation’ claims that most fin-de-siècle poets died, or at least stopped writing, shortly after 1900, this book explodes this narrative by attending to the twentieth-century poetry produced by women poets Alice Meynell, Michael Field (Katharine Bradley and Edith Cooper), Dollie Radford, and Katharine Tynan. While primarily associated with the late nineteenth century, these poets were active in the twentieth century, but their later writing is overlooked in modernist-dominated studies, partly due to this poetry’s adherence to traditional form. This book reveals that these poets, far from being irrelevant to modernity, used these established forms to address contemporary concerns, including suffrage, sexuality, motherhood, and the First World War. The chapters focus on Meynell’s manipulations of metre to contemplate temporality and literary tradition; Michael Field’s use of blank verse to portray the conflicted modern woman; Radford’s adaptation of the aesthetic song-like lyric to tackle the experience of the city, urban crime, and suffrage; and Tynan’s employment of the ballad to soothe bereaved mothers during the First World War. This book ultimately shows that traditional forms played a vital role in shaping mature women poets’ responses to modernity, illuminating debates about form, tradition, and gender in twentieth-century poetry.

There are fairy tales that surprise, destabilise, or even shock us: these are uncanny fairy tales that manipulate familiar stories in creative and bewildering ways in order to express new meanings. This work analyses these tales, basing its approach on a reformulation of Freud’s concept of the uncanny. Through a cognitive outlook the employed theoretical framework provides new perspectives on the study of experimental literary fairy tales. Considering English-language literature, complex and unsettling reinterpretations of the fairy-tale discourse began to appear during the Victorian Age, later resurfacing as a postmodern trend. This research individuates uncanny-related narrative techniques and cognitive responses as means to decodify and explore these tales, and as ways to discover unseen connections between Victorian and postmodern texts. The new theorisation of the uncanny is linked with three subconcepts: mirror, hybridity, and wonder, which function as tools to describe and investigate the cognitive and emotional entanglements characterising enigmatic and disorienting fairy tales.

The election of an unabashedly patriarchal man as US President was a shock for many—despite decades of activism on gender inequalities and equal rights, how could it come to this? What is it about patriarchy that seems to make it so resilient and resistant to change? Undoubtedly it endures in part because some people benefit from the unequal advantages it confers. But is that enough to explain its stubborn persistence? In this highly original and persuasively argued book, Carol Gilligan and Naomi Snider put forward a different view: they argue that patriarchy persists because it serves a psychological function. By requiring us to sacrifice love for the sake of hierarchy, patriarchy protects us from the vulnerability of loving and becomes a defense against loss. Uncovering the powerful psychological mechanisms that underpin patriarchy, the authors show how forces beyond our awareness may be driving a politics that otherwise seems inexplicable.

Although most evangelical traditions bar women from ordained ministry, many women have carved out unofficial positions of power in their husbands' spiritual empires or their own ministries. The biggest stars write bestselling books, grab high ratings on Christian television, and even preach. Bowler offers a sympathetic and revealing portrait of megachurch women celebrities, showing how they must balance the demands of celebrity culture and conservative, male-dominated faiths. And black celebrity preachers' wives carry a special burden of respectability. A compelling account of women's search for spiritual authority in the age of celebrity. -- adapted from jacket

Are you tired of living in a world where women are undervalued and underpaid? Do you believe that women deserve better? Then this book is for you. "Burning Down the Patriarchy" is a powerful call to arms that exposes the systemic injustices that women face. It explores the hidden ways in which women are restricted and oppressed, from wage disparities to the expectations placed on them as mothers. This book will empower you to: - Understand the deep-seated societal structures that have been built to oppress women. - Recognize and confront internalized misogyny. - Demystify the wage gap and learn about the systematic ways in which women are denied equal pay. - Uncover the overlooked and undervalued unpaid work women do at home. - Discover the shocking reality of the 'Pink Tax' and how it perpetuates economic inequality. - Navigate the treacherous 'Glass Cliff' that sets women up for failure in leadership roles. - Unpack the damaging beauty standards weaponized against women and its impact on mental health. - Learn about the erasure of women from history and the importance of recognizing their contributions. - Expose the sexualization of women in media and society and its harmful consequences. - Understand the pressures of motherhood and how society expects women to fulfill this role. - Discover the importance of bodily autonomy and the fight for reproductive rights. If you want to ignite change and work towards a future where women are recognized as equals, then this book is your guide. So, grab a copy of "Burning Down the Patriarchy" today and join the revolution!

Anthropain is pain inflicted by human beings on other human beings. Women experience anthropain in the negotiation of their everyday lives. This book tells the stories of eight women and their reactions to anthropain encountered as they engage in their respective socio-economic and political struggles. The eight women are drawn from a village in Africa. They express their feminine utu (humanness) through what is termed here “sweet sobs.” They weep in pain, but turn their tears into creative energy that generates resilience, hope, productivity, inspiration, positive change, and sustainable development. This book is about shunning the ostrich mentality, avoiding living in denial, turning lemons into lemonade, and acknowledging that, while life will not always be fair, one has to negotiate in life to achieve desired outcomes. It is a celebration of women’s resilience, creativity, and bouncing back amidst adversity. While the issue of class, privilege, race, ethnicity, and stereotyping has divided the global women’s movement, the book represents a handy common denominator to rally women to stop violence, gender stereotypes, and exploitative economic relations and leave a positive legacy that inspire others. The analysis is illuminated by Gikuyu orature, womanism, and feminism. It contributes to the understanding of the feminist crisis in the public domain, in corporate and government boardrooms, and at the grassroots level in peasant and economic informal activities and in rural households and informal settlements. It calls for the re-evaluation of current gender methodologies, which portray women as victims of patriarchy, exploitative economic relations, and climate change. It demonstrates the power of the story as a tool of gendered research and women’s empowerment.

Resilience discourse has recently become a global phenomenon, infiltrating the natural and social sciences, but has rarely been undertaken as an important object of study within the field of the humanities. Understanding narrative in its broad sense as the representation in art of an event or story, Glocal Narratives of Resilience investigates the contemporary approaches to resilience through the analyses of cultural narratives that engage aesthetically and ideologically in (re)shaping the notion of resilience, going beyond the scales of the personal and the local to consider the entanglement of the regional, national and global aspects embedded in the production of crises and the resulting call for resilience. After an introductory survey of the state of the art in resilience thinking, the book grounds its analyses of a wide range of narratives from the American continent, Europe, and India in various theoretical strands, spanning Psycho-social Resilience, Socio-Ecological Resilience, Subaltern Resilience, Indigenous survivance and resurgence, Neoliberal Resilience, and Compromised Resilience thinking, among others, thus opening the path toward the articulation of a cultural narratology of resilience.