Patchwork States argues that patterns of political violence in South Asia are rooted in state-building during and after colonial rule.

Patchwork States argues that the subnational politics of conflict and competition in South Asian countries have roots in the history of uneven state formation under colonial rule. Colonial India contained a complex landscape of different governance arrangements and state-society relations. After independence, postcolonial governments revised colonial governance institutions, but only with partial success. The book argues that contemporary India and Pakistan can be usefully understood as patchwork states, with enduring differences in state capacity and state-society relations within their national territories. The complex nature of territorial governance in these countries shapes patterns of political violence, including riots and rebellions, as well as variations in electoral competition and development across the political geography of the Indian subcontinent. By bridging past and present, this book can transform our understanding of both the legacies of colonial rule and the historical roots of violent politics, in South Asia and beyond.

50 quilt blocks for the 50 states from "Hearth & Home" Magazine.

Corruption and ineffectiveness are often expected of public servants in developing countries. However, some groups within these states are distinctly more effective and public oriented than the rest. Why? Patchwork Leviathan explains how a few spectacularly effective state organizations manage to thrive amid general institutional weakness and succeed against impressive odds. Drawing on the Hobbesian image of the state as Leviathan, Erin Metz McDonnell argues that many seemingly weak states actually have a wide range of administrative capacities. Such states are in fact patchworks sewn loosely together from scarce resources into the semblance of unity. McDonnell demonstrates that when the human, cognitive, and material resources of bureaucracy are rare, it is critically important how they are distributed. Too often, scarce bureaucratic resources are scattered throughout the state, yielding little effect. McDonnell reveals how a sufficient concentration of resources clustered within particular pockets of a state can be transformative, enabling distinctively effective organizations to emerge from a sea of ineffectiveness. Patchwork Leviathan offers a comprehensive analysis of successful statecraft in institutionally challenging environments, drawing on cases from contemporary Ghana and Nigeria, mid-twentieth-century Kenya and Brazil, and China in the early twentieth century. Based on nearly two years of pioneering fieldwork in West Africa, this incisive book explains how these highly effective pockets differ from the Western bureaucracies on which so much state and organizational theory is based, providing a fresh answer to why well-funded global capacity-building reforms fail—and how they can do better.

Patchwork States argues that the subnational politics of conflict and competition in South Asian countries have roots in the history of uneven state formation under colonial rule. Colonial India contained a complex landscape of different governance arrangements and state-society relations. After independence, postcolonial governments revised colonial governance institutions, but only with partial success. The book argues that contemporary India and Pakistan can be usefully understood as patchwork states, with enduring differences in state capacity and state-society relations within their national territories. The complex nature of territorial governance in these countries shapes patterns of political violence, including riots and rebellions, as well as variations in electoral competition and development across the political geography of the Indian subcontinent. By bridging past and present, this book can transform our understanding of both the legacies of colonial rule and the historical roots of violent politics, in South Asia and beyond.

A Patchwork Shawl sheds light on the lives of a segment of the U.S. immigrant population that has long been relegated to the margins. It focuses on women's lives that span different worlds: Bangladesh, India, Pakistan, and the United States. This collection of essays by and about South Asian women in America challenges stereotypes by allowing women to speak in their own words. Together they provide discerning insights into the reconstruction of immigrant patriarchy in a new world, and the development of women's resistance to that reconstruction. Shamita Das DasGupta's introduction also acquaints readers with the psychological topography of the South Asian community. A Patchwork Shawl considers topics from re-negotiation of identity to sexuality, violence to intimacy, occupations to organizing within the community. The essays bear witness to women's negotiations for independent identities, their claim to their own bodies, and the right to choose relationships based on their own histories and truths. They bring new understanding to the intersection of gender, ethnicity, race, sexuality, and class.

Brimming with exciting projects--50 in all--this collection provides extraordinary value. Choose from decorative crib quilts, lap quilts, and bed-sized quilts in a variety of fabric combinations. Create everything from two-fabric designs to scrappy multiple-fabric quilts. Featuring traditional patchwork and fast cutting and piecing techniques, these quilts have broad appeal--as one would expect from such a well-loved designer!

Quilt maps of all 50 states of the United States of America are placed in order of statehood. Includes "State Facts, Contributors, A Note from the Author/Illustrator, and Index."

Winner of the 2010 Penguin Prize for African Writing. In this coming-of-age novel, acclaimed author Ellen Banda-Aaku offers a profound exploration into the effects of stigma, class, and family dynamics in 1970s Zambia. Pumpkin is a nine-year-old girl pulled between two vastly different worlds – that of her father, the wealthy and power-hungry Joseph Sakavungo, and her mother, his unstable mistress. As Pumpkin attempts to come to terms with her own identity, she struggles to fashion a future for herself out of the torn patchwork of her parents' lives. Beautifully constructed, Banda-Aaku has crafted a story that is in equal parts uplifting and bittersweet.