Past Landscapes presents theoretical and practical attempts of scholars and scientists, who were and are active within the Kiel Graduate School "Human Development in Landscapes" (GSHDL), in order to disentangle a wide scope of research efforts on past landscapes. Landscapes are understood as products of human-environmental interaction. At the same time, they are arenas, in which societal and cultural activities as well as receptions of environments and human developments take place. Thus, environmental processes are interwoven into human constraints and advances. This book presents theories, concepts, approaches and case studies dealing with human development in landscapes. On the one hand, it becomes evident that only an interdisciplinary approach can cover the manifold aspects of the topic. On the other hand, this also implies that the very different approaches cannot be reduced to a simplistic uniform definition of landscape. This shortcoming proves nevertheless to be an important strength. The umbrella term 'landscape' proves to be highly stimulating for a large variety of different approaches. The first part of our book deals with a number of theories and concepts, the second part is concerned with approaches to landscapes, whereas the third part introduces case studies for human development in landscapes. As intended by the GSHDL, the reader might follow our approach to delve into the multi-faceted theories, concepts and practices on past landscapes: from events, processes and structures in environmental and produced spaces to theories, concepts and practices concerning past societies.

The landscapes of human habitation are not just perceived; they are also imagined. What part, then, does imagining landscapes play in their perception? The contributors to this volume, drawn from a range of disciplines, argue that landscapes are 'imagined' in a sense more fundamental than their symbolic representation in words, images and other media. Less a means of conjuring up images of what is 'out there' than a way of living creatively in the world, imagination is immanent in perception itself, revealing the generative potential of a world that is not so much ready-made as continually on the brink of formation. Describing the ways landscapes are perpetually shaped by the engagements and practices of their inhabitants, this innovative volume develops a processual approach to both perception and imagination. But it also brings out the ways in which these processes, animated by the hopes and dreams of inhabitants, increasingly come into conflict with the strategies of external actors empowered to impose their own, ready-made designs upon the world. With a focus on the temporal and kinaesthetic dynamics of imagining, Imagining Landscapes foregrounds both time and movement in understanding how past, present and future are brought together in the creative, world-shaping endeavours of both inhabitants and scholars. The book will appeal to anthropologists, sociologists and archaeologists, as well as to geographers, historians and philosophers with interests in landscape and environment, heritage and culture, creativity, perception and imagination.

From the North Atlantic to the Persian Gulf and from Peru to the Near East, this book illustrates different studies on the interfluve of environments and societies in landscapes and describes certain historical moments and processes in which the interplay of ecological and societal factors is entangled.

This book is an introduction to a new branch of archaeology that scrutinises landscapes to find evidence of past human activity. Such evidence can be hard to detect at ground-level, but may be visible in remote sensing (RS) imagery from aerial platforms and satellites. Drawing on examples from around the world as well as from her own research work on archaeological sites in India (including Nalanda, Agra, Srirangapatna, Talakadu, and Mahabalipuram), the author presents a systematic process for integrating this information with historical spatial records such as old maps, paintings, and field surveys using Geographic Information Systems (GIS) to gain new insights into our past. Further, the book highlights several instances where these insights are actionable -- they have been used to identify, understand, conserve, and protect the fragile remnants of our past. This book will be of particular interest not only to researchers in archaeology, history, art history, and allied fields, but to governmental and non-governmental professionals working in cultural heritage protection and conservation.

A scientific synthesis of 50 years of archaeological and palaeolandscape research on the prehistory of the Flevoland Polders, the Netherlands.

From the acclaimed author of The Wild Places and Underland, an exploration of walking and thinking In this exquisitely written book, Robert Macfarlane sets off from his Cambridge, England, home to follow the ancient tracks, holloways, drove roads, and sea paths that crisscross both the British landscape and its waters and territories beyond. The result is an immersive, enthralling exploration of the ghosts and voices that haunt old paths, of the stories our tracks keep and tell, and of pilgrimage and ritual. Told in Macfarlane’s distinctive voice, The Old Ways folds together natural history, cartography, geology, archaeology and literature. His walks take him from the chalk downs of England to the bird islands of the Scottish northwest, from Palestine to the sacred landscapes of Spain and the Himalayas. Along the way he crosses paths with walkers of many kinds—wanderers, pilgrims, guides, and artists. Above all this is a book about walking as a journey inward and the subtle ways we are shaped by the landscapes through which we move. Macfarlane discovers that paths offer not just a means of traversing space, but of feeling, knowing, and thinking.

What can we learn about the ancient landscapes of our world, and how can those lessons improve our future in the landscapes that we all inhabit? Those questions are addressed in this book, through a practical framework of concepts and methods, combined with detailed case studies around the world. The chapters explore the range of physical and social attributes that have shaped and re-shaped our landscapes through time. International authors contributed the latest results of investigating ancient landscapes (or "palaeolandscapes") in diverse settings of tropical forests, deserts, river deltas, remote islands, coastal zones, and continental interiors. The case studies embrace a liberal approach of combining archaeological evidence with other avenues of research in earth sciences, biology, and social relations. Individually and in concert, the chapters offer new perspectives on what the world’s palaeolandscapes looked like, how people lived in these places, and how communities have engaged with long-term change in their natural and cultural environments though successive centuries and millennia. The lessons are paramount for building responsible strategies and policies today and into the future, noting that many of these issues from the past have gained more urgency today. This book reaches across archaeology, ecology, geography, and broader studies of human-environment relations that will appeal to general readers. Specialists and students in these fields will find extra value in the primary datasets and in the new ideas and perspectives. Furthermore, this book provides unique examples from the past, toward understanding the workings of sustainable landscape systems.

In Landscapes of Loss, Naomi Greene makes new sense of the rich variety of postwar French films by exploring the obsession with the national past that has characterized French cinema since the late 1960s. Observing that the sense of grandeur and destiny that once shaped French identity has eroded under the weight of recent history, Greene examines the ways in which French cinema has represented traumatic and defining moments of the nation's past: the political battles of the 1930s, the Vichy era, decolonization, the collapse of ideologies. Drawing upon a broad spectrum of films and directors, she shows how postwar films have reflected contemporary concerns even as they have created images and myths that have helped determine the contours of French memory. This study of the intricate links between French history, memory, and cinema begins by examining the long shadow cast by the Vichy past: the repressed memories and smothered unease that characterize the cinema of Alain Resnais are seen as a kind of prelude to a fierce battle for national memory that marked so-called rétro films of the 1970s and 1980s. The shifting political and historical perspectives toward the nation's more distant past, which also emerged in these years, are explored in the light of the films of one of France's leading directors, Bertrand Tavernier. Finally, the mood of nostalgia and melancholy that appears to haunt contemporary France is analyzed in the context of films about the nation's imperial past as well as those that hark back to a "golden age," a remembered paradis perdu, of French cinema itself.

Proceedings of Session VIII-1 of the XVIII UISPP World Congress (2018, Paris); papers reflect on the need to develop sustainable and reliable approaches to mapping our landscape heritage, guided by the crucial concept termed the ‘archaeological continuum’.