Set against the backdrop of the Denmark Besey rebellion in 1860s Charleston, this passionate tale follows a black woman who is determined to be part of the uprising, and the half-white man who vows to keep her safe. Original.

Hervey Allen (1889-1949) was an American author who is perhaps best known for his work Anthony Adverse. Allen taught for a period of time at the Porter Military Academy in Charleston, S.C. and at the Charleston High School. While in Charleston he befriended DuBose Heyward.

Love soulful bites is a book that describes a deeply submissive & personal relationship that not only deals with pain but also exudes the flavours of romance with enhanced poetic exploration of desires. The verses embraces an indulging journey of a girl from heartbreak towards blossoming her floral buds of love cherished in her own bliss of experiences from pain to pleasure to finding a new love which are often intermeshed, resulting in encountering and understanding her inner self. The written words in each poem of the book expresses ideas and emotions of the author in a powerful vivid and imaginative style adhering to a tightly structured thematic presentation of a love journey.

A New York Times Bestselling AuthorNo one gets the better of Blythe Woolrich, who manages to run Woolrich Mercantile and keep her virtue intact among Revolutionary Philadelphia's unsavory characters. But Pirate captain Raider Prescott is intent on making quick money, and ransoming a proper Philadelphia lady seems the perfect scheme - until he discovers that her family has no money. Now he's stuck at sea with the headstrong "Woolwitch," a creature as vexing as she is lovely.

This is the first history of Mills & Boon, the British publishing phenomenon which has become a household name, synonymous with romantic fiction. On the firm's 90th anniversary, Joseph McAleer has written the first history of Mills & Boon, drawing upon a long-lost archive of over 50,000 letters which reveal the intricate relationship between editorial policy, social attitudes, and sales. McAleer examines the dictates of the Mills & Boon formula and demonstrates how novels were 'Managed' by the firm to ensure maximum sales and to nurture a cadre of loyal readers in Britain and throughout the Commonwealth. The result is a cultural phenomenon whose 'product' reflected the attitudes and morals of the age while offering women an addictive escape from everyday life. It's a fascinating read for anyone who's ever wondered about writing a Mills & Boon, or wants to understand the story behind one of the most successful British firms of the twentieth century.

Passion's Triumph over Reason presents a comprehensive survey of ideas of emotion, appetite, and self-control in English literature and moral thought of the sixteenth and seventeenth centuries. In a narrative which draws on tragedy, epic poetry, and moral philosophy, Christopher Tilmouth explores how Renaissance writers transformed their understanding of the passions, re-evaluating emotion so as to make it an important constituent of ethical life rather than the enemy within which allegory had traditionally cast it as being. This interdisciplinary study departs from current emphases in intellectual history, arguing that literature should be explored alongside the moral rather than political thought of its time. The book also develops a new approach to understanding the relationship between literature and philosophy. Consciously or not, moral thinkers tend to ground their philosophising in certain images of human nature. Their work is premissed on imagined models of the mind and presumed estimates of man's moral potential. In other words, the thinking of philosophical authors (as much as that of literary ones) is shaped by the pre-rational assumptions of the 'moral imagination'. Because that is so, poets and dramatists in their turn, in speaking to this material, typically do more than just versify the abstract ideas of ethics. They reflect, directly and critically, upon those same core assumptions which are integral to the writings of their philosophical counterparts. Authors examined here include Aristotle, Augustine, Hobbes, and an array of lyric poets; but there are new readings, too, of The Faerie Queene and Paradise Lost, Hamlet and Julius Caesar, Dryden's 'Lucretius', and Etherege's Man of Mode. Tilmouth's study concludes with a revisionist interpretation of the works of the Earl of Rochester, presenting this libertine poet as a challenging, intellectually serious figure. Written in a lucid, accessible style, this book will appeal to a wide range of readers.