A lively analysis of the major contribution of Jewish women writers in Latin America.

Reflecting on the challenging issues & events of his times, Pope John Paul II reveals his personal thoughts in a truly historic document. The world's greatest communicator offers a moving insight into his intellectual, spiritual, & pastoral experience.

Winner of the Christianity Today Book Award in Christianity and Culture How should we remember atrocities? Should we ever forgive abusers? Can we not hope for final reconciliation, even if it means redeemed victims and perpetrators spending eternity together? We live in an age that insists that past wrongs—genocides, terrorist attacks, bald personal injustices—should never be forgotten. But Miroslav Volf here proposes the radical idea that letting go of such memories—after a certain point and under certain conditions—may actually be a gift of grace we should embrace. Volf’s personal stories of persecution and interrogation frame his search for theological resources to make memories a wellspring of healing rather than a source of deepening pain and animosity. Controversial, thoughtful, and incisively reasoned, The End of Memory begins a conversation that we avoid to our great detriment. This second edition includes an appendix on the memories of perpetrators as well as victims, a response to critics, and a James K. A. Smith interview with Volf about the nature and function of memory in the Christian life.

Irreverently funny and surprisingly moving, All Passion Spent is the story of a woman who discovers who she is just before it is too late. After the death of elder statesman Lord Slane—a former prime minister of Great Britain and viceroy of India—everyone assumes that his eighty-eight-year-old widow will slowly fade away in her grief, remaining as proper, decorative, and dutiful as she has been her entire married life. But the deceptively gentle Lady Slane has other ideas. First she defies the patronizing meddling of her children and escapes to a rented house in Hampstead. There, to her offspring’s utter amazement, she revels in her new freedom, recalls her youthful ambitions, and gathers some very unsuitable companions—who reveal to her just how much she had sacrificed under the pressure of others’ expectations.

One of Latin American’s most important poets of the twentieth century, Juan Gelman (1930–2014) spent much of his life in exile from his native Argentina during the Dirty War. Gelman was a child of Yiddish-speaking Ukrainian immigrants, and a significant, seldom recognized portion of his poetry dealt with Jewish themes. He established a dialogue across time with Santa Teresa de Ávila and San Juan de la Cruz, the sixteenth-century Spanish mystical poets whose ancestry was also Jewish. He rewrote portions of the Bible, medieval Hebrew poetry, and even taught himself Ladino, the language of Sephardic Jews, and wrote a book of poems in it. In this bilingual volume, celebrated scholar Ilan Stavans retraces Gelman’s regard for these poetic ancestors, translating into English his Jewish oeuvre by carefully preserving the Hebrew, Spanish, and Ladino echoes of the originals. The result is historically accurate and artistically exhilarating, repositioning Gelman as a major Jewish writer of the last century.

Since the 1860s, long before scientists put a name to Alzheimer’s disease, Canadian authors have been writing about age-related dementia. Originally, most of these stories were elegies, designed to offer readers consolation. Over time they evolved into narratives of gothic horror in which the illness is presented not as a normal consequence of aging but as an apocalyptic transformation. Weaving together scientific, cultural, and aesthetic depictions of dementia and Alzheimer’s disease, Forgotten asserts that the only crisis associated with Canada’s aging population is one of misunderstanding. Revealing that turning illness into something monstrous can have dangerous consequences, Marlene Goldman seeks to identify the political and social influences that have led to the gothic disease model and its effects on society. Examining the works of authors such as Alice Munro, Michael Ignatieff, Jane Rule, and Caroline Adderson alongside news stories and medical and historical discussions of Alzheimer’s disease, Goldman provides an alternative, person-centred perspective to the experiences of aging and age-related dementia. Deconstructing the myths that have transformed cognitive decline into a corrosive fantasy, Forgotten establishes the pivotal role that fictional and non-fictional narratives play in cultural interpretations of disease.

Originally published: Cambridge, Mass.: Harvard University Press, 1986.

The 20th anniversary edition of Edwidge Danticat's groundbreaking debut, now an established classic--revised and with a new introduction by the author, and including extensive bonus materials At the age of twelve, Sophie Caco is sent from her impoverished Haitian village to New York to be reunited with a mother she barely remembers. There she discovers secrets that no child should ever know, and a legacy of shame that can be healed only when she returns to Haiti—to the women who first reared her. What ensues is a passionate journey through a landscape charged with the supernatural and scarred by political violence. In her stunning literary debut, Danticat evokes the wonder, terror, and heartache of her native Haiti—and the enduring strength of Haiti’s women—with vibrant imagery and narrative grace that bear witness to her people’s suffering and courage.

This exploration of women's autobiographical writings in the Americas focuses on three specific genres: testimonio, metafiction, and the family saga as the story of a nation. What makes Laura J. Beard’s work distinctive is her pairing of readings of life narratives by women from different countries and traditions. Her section on metafiction focuses on works by Helena Parente Cunha, of Brazil, and Luisa Futoranksy, of Argentina; the family sagas explored are by Ana María Shua and Nélida Piñon, of Argentina and Brazil, respectively; and the section on testimonio highlights narratives by Lee Maracle and Shirley Sterling, from different Indigenous nations in British Columbia. In these texts Beard terms "genres of resistance," women resist the cultural definitions imposed upon them in an effort to speak and name their own experiences. The author situates her work in the context of not only other feminist studies of women's autobiographies but also the continuing study of inter-American literature that is demanding more comparative and cross-cultural approaches. Acts of Narrative Resistance addresses prominent issues in the fields of autobiography, comparative literature, and women's studies, and in inter-American, Latin American, and Native American studies.

On September 11, 1973, Chile's General Pinochet led a quick and brutal military coup ousting the Allende government. Ignacio Lopez-Calvo argues that the rise of the Pinochet dictatorship and the subsequent imprisonment of any Allende sympathizers shaped Chilean narrative into two structural forms: liberationist narrative--cathartic, journalistic testimonies that provide models for revolutionary behavior against authoritarianism and demystifying narrative, which uses the events of 1973, as well as the colonial aspirations of European countries, as a "Paradise Lost" backdrop in which the characters of this type of fiction are able to create their non-political realities that become models of democratization.