Much of today’s international order can be traced to the experimentations with governance that occurred in central Europe immediately after World War I. And though Western governments did not bring about the creation of Poland on their own or determine all of its eventual borders, their attempts to do so left many lingering grudges and made the years immediately following the war a crucial period in Polish and international history. Passion and Restraint examines how British, French, and American foreign policymakers interacted with Poles and the idea of an independent Poland during this period. Western policymakers knew little about Poland in 1914, but by war’s end they were drawing the new country’s borders, sending humanitarian aid, and imposing minority protections. Attitudes regarding national character and emotional restraint were central, intertwined themes in British, French, and American diplomacy during this period of Polish rebirth, and policymakers’ opinions of national character evolved based on personal experiences, political conditions, and dominant understandings of the Polish people in the early twentieth century. Amid these changing attitudes, policymakers emphasized the necessity of Polish emotional restraint. Demonstrating how emotions and stereotypes were integral to diplomatic decision-making, Passion and Restraint brings attention to these often-overlooked historical factors, advancing a new lens for the study of Polish, European, and international history.

The way in which a society expresses grief can reveal how it views both intense emotions and public order. In thirteenth-century Italian communes, a conscious effort to change appropriate public reaction to death threw into sharp relief connections among urban politics, gender expectations, and understandings of emotionality. In Passion and Order, Carol Lansing explores a dramatic change in thinking and practice about emotional restraint. This shift was driven by politics and understood in terms of gender. Thirteenth-century court cases reveal that male elites were accustomed to mourning loudly and demonstratively at funerals. As many as a hundred men might gather in a town's streets and squares to weep and cry out, even tear at their beards and clothing. Yet these elites enacted laws against such emotional display and proceeded to pay the fines levied against themselves for violating their own legislation. Political theorists used gender norms to urge men to restrain their passions; histrionic grieving, like lust, was now considered "womanish." Lawmakers drew on a complex of gendered ideas about grief and public order to characterize governance in ways that linked the self and the state. They articulated their beliefs in terms of rules of decorum, how men and women need to behave in order to live together in society. Lansing demonstrates this change through a rich combination of sources: archival records from Orvieto, Bologna, and Perugia; political treatises; literary works, notably Petrarch's letters; and representations of grief in painting and sculpture.

Why do we read? What do we cherish in a book? What is the nature of a masterpiece? What do Alice Munro, Albert Camus, and the great Polish experimentalist Witold Gombrowicz have in common? In the tradition of Nabokov, Calvino, and Kundera, Douglas Glover’s new essay collection fuses his long experience as an author with his love of philosophy and his passion for form. Call it a new kind of criticism or an operator’s manual for readers and writers, The Erotics of Restraint extends Glover’s long and deeply personal conversation with great books and their authors. With the same dazzling mix of emotion and idea that characterizes his fiction, he dissects narrative and shows us how and why it works, why we love it, and how that makes us human. Erudite and obsessively detailed, inventive, confessional, and cheeky, these essays offer a brilliant clarity, a respite in an age of doubt. They raise the bar.

"Berkley Sensation contemporary romance"--Spine.

In her classic book, Elisabeth Elliot candidly shares her love story with Jim Elliot through letters, diary entries, and memories. She is honest about the temptations, difficulties, victories, and sacrifices of two young people whose commitment to Christ took priority over their love for each other. These revealing personal glimpses, combined with relevant biblical teaching, will remind readers that only by putting their human passion and desire through His fire can God purify their love. In a culture obsessed with dating, sex, and intimacy, the need for Elliot's freeing message is greater than ever. This beautifully repackaged edition will appeal to today's young people.

Kate Duncan agrees to help her young cousin land a husband though she draws the line when she learns the foolish girl wants to use an apothecary's love potion to snag the notorious Marcus Pelham! To prove the elixir a fake, Kate drinks it herself-and experiences the most erotic moment of her life when she stumbles upon Marcus in a most compromising position. Every nerve in Kate's body sings as she watches from the shadows, but is her response a result of the potion...or the man? Luckily, Marcus is far too busy to notice Kate's spying-or so she thinks... As the Earl of Stamford, Marcus has his choice of willing ladies to share his bed. Yet nothing has ever aroused him as much as the image of Kate watching him. Marcus tries to have a little fun with Kate by drinking the elixir-and then appearing to lose all control every time she's near. But the prank goes awry when Marcus finds himself wildly and truly attracted to the innocent Kate. As he teaches her the passionate art of seduction, will he lose his heart for the very first time?

Under the dangerous gaze of high society, a gifted and sexually repressed artist in Regency London must deny his attraction to the young nobleman who has hired him to paint his portrait, or else risk his livelihood and his reputation by giving in to his secret desires. A bittersweet historical love story of two men who fall in love in a time and place where homosexuality is still a capital offense.

The way in which a society expresses grief can reveal how it views both intense emotions and public order. In thirteenth-century Italian communes, a conscious effort to change appropriate public reaction to death threw into sharp relief connections among urban politics, gender expectations, and understandings of emotionality. In Passion and Order, Carol Lansing explores a dramatic change in thinking and practice about emotional restraint. This shift was driven by politics and understood in terms of gender. Thirteenth-century court cases reveal that male elites were accustomed to mourning loudly and demonstratively at funerals. As many as a hundred men might gather in a town's streets and squares to weep and cry out, even tear at their beards and clothing. Yet these elites enacted laws against such emotional display and proceeded to pay the fines levied against themselves for violating their own legislation. Political theorists used gender norms to urge men to restrain their passions; histrionic grieving, like lust, was now considered "womanish." Lawmakers drew on a complex of gendered ideas about grief and public order to characterize governance in ways that linked the self and the state. They articulated their beliefs in terms of rules of decorum, how men and women need to behave in order to live together in society. Lansing demonstrates this change through a rich combination of sources: archival records from Orvieto, Bologna, and Perugia; political treatises; literary works, notably Petrarch's letters; and representations of grief in painting and sculpture.

A fast-paced novel hailed by Entertainment Weekly as a "well-crafted, suspenseful thriller [which] offers sex, erotica, and more sex." In Sherry Sonnett’s compelling first novel, Vega Johnson, a successful L.A. investment counselor, is leading a respectable but dull life when she meets Paul Lattimer, a major player in a mysterious, international finance game. Immediately fascinated by and drawn to his power, she soon gets caught up in his dark world of kinky sex, white collar crime, and murder.

From the author of the unforgettable Because You Are Mine... Losing control is just the beginning… “What would you do if the sexiest man in the world was bent on bringing you unbearable pleasure again and again? Joy Hightower wasn’t sure she could survive the experience…or live without it." It’s not often you’re hired to paint a body tattoo—and what a body—on a total stranger at a Hollywood film set. A reserved and careful art teacher, Joy would never forget it. In a rare fit of raw desire she gave herself completely, knowing she’d never see him again, or ever repeat such a shameless, naked impulse. Little did she know, the man with whom she shared that lightning bolt of lust was star Everett Hughes. For Everett, women and sex came as easily as fame. But how could he hope to convince the guarded Joy that beneath the hard body and sexy façade of celebrity was a real man who wanted only one, real woman? In the heat of an intoxicating affair, Everett endeavors to break down her barriers, gain her trust, and expose himself as the real deal. But can Joy do the same, and reveal to him the vulnerable woman who longs to be loved, wanted, and desired forever?