Paperback reissue of one volume of the English Dominicans' Latin/English edition of Thomas Aquinas' Summa Theologiae.

This pioneering study focuses on the decisive contributions of the three leading artists of the Northern Renaissance--Albrecht Dürer, Lucas Cranach the Elder, and Hans Holbein the Younger-- to the printed Bible and to the transformation of ecclesiastical art in the Protestant Reformation. A time of artistic and theological revolution, the Renaissance and Reformation also witnessed a visual reformation of the Bible. In David H. Price's new interpretation, these artists emerge as major reformers in their own right who created a dynamic and innovative visual culture of biblicism. In the Beginning Was the Image explicitly addresses a key paradox of the Bible's new cultural status: as divergent Bible editions and translations shattered the unity of Christianity, new artistic approaches arose to accommodate theological and textual diversity. Rulers and theologians produced new Bibles as foundations for transformative socio-political movements, and their success, according to Price's compelling research, depended on the inventiveness and creativity of these artists. Written in a style designed to be accessible to a broad range of readers, Price's richly nuanced study explores the art of Dürer, Cranach, and Holbein and the biblical iconographies they developed to connect the new biblicism to faith and political authority.

A strange and ominous artifact could hold the key to everything... December, 1380. When the corpse of Sir Robert Kilverby is discovered in a locked room, Brother Athelstan accompanies the King's coroner to investigate. Sir Robert had in his possession a priceless relic, a sacred bloodstone, which has now disappeared. Did Sir Robert die of natural causes or was he murdered? Athelstan is sceptical of rumours of a curse hanging over Sir Robert, but when it is discovered that a second old soldier has been gruesomely slain on the same night, the rumours no longer seem so far-fetched... A scintillating murder mystery with twists and turns throughout, perfect for fans of C. J. Sansom, S. J. Parris and Michael Jecks. Praise for Paul Doherty 'The best of its kind since the death of Ellis Peters' Time Out 'If you like Inspector Morse, you'll love Brother Athelstan' Prima 'Evocative and lyrical descriptions' New Statesman

Each number includes the section "Reviews."

Gerard of Abbeville (d. 1272) was the foremost secular theologian at the University of Paris during the third quarter of the thirteenth century. Significantly, Gerard’s corpus includes the most comprehensive treatment of the nature and extent of human knowledge from the generation before Henry of Ghent. Stephen M. Metzger’s study presents Gerard’s complete theory of human knowledge, which is a hierarchy extending from the knowledge acquired in faith, through scientific thought and culminating in the full vision of God by the blessed in patria. It is the fullest exposition of the life, works and thought of Gerard yet written and is augmented by the presentation for the first time of editions of several disputed questions and other texts.