Liverpool Football Club, in stark contrast to its competitors, remains locally owned, not a conglomerate or media business. Unlike its main rivals, the Liverpool club has been loathe to pursue global markets for merchandizing - though it attracts a huge fandom around the world - and its ambitions remain resolutely fixed on footballing success. No football club has ever had such an extended period of dominance inthe English game, nor extended that dominance to Europe so effectively.Many of the current crop of top young players are locally born and are a central feature of the city's nightlife, as well as national icons in pop/football/youth culture. But there are fears that the Club's great days have now passed. At the height of its powers in the 1980s, Liverpool FC was the site of two catastrophic crowd disasters, which effectively transformed the sport and added to wounding perceptions about the city's alleged sentimentality, fatalism and irreversible decline. The legacy of the Heysel and Hillsborough tragedies continues to shape the self-image of the Club and those who support it. A seething rivalry with nearby corporate giant Manchester United is a constant reminder of football's new order.Addressing all of these concerns, as well as Liverpool's global reputation as the home of the Beatles and the 'Mersey sound', this book takes an original approach to the study of football by examining its links with other important popular culture forms, especially pop music, but also television and youth styles. In particular, however, it looks at the very special meaning of football in Liverpool.

This brand new Little Book focuses on introducing beat and rhythm through a fun mix of games and activities for teachers to use in the classroom, in assemblies, and in whole-school performances. Activities include beat games and inventing rhythms, while the performance raps are based on traditional tales and nursery rhymes as well as original topics.

These activities help elementary students build foundational music skills in a fun, interactive way! The activities offer a wide range of interactive, exploratory, and creative experiences for elementary students, helping them develop a deep appreciation for music.

This is the internationally acclaimed Joe Pass guitar method in which Joe displays his mastery of the jazz guitar. Part One/Harmony, is divided into five sections on chord construction, embellishment, substitution, connection, and symmetric chords. Part Two/Melody, is divided into twelve sections, including chord scales, altered scales, ear training, whole tone scales, chord resolutions, improvising, blues, minor blues, modern blues, rhythm changes, 3/4 blues, and includes a transcribed solo recorded by Joe on his album for Django.

Addressing the concerns of Liverpool FC's apparent decline, as well as Liverpool's global reputation as the home of the Beatles and the "Mersey sound", this book studies football by examining its links with other important popular culture forms, especially pop music, but also TV and youth styles.

"A lovingly researched and thoughtfully created portrait of the Nicholas Brothers, Fayard and Harold, two of the most explosive dancers of the twentieth century who refined a centuries-old tradition of percussive dance into the rhythmic brilliance of jazz tap at its zenith. Interweaves an intimate portrait of these great performers with a richly detailed history of jazz music and jazz dance, bringing their act to life and explaining their significance through a colourful analysis of their eloquent footwork and full-bodied expressiveness. Captures the Brohers' soaring careers, from Cotton Club appearances with Duke Ellington, Cab Calloway, and Jimmy Lunceford, to film-stealing big-screen performances with Chick Webb, Tommy Dorsey, and Glenn Miller. Drawing on endless hours of interviews with the Nicholas brothers themselves, Brotherhood in Rhythm documents their struggles against the nets of racism and segregation that constantly enmeshed their careers and denied them the recognition they deserved."--

Cross-Rhythms investigates the literary uses and effects of blues and jazz in African-American literature of the twentieth century. Texts by James Baldwin, Ralph Ellison, Langston Hughes, Zora Neale Hurston, Gayl Jones, Toni Morrison and Ishmael Reed variously adopt or are consciously informed by a jazz aesthetic; this aesthetic becomes part of a strategy of ethnic identification and provides a medium with which to consider the legacy of trauma in African-American history. These diverse writers are all thoroughly immersed in a socio-cultural context and a literary aesthetic that embodies shifting conceptions of ethnic identity across the twentieth century. The emergence of blues and jazz is, likewise, a crucial product of, as well as catalyst for, this context, and in their own aesthetic explorations of notions of ethnicity these writers consciously engage with this musical milieu. By examining the highly varied manifestations of a jazz aesthetic as possibly the fundamental common denominator which links these writers, this study attempts to identify an underlying unifying principle. As the different writers write against essentializing or organic categories of race, the very fact of a shared engagement with jazz sensibilities in their work redefines the basis of African-American communal identity.

The Creation of Poetry ... Not everyone is a Shakespeare, but in our times, everyone with an earnest desire to create a poem can learn to do so. Therein lies a healing experience which recognises the divine spark in human beings. There are 24 hidden rhythms, living in poetry and inherent in our everyday speech. They can have a therapeutic effect, creating balance, especially in the feeling life. These ‘building blocks of language’ from Greek times have been rediscovered for the human being of today. Poetry from the Greek verb ’poein’, is composition in verse. It means to make, to create or to compose. Poetry, is crafted and shaped. A poet is endowed with the gift of imaginative invention. Enjoy the many illustrations presented here. Rhythm in colour harmony is a second path of discovery that comes to light. The wisdom in the progression of the Colour Wheel and the Zodiac Colours lives in the universal creative journey of human individuality. Rhythms in the sense of word and syllable dance in movement of the colour compositions.