Harlem Renaissance author Nella Larsen (1891 –1964) published just two novels and three short stories in her lifetime, but achieved lasting literary acclaim. Her classic novel Passing first appeared in 1926.

Reproduction of the original: Passing By by Maurice Baring

Between the eighteenth and mid-twentieth centuries, countless African Americans passed as white, leaving behind families and friends, roots and community. It was, as Allyson Hobbs writes, a chosen exile, a separation from one racial identity and the leap into another. This revelatory history of passing explores the possibilities and challenges that racial indeterminacy presented to men and women living in a country obsessed with racial distinctions. It also tells a tale of loss. As racial relations in America have evolved so has the significance of passing. To pass as white in the antebellum South was to escape the shackles of slavery. After emancipation, many African Americans came to regard passing as a form of betrayal, a selling of one’s birthright. When the initially hopeful period of Reconstruction proved short-lived, passing became an opportunity to defy Jim Crow and strike out on one’s own. Although black Americans who adopted white identities reaped benefits of expanded opportunity and mobility, Hobbs helps us to recognize and understand the grief, loneliness, and isolation that accompanied—and often outweighed—these rewards. By the dawning of the civil rights era, more and more racially mixed Americans felt the loss of kin and community was too much to bear, that it was time to “pass out” and embrace a black identity. Although recent decades have witnessed an increasingly multiracial society and a growing acceptance of hybridity, the problem of race and identity remains at the center of public debate and emotionally fraught personal decisions.

Yael peeks out from her balcony and sees everyting that's happening in the street below, from the cat in the garden next door to a big red tractor chugging down the road. Finally, she see the best thing-her dad on his way home!

A boy and his family befriend a country fiddler, who teaches the boy all about playing the old tunes, which the boy promises to help keep alive. Inspired by Melvin Wine and Jake Krack.

Like a glass of lemonade that is both sweet and tart, writer Patricia Jones mixes up a refreshing blend of deep emotion and raw truth, tempered by a grounded dose of wisdom. To Lila Giles, the term "passing" refers to those pale-hued folks who take advantage of their creamy shade by crossing into the white world. Descended from a long line of an elite Baltimore family awash with "high-colored" skin just right for "passing", family lore told Lila that not one of them would have thought to deny their true selves and rich history in such a way. It is this sense of pride that bonds the Giles family together -- a bond strongly enforced by Lila's controlling stepmother Eulelie. But the delicate balance of this branch of the family Eulelie has so carefully engineered is threatened when Lila's brother decides to marry a woman from an oh-so-very-wrong family. A proud though severe matriarch, Eulelie Giles has ruled her four grown stepchildren with a heavy self-righteousness that could break the spirit of the most sound opponent, let alone the nearly thirty-year-old Lila. Relentlessly loyal to her privileged world, Eulelie has ingrained upon Lila and her three other stepchildren the importance of distinguishing between acceptable and unacceptable blacks. Despite her strident belief in an unyielding class line, Eulelie has kept a secret about her own past that manages to affect, in more ways than a few, anyone who enters her life. As the wedding day draws closer, Lila begins to look at her reality versus Eulelie's, and what Lila finds leads to a confrontation between stepmother and stepdaughter that could finally shatter Eulelie's reign over Lila and the family, but ultimately, one that will lead Eulelie back to the truth. Filled with multi-dimensional characters and rich with atmosphere, Passing is a story of tangled family relationships; the secrets, misunderstanding, and deceptions that hold them together.

"Examines the minute, seemingly inconsequential violations of public civility that often occur in encounters between strangers in contemporary American society. Drawing on a wealth of observations and interviews, Gardner insightfully and sensitively examines the structure and processes of public harassment which women and others regularly encounter. In so doing. she extends the social scientific concern with harassment from workplace to public place encounters, deepening it in the process."—Robert M. Emerson, University of California, Los Angeles "A compelling and important book. Every reader will recognize the humiliations, conflicts, and ambiguous encounters that constitute public harassment. Gardner provides fresh and telling insight into seemingly trivial but enormously consequential daily experiences. She is alert to complex relations between gender and race, sexual orientation, and disability in the construction of public encounters. Her articulation of double-binds and everyday dilemmas has practical payoff for efforts to create a safe and mutually respectful society."—Barrie Thorne, author of Gender Play "A unique study that will be a paradigm for others. . . . Its contributions to the sociology of everyday life and to the understanding of public encounters and harassment are unparalleled."—Douglas Maynard, University of Indiana, Bloomington

Benny Friedman, the son of working class immigrants in Cleveland's Jewish ghetto, arrived at the University of Michigan and transformed the game of football forever. At the time, in the 1920s, football was a dull, grinding running game, and the forward pass was a desperation measure. Benny would change all of that. In Ann Arbor, the rookie quarterback's passing abilities so eclipsed those of other players that legendary coach Fielding Yost came back from retirement to coach him. The other college teams had no answer for Friedman's passing attack. He then went pro -- an unpopular decision at a time when the NFL was the poor stepchild to college football -- and was equally sensational, eventually signing with the New York Giants for an unprecedented 10,000, bringing fans and attention to the fledgling NFL. Passing Game rediscovers this little-known sports hero and tells the story of Friedman's evolution from upstart to American celebrity, in a vivid narrative that will delight and enlighten football fans of all ages.

This “important and timely” (Drew Faust, Harvard Magazine) #1 New York Times bestseller examines the legacy of slavery in America—and how both history and memory continue to shape our everyday lives. Beginning in his hometown of New Orleans, Clint Smith leads the reader on an unforgettable tour of monuments and landmarks—those that are honest about the past and those that are not—that offer an intergenerational story of how slavery has been central in shaping our nation's collective history, and ourselves. It is the story of the Monticello Plantation in Virginia, the estate where Thomas Jefferson wrote letters espousing the urgent need for liberty while enslaving more than four hundred people. It is the story of the Whitney Plantation, one of the only former plantations devoted to preserving the experience of the enslaved people whose lives and work sustained it. It is the story of Angola, a former plantation-turned-maximum-security prison in Louisiana that is filled with Black men who work across the 18,000-acre land for virtually no pay. And it is the story of Blandford Cemetery, the final resting place of tens of thousands of Confederate soldiers. A deeply researched and transporting exploration of the legacy of slavery and its imprint on centuries of American history, How the Word Is Passed illustrates how some of our country's most essential stories are hidden in plain view—whether in places we might drive by on our way to work, holidays such as Juneteenth, or entire neighborhoods like downtown Manhattan, where the brutal history of the trade in enslaved men, women, and children has been deeply imprinted. Informed by scholarship and brought to life by the story of people living today, Smith's debut work of nonfiction is a landmark of reflection and insight that offers a new understanding of the hopeful role that memory and history can play in making sense of our country and how it has come to be. Winner of the National Book Critics Circle Award for Nonfiction Winner of the Stowe Prize Winner of 2022 Hillman Prize for Book Journalism A New York Times 10 Best Books of 2021

Harlem Renaissance author Nella Larsen (1891 –1964) published just two novels and three short stories in her lifetime, but achieved lasting literary acclaim. Her classic novel Quicksand first appeared in 1928.