Parting the Veil is the first book dedicated to the art of Nene Tina Thomas. There are three editions of this book"paperback, a hardcover, and a special leather-bound limited edition.

Reach out to the Other Side. For millennia, skilled mediums have been able to part the veil that separates the living from the departed, and deliver messages of comfort and advice. Now you can learn how to part the veil yourself by developing your own natural ability. In this easy-to-follow guidebook, accomplished psychic mediums Stuart and Dean James-Foy show you how to connect with the spirit world and receive accurate, valuable information. You will learn how to sharpen your psychic ability, give readings to individuals and groups, and conduct spirit circles and séances. This book masterfully opens the veil between the here and the hereafter. It not only offers practical exercises and tips that will assist you as you communicate with the other side but also leaves you with both comfort and assurance in the knowledge that life truly does not end. – Josie Varga, author, Visits from Heaven and A Call from Heaven I have participated in spirit circles with Stuart and Dean James-Foy, and they are masters at their craft. They generously share the knowledge they have gained over many years of experience. – Karl Petry, psychic medium and author, Absent Witness

This book describes our gradual awareness of a vast, previously concealed Universe. It is a story of expanding horizons and the discovery of invisible worlds. This voyage of discovery is presented within universal themes, such as invisibility, motion, content, form, impermanence, violence and emptiness, beginnings and ends. These are topics that concern us all, helping us take the Universe personally, so each chapter begins with the human aspect of some of these themes. The book is additionally broadened by including the perceptions of artists, poets and writers, as well as with line drawings that forcefully compact a scientific insight.

In the tradition of Diana Gabaldon’s Outlander, a woman finds herself transported to ancient Scotland and to nobleman Fergus, brother of the king. Fergus desperately wants Maggie to stay and create a life with him, but she’s torn. Will she choose her future or his past? A compelling tale of two Scotlands—one modern, one ancient—and the woman who parts the veil between them. The medication that treats Maggie’s seizures leaves her in a haze, but it can’t dull her grief at losing her daughter to the same condition. With her marriage dissolved and her son away at school, Maggie retreats to a cottage below the ruins of Dunadd, once the royal seat of Scotland. But is it fantasy or reality when she awakens in a bustling village within the massive walls of eighth-century Dunadd? In a time and place so strange yet somehow familiar, Maggie is drawn to the striking, somber Fergus, brother of the king and father of Illa, who bears a keen resemblance to Maggie’s late daughter. With each dreamlike journey to the past, Maggie grows closer to Fergus and embraces the possibility of staying in this Dunadd. But with present-day demands calling her back, can Maggie leave behind the Scottish prince who dubs her mo chridhe, my heart?

A father’s heartbreaking and hopeful story about his beloved son, in which a young man teaches his family “a new way to die” with wit, candor, and grace. "A book after my own heart, profound, gorgeous, deeply spiritual and human, beautifully written, heartbreaking, but also, because of the writer's wisdom and spirit, triumphant." —Anne Lamott As the book opens, Richard Lischer’s son, Adam, calls to tell his father, a professor of divinity at Duke University, that his cancer has returned. Adam is a charismatic young man with a promising law career, and that his wife is pregnant with their first child makes the disease’s return all the more devastating. Despite the cruel course of the illness, Adam’s growing weakness evokes in him a remarkable spiritual strength. This is the story of one last summer, lived as honestly and faithfully as possible. Deeply moving and utterly lacking in sentimentality or self-pity, Stations of the Heart is an unforgettable book about life and death and the terrible blessing of saying good-bye.

Don't awaken what sleeps in the dark. In a future ravaged by fire and drought, two climate refugees ride their motorcycles across the wasteland of the western US, and stumble upon an old silver mine. Descending into the cool darkness of the caved-in tunnels in desperate search of water, the two women find Lavinia Cain’s diary, a settler in search of prosperity who brought her family to Nevada in the late 1860s. But Lavinia and the settlers of the Western town discovered something monstrous that dwells in the depths of the mine, something that does not want greedy prospectors disturbing the earth. Whispers of curses and phantom figures haunt the diary, and now, over 150 years later, trapped and injured in the abandoned mine, the women discover they’re not alone . . . with no easy way out. The monsters are still here—and they’re thirsty.

When Dr. Reggie Anderson is present at the bedside of a dying patient, something miraculous happens. Sometimes as he sits vigil and holds the patient's hand . . . he can experience what they feel and see as they cross over. Because of these God-given glimpses of the afterlife--his "appointments with heaven"--Reggie knows beyond a doubt that we are closer to the next world than we think. Join him as he shares remarkable stories from his life and practice, including the tragedy that nearly drove him away from faith forever. He reveals how what he's seen, heard, and experienced has shaped what he believes about living and dying; how we can face the passing of our loved ones with the courage and confidence that we will see them again; and how we can each prepare for our own "appointment with heaven." Soul-stirring and hope-filled, Appointments with Heaven is a powerful journey into the questions at the very core of your being: Is there more to life than this? What is heaven like? And, most important: Do I believe it enough to let it change me?

Cracked doesn’t always mean broken. Grieving her mother’s death, Mari Lennox travels to Kyoto, Japan to take photographs of Yanagi Inn for a client. As she explores the inn and its grounds, her camera captures striking images, uncovering layers of mystery shrouding the old resort—including an overgrown, secret garden on a forbidden island. But then eerie weeping no one else in the inn seems to hear starts keeping her awake at night. Despite the warnings of the staff, Mari searches the deep recesses of the old building to discover the source of the ghostly sound, only to realize that her own family’s history is tied to the inn, its mysterious, forlorn garden . . . and the secrets it holds.

Winner of the 2021 Phoenix Award in Historical Fiction from the Kops-Fetherling International Book Awards Winner of the 2021 Silver Reader View Reviewer's Choice Award in Historical Fiction The insane asylum on Blackwell’s Island is a human rat trap. It is easy to get in, but once there it is impossible to get out. —Nellie Bly Elizabeth Cochrane has a secret. She isn’t the madwoman with amnesia the doctors and inmates at Blackwell’s Asylum think she is. In truth, she’s working undercover for the New York World. When the managing editor refuses to hire her because she’s a woman, Elizabeth strikes a deal: in exchange for a job, she’ll impersonate a lunatic to expose a local asylum’s abuses. When she arrives at the asylum, Elizabeth realizes she must make a decision—is she there merely to bear witness, or to intervene on behalf of the abused inmates? Can she interfere without blowing her cover? As the superintendent of the asylum grows increasingly suspicious, Elizabeth knows her scheme—and her dream of becoming a journalist in New York—is in jeopardy. A Feigned Madness is a meticulously researched, fictionalized account of the woman who would come to be known as daredevil reporter Nellie Bly. At a time of cutthroat journalism, when newspapers battled for readers at any cost, Bly emerged as one of the first to break through the gender barrier—a woman who would, through her daring exploits, forge a trail for women fighting for their place in the world.

In this 2006 text, Daniel M. Gurtner examines the meaning of the rending of the veil at the death of Jesus in Matthew 27:51a by considering the functions of the veil in the Old Testament and its symbolism in Second Temple and Rabbinic Judaism. Gurtner incorporates these elements into a compositional exegesis of the rending text in Matthew. He concludes that the rending of the veil is an apocalyptic assertion like the opening of heaven revealing, in part, end-time images drawn from Ezekiel 37. Moreover, when the veil is torn Matthew depicts the cessation of its function, articulating the atoning role of Christ's death which gives access to God not simply in the sense of entering the Holy of Holies (as in Hebrews), but in trademark Matthean Emmanuel Christology: 'God with us'. This underscores the significance of Jesus' atoning death in the first gospel.