The Phantom Cow has rights too! The Hill Hollering Knob officials tend to disagree. The officials want to eat the beef. The Phantom Cow refuses to let the officials sink their teeth into her hindquarters or anywhere else for that matter. The officials are always coming up with new ideas to sink their teeth into her beef, but so far the Phantom Cow has eluded their injustice. Who really is that .. Less The Phantom Cow has rights too! The Hill Hollering Knob officials tend to disagree. The officials want to eat the beef. The Phantom Cow refuses to let the officials sink their teeth into her hindquarters or anywhere else for that matter. The officials are always coming up with new ideas to sink their teeth into her beef, but so far the Phantom Cow has eluded their injustice. Who really is that masked cow?

Vols. - include the Shorthorn Society's Grading register for beef Shorthorn cattle; v. - include the society's Herd book of poll shorthorns.

One of America's leading anthropolgists offers solutions to the perplexing question of why people behave the way they do. Why do Hindus worship cows? Why do Jews and Moslems refuse to eat pork? Why did so many people in post-medieval Europe believe in witches? Marvin Harris answers these and other perplexing questions about human behavior, showing that no matter how bizarre a people's behavior may seem, it always stems from identifiable and intelligble sources.

Wild Bill Elliott was a major western star. His screen persona met evil head-on and emerged victorious, bringing cheers from Saturday audiences. This book covers Elliott's entire career. It begins with a biographical sketch and then discusses each of his 78 starring roles as well as his more than 130 supporting roles. The film entries include studio, release date, alternate titles, cast and credit listings, songs, location filming, color, running time, source, story synopsis, notes and commentary, quotations from published reviews and a critical summation of the film. Appendices include Elliott's short films, TV and radio appearances and comic books.

Even people familiar with cinema believe there is no such thing as a Soviet Holocaust film. The Phantom Holocaust tells a different story. The Soviets were actually among the first to portray these events on screens. In 1938, several films exposed Nazi anti-Semitism, and a 1945 movie depicted the mass execution of Jews in Babi Yar. Other significant pictures followed in the 1960s. But the more directly filmmakers engaged with the Holocaust, the more likely their work was to be banned by state censors. Some films were never made while others came out in such limited release that the Holocaust remained a phantom on Soviet screens. Focusing on work by both celebrated and unknown Soviet directors and screenwriters, Olga Gershenson has written the first book about all Soviet narrative films dealing with the Holocaust from 1938 to 1991. In addition to studying the completed films, Gershenson analyzes the projects that were banned at various stages of production. The book draws on archival research and in-depth interviews to tell the sometimes tragic and sometimes triumphant stories of filmmakers who found authentic ways to represent the Holocaust in the face of official silencing. By uncovering little known works, Gershenson makes a significant contribution to the international Holocaust filmography.

A ruthless rancher crosses the wrong man in this action-packed Ralph Compton western. Haunted by memories of the Civil War, Coy Jennings just wants to find work as a ranch hand and to begin saving for a small farm where he could finally enjoy peace and quiet. Arriving in the Texas settlement of Phantom Hill, Coy soon befriends a damaged but likable stable hand by the name of Ira Dalton and hopes for a future with a lovely widowed mother and her seven-year-old daughter. In order to make Phantom Hill a decent place to settle down, Coy must wage a new kind of war and take a stand against ruthless ranch owner Lester Sinclair, his sadistic sons, and the murderous band of cattle rustlers who work for them. And after the Sinclairs turn on innocent Ira, Coy is driven to seek justice for his trusted friend...cost what it may.