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Public Los Angeles is a collection of unpublished essays by scholar Don Parson focusing on little-known characters and histories located in the first half of twentieth-century Los Angeles. An infamously private city in the eyes of outside observers, structured around single-family homes and an aggressively competitive regional economy, Los Angeles has often been celebrated or caricatured as the epitome of an American society bent on individualism, entrepreneurialism, and market ingenuity. But Don Parson presents a different vision for the vast Southern California metropolis, one that is deftly illustrated by stories of sustained struggles for social and economic justice led by activists, social workers, architects, housing officials, and a courageous judge. Public Los Angeles presents insights into LA’s historic collectivism, networks of solidarity, and government policy. A follow-up to Parson’s seminal Making a Better World: Public Housing, the Red Scare, and the Direction of Modern Los Angeles (2005), this volume helps shape our understanding of public housing, gender and housework, judicial activism, and race and class in modernday Los Angeles and asks us if history is repeating. Parson’s work anchors a collection of nine essays by friends and mentors who deepen the discussion of his themes: Dana Cuff, Mike Davis, Steven Flusty, Greg Goldin, Jacqueline Leavitt, Laura Pulido, Sue Ruddick, Tom Sitton, Edward W. Soja, and Jennifer Wolch. The book is richly illustrated. Biographical and curatorial essays by the book’s editors, Roger Keil and Judy Branfman, provide background material and a coherent storyline for a mosaic of fresh Los Angeles research.

Recounts the life and career of the woman who brought Abstract Expressionism into the full view of the art world.

The biography reveals the thrilling life story of a Canadian actress who went from dancing on Broadway to daring acts of survival in WWII. Even as a young girl, Mona Louise Parsons stood out for her elegance and theatrical flair. But despite the many roles she’s played on the stage, the epic story of her real life always stole the show. After growing up in Nova Scotia, she was a chorus girl in 1920s New York City, a Depression-era nurse, a member of the Dutch resistance during World War II, and—after being taken prisoner by the Nazis—she became an escaped fugitive who walked across Germany in the war’s final months. The process of uncovering the story of Mona Parsons took almost as many twists and turns as the life it was piecing together. This book traces the author's own journey as she follows clues from Wolfville, Canada, to New York, Europe and back, leaping across oceans and decades with imagination and grace.