This volume breaks tradition with previous studies of the unemployed in Britain. It offers a history highlighting the active political nature of the unemployed, rather than a depiction of them as passive victims of the system whose existence signals economic decline and social injustice. Beginning with the first appearance of the jobless as a political group in 1884, Richard Flanagan reduces large amounts of available information on their activities-- outlining the major points that define the nature of the politics of the unemployed, discussing their troubled leadership, and documenting the government's response to their efforts through the end of the National Unemployment Workers' Movement in 1939. Curious as to why much of the information about Britain's unemployed has been overlooked, Flanagan lifts the literature on the subject out of what he considers to be a largely fictionalized view by presenting a factual, historically relevant account examining the unemployed in relation to their society, past and present, and how they were able to overcome their diversity at certain times of crisis to form a single political voice and gain some control over their lives. The study reaches beyond the immediate subject, as its conclusions reflect upon the connection between unemployment and any industrialized society, the viability of certain solutions to the conflicts between classes, and most importantly, the political influence that even the most disadvantaged can exert if encouraged to take an active role in their future.

This book charts the changing definitions of unemployment in the UK over the last century.

This study of British amateur theatre in the inter-war period examines five different but interwoven examples of the belief, common in theatrical and educational circles at the time, that amateur drama had a purpose beyond recreation. Amateur theatre was at the height of its popularity as a cultural practice between the wars, so that by 1939 more British people had practical experience of putting on plays than at any time before or since. Providing an original account of the use of drama in adult education projects in deprived areas, and of amateur theatre in government-funded centres for the unemployed in the 1930s, it discusses repertoires, participation by working- class people and pioneering techniques of play-making. Amateur drama festivals and competitions were intended to raise standards and educate audiences. This book assesses their effect on play-making, and the use of innovative one-act plays to express contentious material, as well as looking at the Left Book Club Theatre Guild as an attempt to align the amateur theatre movement with anti-fascist and anti-war movements. A chapter on the Second World War rectifies the neglect of amateur theatre in war-time cultural studies, arguing that it was present and important in every aspect of war-time life. Don Watson builds on current scholarship and makes use of archival sources, local newspapers, unpublished scripts and the records of organizations not usually associated with the theatre. His work explores the range and diversity of amateur drama between the wars and the contributions it made to British theatre.

By moving beyond consideration of the welfare legislation enacted in the 1940s, this book explains how government aid was actually provided in the new British welfare state created just after World War II. Revealing dimensions of social policy that have been neglected by scholars, this study uncovers the practices of the officials who decided how welfare would be distributed. Between 1945 and 1965, social policy was in a state of flux, as officials sought to reconcile the new welfare state’s message of unqualified inclusion with deeply ingrained norms that militated against providing state aid to working-age men, to women who had even a tenuous connection to a male wage-earner, or to black and Asian immigrants who lacked an authentic "British" identity. Fusing the rationales of the poor law and the technologies of the modern bureaucratic state, various government branches tried to shape the behavior and attitudes of those seeking benefits. These mechanisms of welfare distribution created a bureaucratic language and logic that foreshadowed the more publicized, politicized anxieties that would surface as the welfare state itself came under attack later in the 20th century.

Scoundrels and Shirkers examines the deep relationship between capitalism and poverty in England since the 12th century. It exposes the dynamics of capitalism, from its origins in the long transition from feudalism to its current crisis under neoliberal capitalism, in producing poverty. The book, unique in the historical breadth of its focus, shows conclusively that poverty is an inevitable consequence of capitalism. In the search for profits and control of society’s economic surplus, capitalism expands, adapts and innovates, producing not only commodities and wealth but also, and necessarily, poverty. With the partial but important exception of the 1945–51 period, and to a lesser extent the time between 1906 and 1914, there has never been a serious attempt to solve poverty. Efforts have always been to manage and control the poor to prevent them from starving or rebelling; to punish and blame them for being poor; and to force them into poverty-level jobs. Any real solution would require the logic of capitalism to be deeply disrupted. While possible in theory, such a change will require massive social movements.

Citizens and Paupers explores this contentious history by analyzing and comparing three major programs: the Freedmen's Bureau, the Works Progress Administration, and the present-day system of workfare that arose in the 1990s. Each of these overhauls of the welfare state created new groups of clients, new policies for aiding them, and new disputes over citizenship--conflicts that were entangled in racial politics and of urgent concern for social activists.-.

"Based on a breathtaking range of research in British and German archives, The War Come Home is written in an engaging, immediately accessible style and filled with rich anecdotes that are excellently told. This impressive book offers a powerful set of insights into the lasting effects of the First World War and the different ways in which belligerent states came to terms with the war's consequences."—Robert Moeller, author of War Stories: The Search for a Usable Past in the Federal Republic of Germany "With verve, compassion, and above all else, clarity, The War Come Home makes the dismal story of the failed reconstructions of disabled veterans in interwar Britain and German into engaging and provocative reading. Cohen moves from astute analysis of the interventions of high level bureaucrats to sensitive interpretations of how disabled veterans wrote and talked about their lives and the treatment they received at the hands of public and private agencies. She beautifully interweaves histories from below and above, showing how the two shaped -- but also collided with -- one another in profoundly consequential ways for the history of the 20th century."—Seth Koven, coeditor (with Sonya Michel) of Mothers of a New World: Maternalist Politics and the Origins of Welfare States

Civil society and civic engagement have increasingly become topics of discussion at the national and international level. The editors of this volume ask, does the concept of “civil society” include gender equality and gender justice? Or, to frame the question differently, is civil society a feminist concept? Conversely, does feminism need the concept of civil society? This important volume offers both a revised gendered history of civil society and a program for making it more egalitarian in the future. An interdisciplinary group of internationally known authors investigates the relationship between public and private in the discourses and practices of civil societies; the significance of the family for the project of civil society; the relation between civil society, the state, and different forms of citizenship; and the complex connection between civil society, gendered forms of protest and nongovernmental movements. While often critical of historical instantiations of civil society, all the authors nonetheless take seriously the potential inherent in civil society, particularly as it comes to influence global politics. They demand, however, an expansion of both the concept and project of civil society in order to make its political opportunities available to all.

Finalist for the 2022 Mythopoeic Scholarship Award for Myth and Fantasy Studies From the time of Charles Dickens, the imaginative power of the city of London has frequently inspired writers to their most creative flights of fantasy. Charting a new history of London fantasy writing from the Victorian era to the 21st century, Fairy Tales of London explores a powerful tradition of urban fantasy distinct from the rural tales of writers such as J.R.R. Tolkien. Hadas Elber-Aviram traces this urban tradition from Dickens, through the scientific romances of H.G. Wells, the anti-fantasies of George Orwell and Mervyn Peake to contemporary science fiction and fantasy writers such as Michael Moorcock, Neil Gaiman and China Miéville.

A collection of original essays on citizenship and identity.