Fiction. Etel Adnan's novel "PARIS, WHEN IT'S NAKED amazes our retinas, ears, lips, fingertips, and noses with sensing, talking, and envisioning the city of Baudelaire and Delacroix, Mallarme and Picasso, Sartre and Djuna Barnes, Miller and Nin, Vietnamese and African refugees, revolutions and Bohemia. This tale of the Creative Now is told through the fine-tuned sensibility of Etel Adnan, the expatriate poet-painter who knows the French Capital as wholly as she does Beirut and San Francisco, her other homes. She is also the author of SITT MARIE-ROSE, an underground novel of the Lebanese Civil War, and many books of poetry. Her new work is a philosophically charged lyric in prose. The elan vital of every word evokes the eternal present of this wise woman. A highly personal, life-enhancing masterpiece in a deathly age of impersonality. An indespensable book by an indispensable writer" -Morgan Gibson.

With Paris Naked, French photographer Veronique Vial leads us in the footsteps of Brassai through Paris at night with a beautiful nude female model at her side. Her collection of stunning erotic photographs has two subjects: the beautiful girl evoking erotic visions, dreams, and sensations, and the city of Paris at night with the strong contrast of dark shadows and imperial illuminations. Also, the contrast between architecture in stone and the flesh of the body creates a mesmerizing play between voyeurism and exhibitionism. The magical city of Paris forms an adequate stage for the erotic fantasies in the eyes of the beholder

Mary Miller seizes the mantle of southern literature with Biloxi, a tender, gritty tale of middle age and the unexpected turns a life can take. Building on her critically acclaimed novel The Last Days of California and her biting collection Always Happy Hour, Miller transports readers to this delightfully wry, unapologetic corner of the south—Biloxi, Mississippi, home to sixty-three-year-old Louis McDonald, Jr. Louis has been forlorn since his wife of thirty-seven years left him, his father passed, and he impulsively retired from his job in anticipation of an inheritance check that may not come. These days he watches reality television and tries to avoid his ex-wife and daughter, benefiting from the charity of his former brother-in-law, Frank, who religiously brings over his Chili’s leftovers and always stays for a beer. Yet the past is no predictor of Louis’s future. On a routine trip to Walgreens to pick up his diabetes medication, he stops at a sign advertising free dogs and meets Harry Davidson, a man who claims to have more than a dozen canines on offer, but offers only one: an overweight mixed breed named Layla. Without any rational explanation, Louis feels compelled to take the dog home, and the two become inseparable. Louis, more than anyone, is dumbfounded to find himself in love—bursting into song with improvised jingles, exploring new locales, and reevaluating what he once considered the fixed horizons of his life. With her “sociologist’s eye for the mundane and revealing” (Joyce Carol Oates, New York Review of Books), Miller populates the Gulf Coast with Ann Beattie-like characters. A strangely heartwarming tale of loneliness, masculinity, and the limitations of each, Biloxi confirms Miller’s position as one of our most gifted and perceptive writers.

A socially awkward widow is forced to take boarders into her Paris home, in this smart, witty novel of love, loneliness, friendship, and metamorphosis. Living in France among people she hardly understands, Annie has had trouble leaving the house since the death of her husband. And since home happens to be a small place nestled in the heart of Paris, why would she ever want to? But when unexpected events threaten her beloved home, Annie has no choice but to find lodgers—quickly. After placing an ad, Annie attracts tenants with the kind of baggage she isn’t prepared for: a long-legged, cool-headed ex-model on the run from her abusive husband; a frail young woman harboring a possible death wish; a mysterious artist; and an infuriating blue-blooded Frenchman—and all soon threaten Annie’s way of life in ways she never anticipated. But when Annie finds herself reluctantly but actively engaged in the lives of her tenants she discovers she might just free herself in the process . . .

Letters to an exiled Lebanese writer and journal editor about feminism, written between 1990 and 1992.

A literary treat: a memoir of Edmund White's years among the cultural and intellectual elite of 1980s Paris

The all-time favorite, now in a sturdy board book. There are 28.9 million children under the age of 5 in the U.S. and all of them will need to be toilet trained. This classic book has already helped millions of parents get their children through a life milestone with ease and some entertainment too. With Once Upon a Potty, a parent reads the book to their child or allows the child to read it while on the potty. Not surprisingly, the book takes some wear. This new board book edition will withstand such heavy use and survive the occasional water spill too. This is THE potty training book. It has it all, bright graphics, simple language, fun story and an anatomically correct hero. With an edition for each gender, the book relates directly to the child, making the potty-training process relatable and easy to understand.

This novel is one of the most ambitious and remarkable literary achievements of our time. It is a picaresque, psychological novel--a novel of the road, a journey or voyage of the human spirit in its search for reality in a world of illusion and nightmare. It is an epic of what might be called the Arabian Nights of American life. Marguerite Young's method is poetic, imagistic, incantatory; in prose of extraordinary richness she tests the nature of her characters--and the nature of reality. Miss MacIntosh, My Darling is written with oceanic music moving at many levels of consciousness and perception; but the toughly fibred realistic fabric is always there, in the happenings of the narrative, the humor, the precise details, the definitions of the characters. Miss MacIntosh herself, who hails from What Cheer, Iowa, and seems downright and normal, with an incorruptible sense of humor and the desire to put an end to phantoms; Catherine Cartwheel, the opium lady, a recluse who is shut away in a great New England seaside house and entertains imaginary guests; Mr. Spitzer, the lawyer, musical composer and mystical space traveler, a gentle man, wholly unsure of himself and of reality; his twin brother Peron, the gay and raffish gambler and virtuoso in the world of sports; Cousin Hannah, the horsewoman, balloonist, mountain-climber and militant Boston feminist, known as Al Hamad through all the seraglios of the East; Titus Bonebreaker of Chicago, wild man of God dreaming of a heavenly crown; the very efficient Christian hangman, Mr. Weed of the Wabash River Valley; a featherweight champion who meets his equal in a graveyard--these are a few who live with phantasmagorical vividness in the pages of Miss MacIntosh, My Darling. The novel touches on many aspects of life--drug addiction, woman's suffrage, murder, suicide, pregnancy both real and imaginary, schizophrenia, many strange loves, the psychology of gambling, perfectionism; but the profusion of this huge book serves always to intensify the force of the central question: "What shall we do when, fleeing from illusion, we are confronted by illusion?" What is real, what is dream? Is the calendar of the human heart the same as that kept by the earth? Is it possible that one may live a secondary life of which one does not know? In every aspect, Miss MacIntosh, My Darling stands by itself--in the lyric beauty of its prose, its imaginative vitality and cumulative emotional power. It is the work of a writer of genius.