French women seem inherently more confident in their bodies, able to embrace the sensuality of life and love. What's their secret? Lingerie. Yet, despite an insatiable curiosity for all things French, most women still find lingerie an enigma, a tangled mélange of silk and lace, and are confused about how, when, and where to wear it. (Hint: it's not just for special occasions.) Many aspire to having a drawer full of silky, lacy undergarments, but have no idea where to start: How should my bra fit? How exactly do I wear a garter belt? Do bras and knickers always have to match? With illustrations by French lingerie designer Paloma Casile, Paris Undressed: The Secrets of French Lingerie will help women feel at ease with their figures and show them how to integrate a lingerie lifestyle à la française to enhance their own femininity, confidence, and joie de vivre. It will transform the way women perceive their undergarments - and their bodies - and reveal how to co-ordinate a lingerie wardrobe to reflect personality and to meet lifestyle needs with the right dose of reverie. The book also includes a hand-selected guide to the most confidential addresses and lingerie boutiques in Paris, and discloses where to find the perfect bra, couture camisole or cheeky knicker. Paris Undressed goes behind the seams, combining cultural references, expertise, and practical advice to inspire every woman to reconsider her underwear drawer.

French women seem inherently more confident in their bodies, able to embrace the sensuality of life and love. What's their secret? Lingerie. Paris Undressed will help women feel at ease with their figures and show them how to integrate a lingerie lifestyle a la francaise to enhance their own femininity, confidence, and joie de vivre. This book goes behind the seams, combining cultural references, expertise, and practical advice to inspire every woman to reconsider her underwear drawer.

From 1889 to 1914 nude spectacles increased at an astonishing rate as a result of burgeoning artistic experimentation, the commercialization of the female body, and the rise of urban nightlife. In particular, artists’ balls and music halls provided creative spaces in which women, artists, impresarios, and the illustrated press could cast the natural body as a source of sexual pleasure, identity, and reform. Emphasizing the role of erotic entertainment as an outlet and agent of modern sensibilities, Uncovering Paris: Scandals and Nude Spectacles in the Belle Époque offers a fresh approach to important topics of the period—Bohemian artists, the New Woman, and press censorship—and reinterprets them through the lens of la femme nue. Having inherited her name from the pictorial female Nude and the Nude’s real-life counterpart, the artist’s model, la femme nue operated as a screen onto which various groups projected their artistic drives, sexual desires, monetary interests, and cultural anxieties. A struggle to define pornography and art, freedom and censorship, and public and private spheres ensued among artists, theater directors, and moral leagues as a century-long tradition of equating civilization with clothing broke down in the face of performative challenges. In posing, singing, acting, and dancing in naturalist presentations, the artist’s model-turned-erotic entertainer engendered crises in ways of seeing the female body that contributed to and was indicative of a changing moral climate within which women were accorded more freedom to corporeally express themselves. Once denigrated and denounced as a sign of vulgar working-class sexuality, the revelation of female flesh became an integral aspect of twentieth-century French body culture. Drawing upon a range of colorful commentaries, dramatic debates, and evocative photos, Lela F. Kerley highlights the importance of nudity in the redrawing of moral boundaries as she uncovers key moments that amounted to a “culture war” in the years leading up to World War I. Through an investigation of street riots, court cases, and anti-pornography campaigns, Uncovering Paris offers an interdisciplinary approach to the scholarship on Belle Époque sexual politics and a rich glimpse into the social construction of morality in Belle Époque France.

Clothing was used in the Middle Ages to mark religious, military, and chivalric orders, lepers, and prostitutes. The ostentatious display of luxury dress more specifically served as a means of self-definition for members of the ruling elite and the courtly lovers among them. In Courtly Love Undressed, E. Jane Burns unfolds the rich display of costly garments worn by amorous partners in literary texts and other cultural documents in the French High Middle Ages. Burns "reads through clothes" in lyric, romance, and didactic literary works, vernacular sermons, and sumptuary laws to show how courtly attire is used to negotiate desire, sexuality, and symbolic space as well as social class. Reading through clothes reveals that the expression of female desire, so often effaced in courtly lyric and romance, can be registered in the poetic deployment of fabric and adornment, and that gender is often configured along a sartorial continuum, rather than in terms of naturally derived categories of woman and man. The symbolic identification of the court itself as a hybrid crossing place between Europe and the East also emerges through Burns's reading of literary allusions to the trade, travel, and pilgrimage that brought luxury cloth to France.

As seen in The New York Times -- discover what French women know about embracing that irresistible joie de vivre We all know that French women don't get fat. But their famous je ne sais quoi comes from more than just body type--something anyone can master: the old-fashioned art cultivating our inner beauty, confidence, and unique personal style, at any age. From savoring the everyday beauty around you to engaging in captivating conversations, playing dress-up, hosting impromptu dinner parties under the stars, and of course mastering the art of French flirting, the lively and inspiring lessons in this “syllabus” will help you rediscover your beautiful, fierce, romantic, engaging best self—to attract the best of everything into your life. Ready to embark on the adventure of your life? Parisian Charm School is in session….

Exploring the popularity and meaning of neoclassical dress in the 1790s, this book traces its evolution in Europe and relationship to other artistic media.

Fedya Ili, being a Russian cosmopolite, tries to discover each city in which he lives and find its soul. In 2015 he presented 'Naked Petersburg' - the first city in this series of Souls. Now he continues with 'Naked Paris' - black and white analogue portraits and interviews of Parisians. Each person tells the story of his relationship with the city, posing undressed on the streets of Paris - revealing the soul and beauty of their personal connection.

Nancy Drew meets The Devil Wears Prada in the first title of a new mystery series for girls. MODEL UNDERCOVER introduces teen-sleuth Axelle Anderson, who seizes the opportunity to go undercover as a model during Paris Fashion week to uncover the truth about a top designer's disappearance—and clear her uber-fashionista Aunt's name. Axelle Anderson doesn't care about fashion, in spite of her pushy fashionista aunt, Venetia. All Axelle wants to do in life is solve mysteries. But when top fashion designer Belle La Lune goes missing and Aunt Venetia becomes a prime suspect, Axelle must go undercover as a model to bring the truth into the spotlight. Who knew modeling could be such a dangerous game?

Many Austronesian languages exhibit isolating word structure. This volume offers a series of investigations into these languages, which are found in an "isolating crescent" extending from Mainland Southeast Asia through the Indonesian archipelago and into western New Guinea. Some of the languages examined in this volume include Cham, Minangkabau, colloquial Malay/Indonesian and Javanese, Lio, Alorese, and Tetun Dili. The main purpose of this volume is to address the general question of how and why languages become isolating, by examination of a number of competing hypotheses. While some view morphological loss as a natural process, others argue that the development of isolating word structure is typically driven by language contact through various mechanisms such as creolization, metatypy, and Sprachbund effects. This volume should be of interest not only to Austronesianists and historians of Insular Southeast Asia, but also to grammarians, typologists, historical linguists, creolists, and specialists in language contact.