From the wildly popular bestselling author of The Keeper of Lost Things comes a surprising and uplifting story about the complicated relationships between mothers and daughters, and the magic of chosen family. Tilly was a bright, outgoing little girl who loved fizzy drinks, naughty words, and liked playing with ghosts and matches. When her beloved father suddenly disappeared, she and her fragile, difficult mother moved into Queenie Malone’s magnificent Paradise Hotel in Brighton, with its endearing and loving family of misfits—including the exuberant and compassionate Queenie herself. But then Tilly was dealt another shattering blow when her mother sent her off to boarding school with little explanation and no warning, and she lost her beloved chosen family. Now an adult, Tilda has grown into an independent woman still damaged by her mother’s unaccountable cruelty. Wary of people, her only true friend is her dog, Eli. When her estranged mother dies, Tilda returns to Brighton and the home she loved best. With the help of the still-dazzling Queenie, she sets about unraveling the mystery of her exile from The Paradise Hotel, only to discover that her mother was not the woman she thought she knew at all…and that it’s never too late to write your own happy ending. With Ruth Hogan’s trademark quirky, clever, and life-affirming characters, Queenie Malone’s Paradise Hotel will dazzle readers and mesmerize them until they reach the surprising twist at the end.

In a new translation of Feydeau's farce, a middle-aged man arranges a rendezvous in a small hotel with his best friend's beautiful young wife.

This brand new collection of plays reaffirms Richard Foreman's status as "the reigning philosopher vaudvillian of the New York avant-garde". In addition to six new plays -- "Paradise Hotel", "The Universe", "Permanent Brain Damage", "Risk It! Risk It!", "Pearls for Pigs" and "Benita Canova" (the last two of which won Obie awards for Best Play -- this collection also boasts two essays. "On My Plays" and "Rules", which elaborate on Foreman's singular approach to the art of playwrighting. Filled with Foreman's signature wit and vision, Paradise Hotel is the work a true genius of American theater.

Resorts have become important to American society and its economy; one in eight Americans is now employed by the tourism industry. Yet despite the ubiquity of hotels, little has been written about those who labor there. Drawing on eight years of participant observation and in-depth interviews, the renowned ethnographers Patricia A. Adler and Peter Adler reveal the occupational culture and lifestyles of workers at five luxury Hawaiian resorts. These resorts employ a workforce that is diverse in gender, class, ethnicity, and nationality. Hawaiian resort workers, like those in nearly all resorts, consist of four groups. New immigrants hold difficult and dirty low-status jobs for little pay. Locals provide an authentic Polynesian flavor for guests, a ready pool of youthful high-turnover employees, and a population trapped in a place that offers few occupational alternatives. Managers tend to be middle-class, college-educated young and middle-aged men from the mainland whose lifestyles are occupationally transient. Seekers, mostly young, white, and from the mainland as well, escape to paradise seeking adventure, warmth, extreme sports, or some alternate life experiences. The Adlers describe the work, lives, and careers of these four groups that labor in organizations that never close, with shifts scheduled around the clock and around the year. Paradise Laborers adds to the growing interest in the global flow of labor, as these immigrant workers display different trends in gendered opportunities and mobility than those exhibited by other groups. The authors propose a political economy of tourist labor in which they compare the different expectations and rewards of organizations, employees, and local labor markets.

Elegant, brutal, and profound—this magnificent debut captures the grit and glory of modern Hawai'i with breathtaking force and accuracy. In a stunning collection that announces the arrival of an incredible talent, Kristiana Kahakauwila travels the islands of Hawai'i, making the fabled place her own. Exploring the deep tensions between local and tourist, tradition and expectation, façade and authentic self, This Is Paradise provides an unforgettable portrait of life as it’s truly being lived on Maui, Oahu, Kaua'i and the Big Island. In the gut-punch of “Wanle,” a beautiful and tough young woman wants nothing more than to follow in her father’s footsteps as a legendary cockfighter. With striking versatility, the title story employs a chorus of voices—the women of Waikiki—to tell the tale of a young tourist drawn to the darker side of the city’s nightlife. “The Old Paniolo Way” limns the difficult nature of legacy and inheritance when a patriarch tries to settle the affairs of his farm before his death. Exquisitely written and bursting with sharply observed detail, Kahakauwila’s stories remind us of the powerful desire to belong, to put down roots, and to have a place to call home.

Visually arresting and utterly one-of-a-kind, Sarah J. Sloat's Hotel Almighty is a book-length erasure of Misery by Stephen King, a reimagining of the novel's themes of constraint and possibility in elliptical, enigmatic poems. Here, "joy would crawl over broken glass, if that was the way." Here, sleep is “a circle whose diameter might be small," a circle "pitifully small," a "wrecked and empty hypothetical circle." Paired with Sloat's stunning mixed-media collage, each poem is a miniature canvas, a brief associative profile of the psyche—its foibles, obsessions, and delights.

"Designing Paradise : The Allure of the Hawaiian Resort follows the history of tourist destinations in the Hawaiian Islands, the motivations that shaped their formation, and the buildings and landscapes that are the embodiments of this paradise of the Pacific. Comprehensively illustrated with drawings, ephemera, archival images, and contemporary photographs, Designing Paradise examines the most magnificent and culturally rich architecture to emerge in the Hawaiian Islands and provides insight into the essence and allure of Hawai'i. The resorts presented here are more than places of shelter or destinations; they exemplify the aloha spirit and the idyllic mythos of Hawai'i."--BOOK JACKET.

Ben Novack, Jr. was born into a life of luxury and opulence. Heir to the legendary Fontainebleau hotel, he spent his childhood surrounded by some of the world's biggest stars, including Frank Sinatra and the Rat Pack, Elvis Presley, and Ann-Margret, who performed regularly at the Fontainebleau's La Ronde Room. He sat by while his parents entertained presidents and movie stars, as they reigned over Miami Beach in the ‘50's and ‘60's, and when the family business went sour he became wealthy in his own right, founding a multi-million dollar business using connections he made at the Fontainebleau. But Ben, Jr.'s luxurious, celebrity-studded lifestyle would end in another hotel room—a thousand miles away from the one where he grew up—when police found him bound up in duct tape, beaten to death. Seven years earlier, police found Novack in an eerily similar situation—when his wife Narcy duct-taped him to a chair for twenty-four hours and robbed him. Claiming it was a sex game, he never pressed charges and never followed through with a divorce. Now prosecutors claimed Narcy let the vicious killers into the room and watched as they beat her husband with dumbbells. They also suspected she was involved in the horrendous death of Novack's mother, just three months before. But it would be Narcy's own daughter who implicated her to the police. John Glatt tells the whole story of this twisted case of passion, perversion, and paradise lost, in Prince of Paradise.

An architectural study of the large Adirondack hotels that focuses on the cultural history of travel and tourism.

An immersive photographic tour of the legendary Hotel Chelsea, whose residents share their spaces, their stories, and a delirious collective history of this landmark. Jackson Pollock, Robert Mapplethorpe, Patti Smith, Dylan Thomas, Arthur Miller, Bob Dylan, Arthur C. Clarke, Andy Warhol, William S. Burroughs, Janis Joplin, Eugene O'Neill, Rufus Wainwright, Betsey Johnson, R. Crumb, Thomas Wolfe, Jasper Johns—these are just a few of the figures who at one time occupied one of the most alluring and storied residences ever: the Chelsea Hotel. Born during the Gilded Age and once the tallest building in New York, the twelve-story landmark has long been a magnet for artists, writers, musicians, and cultural provocateurs of all stripes. In this book, photographer Colin Miller and writer Ray Mock intimately portray the enduring bohemian spirit of the Chelsea Hotel through interviews with nearly two dozen current residents and richly detailed photographs of their unique spaces. As documented in Miller's abundant photographs, these apartments project the quirky decorating sensibilities of urban aesthetes who largely work in film, theater, and the visual arts, resulting in deliriously ornamental spaces with a kitschy edge. Weathering the overall homogenization of New York and the rapid transformation of the hotel itself—amid recent ownership changeovers and tenant lawsuits—residents remain in about seventy apartments while the rest of the units are converted to rentals (and revert to a hotel-stay basis, which had ceased in 2011). For the community of artists and intellectuals who remain, the uncertain status of the hotel is just another stage in a roller-coaster history. A fascinating portrait of a strand of resilient bohemian New Yorkers and their creative, deeply idiosyncratic homes, Hotel Chelsea is a rich visual and narrative document of a cultural destination as complicated as it is mythical.