In its tiny corner of the East End, life in Paradise Court is often hard, but never dull. At its heart, the Duke of Wellington, Wilf Parsons presides behind the bar as a pillar of cohesion and strength. In spite of the ever-increasing reality of war, to 'Duke', his large, motherless brood of six, and other local families, everyday dramas in the Court still take greater precedence. Paradise Court marks the start of an unforgettable saga of life in London's East End - a glorious, heart-warming story of ordinary people set against the backdrop of the Great War, ending in breathtaking suspense as life is held, literally, in the balance . . .

While taking a cross country trip, a young couple stops to visit one of their long lost friends who live in an idyllic gated community in the Midwest. Not long after they arrive, they find out that a girl has gone missing and that something sinister may be lurking behind the mansions and well-manicured lawns of Paradise Court.

THE COMPLETE PRATT compiles the first three volumes of the misadventures of Henry Pratt, beginning with a brilliantly funny evocation of a Yorkshire boyhood in SECOND FROM LAST IN THE SACK RACE; Henry's first job is as a cub reporter on the Thurmarsh Evening Argus, told in PRATT OF THE ARGUS, hailed by Sue Townsend as 'very funny'. Finally, in THE CUCUMBER MAN, Henry decides to take on a new role and a new challenge - working for the Cucumber Marketing Board in Leeds. Stumbling through the fifties, sixties, seventies and eighties, Henry accumulates marriages and children along the way and THE COMPLETE PRATT is a touching and hilarious ride through a divided Britain...

An Amish settlement in Ohio has run afoul of a law requiring their children to attend public school. Caleb Bender and his neighbors are arrested for neglect, with the state ordering the children be placed in an institution. Among them are Caleb's teenage daughter, Rachel, and the boy she has her eye on, Jake Weaver. Romance blooms between the two when Rachel helps Jake escape the children's home. Searching for a place to relocate his family where no such laws apply, Caleb learns there's inexpensive land for sale in Mexico, a place called Paradise Valley. Despite rumors of instability in the wake of the Mexican revolution, the Amish community decides this is their answer. And since it was Caleb's idea, he and his family will be the pioneers. They will send for the others once he's established a foothold and assessed the situation. Caleb's daughters are thrown into turmoil. Rachel doesn't want to leave Jake. Her sister, Emma, who has been courting Levi Mullet, fears her dreams of marriage will be dashed. Miriam has never had a beau and is acutely aware there will be no prospects in Mexico. Once there, they meet Domingo, a young man and guide who takes a liking to Miriam, something her father would never approve. While Paradise Valley is everything they'd hoped it would be, it isn't long before the bandits start giving them trouble, threatening to upset the fledgling Amish settlement, even putting their lives in danger. Thankfully no one has been harmed so far, anyway.

Visions of Savage Paradise is the first major book-length study of seventeenth-century Dutch artist Albert Eckhout to be published in nearly seventy years. Eckhout, who was court painter to the colonial governor of Dutch Brazil, created life-size paintings of Amerindians, Africans, and Brazilians of mixed race in support of the governor’s project to document the people and natural history of the colony. In this study, Rebecca Parker Brienen provides a detailed analysis of Eckhout’s works, framing them with discussions of both their colonial context and contemporary artistic practices in the Dutch republic.