"The world of the Founding Fathers was also a postrevolutionary society, in whose streets people of all social classes jostled in festivals and parades that expressed a vibrant popular politics. Simon Newman's book is as lively as the tumultuous political culture he has mapped."--Linda K. Kerber, author of Women of the Republic

Simon P. Newman vividly evokes the celebrations of America's first national holidays in the years between the ratification of the Constitution and the inauguration of Thomas Jefferson. He demonstrates how, by taking part in the festive culture of the streets, ordinary American men and women were able to play a significant role in forging the political culture of the young nation. The creation of many of the patriotic holidays we still celebrate coincided with the emergence of the first two-party system. With the political songs they sang, the liberty poles they raised, and the partisan badges they wore, Americans of many walks of life helped shape a new national politics destined to replace the regional practices of the colonial era.

Beginning with a vivid description of Philadelphia's spectacular Washington Centennial of 1832, Susan Davis examines the background of street theatre and the history of parades and public ceremonial culture in Europe and the New World. In pre-Civil War Philadelphia, processions and public ceremonies were popular vehicles for historical commemoration and celebration, and for propaganda and protest.

One of the grand annual events in Chicago's history is the spectacular Christmas Parade on State Street. Filled with pageantry, these parades showcase amazing floats and displays, often featuring local VIPs along with Hollywood stars. In this companion to Christmas on State Street: The 1940s and Beyond, Robert P. Ledermann continues his celebration of Christmas in Chicago. Over 200 photographs, including 16 pages of full color, lead you on a wonderful trip down memory lane; you will also share the recollections of many famous personalities who participated in the parade. Crowds viewed the famous windows at Marshall Field's and Carson's while awaiting the parade; complete sets of those windows are featured here. Finally, Chicago can be cold in the winter, so to warm up we'll stop in at Miller's Pub and the Berghoff Restaurant.

Walt Disney World is often called the happiest place on earth. Families visit to celebrate birthdays, anniversaries, weddings, homecomings from war, victory over cancer, and mainly, together time. Visitors to the Magic Kingdom line Main Street and Liberty Square every afternoon to watch as Mickey and his pals fill the streets in a whimsical parade as a lucky family (or families) gets to lead it all. For fourteen years, Dean Gaschler had the privilege of choosing those families and often became friends with them. These are the stories of just a few of those families. Stories of hope, loss, love, and family that will warm your heart."

Who owns the street? Interwar Berliners faced this question with great hope yet devastating consequences. In Germany, the First World War and 1918 Revolution transformed the city streets into the most important media for politics and commerce. There, partisans and entrepreneurs fought for the attention of crowds with posters, illuminated advertisements, parades, traffic jams, and violence. The Nazi Party relied on how people already experienced the city to stage aggressive political theater, including the April Boycott and Kristallnacht. Observers in Germany and abroad looked to Berlin's streets to predict the future. They saw dazzling window displays that radiated optimism. They also witnessed crime waves, antisemitic rioting, and failed policing that pointed toward societal collapse. Recognizing the power of urban space, officials pursued increasingly radical policies to 'revitalize' the city, culminating in Albert Speer's plan to eradicate the heart of Berlin and build Germania.

On June 28, 1970, two thousand gay and lesbian activists in New York, Los Angeles, and Chicago paraded down the streets of their cities in a new kind of social protest, one marked by celebration, fun, and unashamed declaration of a stigmatized identity. Forty-five years later, over six million people annually participate in 115 Pride parades across the United States. They march with church congregations and college gay-straight alliance groups, perform dance routines and marching band numbers, and gather with friends to cheer from the sidelines. With vivid imagery, and showcasing the voices of these participants, Pride Parades tells the story of Pride from its beginning in 1970 to 2010. Though often dismissed as frivolous spectacles, the author builds a convincing case for the importance of Pride parades as cultural protests at the heart of lesbian, gay, bisexual, and transgender (LGBT) community. Weaving together interviews, archival reports, quantitative data, and ethnographic observations at six diverse contemporary parades in New York City, Salt Lake City, San Diego, Burlington, Fargo, and Atlanta, Bruce describes how Pride parades are a venue for participants to challenge the everyday cultural stigma of being queer in America, all with a flair and sense of fun absent from typical protests. Unlike these political protests that aim to change government laws and policies, Pride parades are coordinated, concerted attempts to improve the standing of LGBT people in American culture.

On July 4, 1796, a group of women gathered in York, Pennsylvania, to celebrate the twentieth anniversary of American independence. They drank tea and toasted the Revolution, the Constitution, and, finally, the rights of women. This event would have been unheard of thirty years before, but a popular political culture developed after the war in which women were actively involved, despite the fact that they could not vote or hold political office. This newfound atmosphere not only provided women with opportunities to celebrate national occasions outside the home but also enabled them to conceive of possessing specific rights in the young republic and to demand those rights in very public ways. Susan Branson examines the avenues through which women's presence became central to the competition for control of the nation's political life and, despite attempts to quell the emerging power of women--typified by William Cobbett's derogatory label of politically active women as "these fiery Frenchified dames"--demonstrates that the social, political, and intellectual ideas regarding women in the post-Revolutionary era contributed to a more significant change in women's public lives than most historians have recognized. As an early capital of the United States, the leading publishing center, and the largest and most cosmopolitan city in America during the eighteenth century, Philadelphia exerted a considerable influence on national politics, society, and culture. It was in Philadelphia that the Federalists and Democratic Republicans first struggled for America's political future, with women's involvement critical to the outcome of their heated partisan debates. Middle and upper-class women of Philadelphia were able to achieve a greater share in the culture and politics of the new nation through several key developments, including theaters and salons that were revitalized following the war, allowing women to intermingle and participate in political discussions, and the wider availability of national and international writings, particularly those that described women's involvement in the French Revolution--perhaps the most important and controversial historical event in the early development of American women's political consciousness. Given these circumstances, Branson argues, American women were able to create new more active social and political roles for themselves that brought them out of the home and into the public sphere. Although excluded from the formal political arenas of voting and lawmaking, American women in the Age of Revolution nevertheless thought and acted politically and were able to make their presence and opinions known to the benefit of a young nation.

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