"...examines the impact of the Persian Zoroastrian Empire on rabbinic identity and authority as expressed in the Babylonian Talmud."--

Shahnama: The Visual Language of the Persian Book of Kings presents the first comprehensive examination of the interplay between text and image in the celebrated Persian national epic, the Shahnama, written by the poet Firdausi of Tus. The Shahnama is one of the longest poems ever composed and recounts the history of Iran from the dawn of time to the Muslim Arab conquests of the seventh century AD. There is no Persian text, in prose or poetry, which has been so frequently and lavishly illustrated. Offering fresh insights through a range of varied art-historical approaches to the Shahnama, the essays in this volume reveal how the subtle alterations in text and image serve to document changes in taste and style and can be understood as reflections of the changing role of the national epic in the imagination of Iranians and the equally changing messages - often political in nature - which the familiar stories were made to convey over the centuries.

This introduction to Zoroastrianism presents it as a living faith, with a coherent theology and an ethic of good thoughts, good words and good deeds. The text also contains a glossary of Zoroastrian terms.

In this third volume covering the flourishing period from the third to the eighth century A.D., scholars describe the powerful role played by the Sasanian state in Iran, the Gupta empire in India and the T'ang dynasty in China. Waves of nomadic migrations and the formation of steppe empires left their mark on political and social life. This multiethnic society had its roots in the great religious traditions of Buddhism, Zoroastrianism, Manichaeism, Christianity and Shamanism. The Islamization of a great part of the region brought fundamental changes to all aspects of life. Intensive trade along the Silk Route encouraged cultural and scientific exchanges, making this period one of impressive artistic and intellectual creativity.