A groundbreaking history of how the US Post made the nineteenth-century American West. There were five times as many post offices in the United States in 1899 than there are McDonald's restaurants today. During an era of supposedly limited federal government, the United States operated the most expansive national postal system in the world. In this cutting-edge interpretation of the late nineteenth-century United States, Cameron Blevins argues that the US Post wove together two of the era's defining projects: western expansion and the growth of state power. Between the 1860s and the early 1900s, the western United States underwent a truly dramatic reorganization of people, land, capital, and resources. It had taken Anglo-Americans the better part of two hundred years to occupy the eastern half of the continent, yet they occupied the West within a single generation. As millions of settlers moved into the region, they relied on letters and newspapers, magazines and pamphlets, petitions and money orders to stay connected to the wider world. Paper Trails maps the spread of the US Post using a dataset of more than 100,000 post offices, revealing a new picture of the federal government in the West. The western postal network bore little resemblance to the civil service bureaucracies typically associated with government institutions. Instead, the US Post grafted public mail service onto private businesses, contracting with stagecoach companies to carry the mail and paying local merchants to distribute letters from their stores. These arrangements allowed the US Post to rapidly spin out a vast and ephemeral web of postal infrastructure to thousands of distant places. The postal network's sprawling geography and localized operations forces a reconsideration of the American state, its history, and the ways in which it exercised power.

Across the globe, states have long aimed to control the movement of people, identify their citizens, and restrict noncitizens' rights through official identification documents. Although states are now less likely to grant permanent legal status, they are increasingly issuing new temporary and provisional legal statuses to migrants. Meanwhile, the need for migrants to apply for frequent renewals subjects them to more intensive state surveillance. The contributors to Paper Trails examine how these new developments change migrants' relationship to state, local, and foreign bureaucracies. The contributors analyze, among other toics, immigration policies in the United Kingdom, the issuing of driver's licenses in Arizona and New Mexico, the Deferred Action for Childhood Arrivals program, and community know-your-rights campaigns. By demonstrating how migrants are inscribed into official bureaucratic systems through the issuance of identification documents, the contributors open up new ways to understand how states exert their power and how migrants must navigate new systems of governance. Contributors. Bridget Anderson, Deborah A. Boehm, Susan Bibler Coutin, Ruth Gomberg-Muñoz, Sarah B. Horton, Josiah Heyman, Cecilia Menjívar, Juan Thomas Ordóñez, Doris Marie Provine, Nandita Sharma, Monica Varsanyi

From the medical sheets in maternity wards to our death certificates, paper charts the course of our lives. Paradoxically, it spreads ideas and learning as well as thousands of tons of junk mail, yet our dependence on this material is damaging our planet and creating mountains of unnecessary waste. Mandy Haggith explores our society's obsession with paper, from its invention in China 2000 years ago to the millions of tonnes we now use every year. Following the paper trail around the world, Mandy discovers the human stories of those affected by the industry, from a Russian ecologist, a Finnish logger and Indonesian tribal leaders, to a Canadian publisher and a Vietnamese paper technologist. In the process, she uncovers the paper industry's dirtiest secrets and sets out simple, practical steps we can take to minimise our own personal use of 20 tonnes of paper over our lifetime.

One of Canada's greatest journalists shares a half century of the stories behind the stories. From his vantage point harnessed to a tree overlooking the town of Huntsville (he tended to wander), a very young Roy MacGregor got in the habit of watching people—what they did, who they talked to, where they went. He has been getting to know his fellow Canadians and telling us all about them ever since. From his early days in the pages of Maclean's, to stints at the Toronto Star, Ottawa Citizen, National Post and most famously from his perch on page two of the Globe and Mail, MacGregor was one of the country's must-read journalists. While news media were leaning increasingly right or left, he always leaned north, his curiosity trained by the deep woods and cold lakes of Algonquin Park to share stories from Canada's farthest reaches, even as he worked in the newsrooms of its southern capitols. From Parliament to the backyard rink, subarctic shores to prairie expanses, MacGregor shaped the way Canadians saw and thought about themselves—never entirely untethered from the land and its history. When MacGregor was still a young editor at Maclean's, the 21-year-old chief of the Waskaganish (aka Rupert's House) Crees, Billy Diamond, found in Roy a willing listener as the chief was appealing desperately to newsrooms across Ottawa, trying to bring attention to the tainted-water emergency in his community. Where other journalists had shrugged off Diamond's appeals, MacGregor got on a tiny plane into northern Quebec. From there began a long friendship that would one day lead MacGregor to a Winnipeg secret location with Elijah Harper and his advisors, a host of the most influential Indigenous leaders in Canada, as the Manitoba MPP contemplated the Charlottetown Accord and a vote that could shatter what seemed at the time the country's last chance to save Confederation. This was the sort of exclusive access to vital Canadian stories that Roy MacGregor always seemed to secure. And as his ardent fans will discover, the observant small-town boy turned pre-eminent journalist put his rare vantage point to exceptional use. Filled with reminiscences of an age when Canadian newsrooms were populated by outsized characters, outright rogues and passionate practitioners, the unputdownable Paper Trails is a must-read account of a life lived in stories.

Follow the silvery trail through an enchanting maze of stunning pop-up landscapes that range from tranquil to mysterious to magical. This sparkling creation by multi-award-winning designer David Pelham will amaze and delight all who take the journey through this remarkable book.

The New Paper Trails is a lively and provocative collection of 24 short-short stories suitable for upper primary and lower secondary students of English. These lesson-sized stories from Australian and international authors cover a range of themes, styles and genres, and introduce students to writing techniques and the skills of critical literacy. This new edition of the original anthology includes a completely new set of stories, activities and exercises, along a bold and engaging design and illustrations. It features work from well-known authors such as Garth Nix, Angela Carter and Carmel Bird, and alongside authors just starting their literary careers.

"Paper Pools is the most recent major group of works by David Hockney, demonstrating his fascination with new techniques in the service of his passionate pursuit of creative representation. In 1976, Hockney had become obsessed with the technique of coloured etching, which he had been taught by the French print-maker Aldo Crommelynck and which resulted in the Blue Guitar series, among other inventive works. Now Hockney has applied himself with infectious enthusiasm to the making of Paper Pools, in which painting and paper-making are totally fused." --preface.

An engaging and masterful collection of essays that vividly captures the author's diverse work as award-winning writer, activist, parent, scholar, professor, anthropologist, critic, and traveler.

Originally published in hardcover in Great Britain by Allen Lane, a division of Penguin Random House Ltd., London, in 2014.