A Texas map marked with three red dots like drops of blood. A serial killer who claims to have dementia. A mysterious young woman who wants answers. What could go wrong? FINALIST FOR THE ITW THRILLER AWARD • “Fast and furious . . . You’ll never see what’s coming.”—The Washington Post Years ago, her sister Rachel vanished. Now she is almost certain the man who took Rachel sits in the passenger seat beside her. He claims to have dementia and no memory of murdering girls across Texas in a string of places where he shot eerie pictures. To find the truth, she proposes a dangerous idea: a ten-day road trip with a possible serial killer to examine cold cases linked to his haunting photographs. Is he a liar or a broken old man? Is he a pathological con artist—or is she? You won’t see the final, terrifying twist spinning your way until the very last mile. Praise for Paper Ghosts “Paper Ghosts is a riveting summer read that shows Texas in a powerfully intimate light.” —The Austin Chronicle “[An] artful and elegiac psychological thriller . . . riveting.”—Publishers Weekly (starred review) “[Paper Ghosts] elevates the often tawdry genre of the serial killer novel to a work of art.”—Sunday Express (UK) “Texas has yet again bred a major American noir writer.”—D Magazine “[Heaberlin has] developed a distinctive literary voice, one that is on full display in Paper Ghosts.”—Houston Chronicle “Entertainingly unnerving.”—The Dallas Morning News “Strong characterisation, haunting images, a wonderful sense of place, and some dark comedy make this travelogue-cum-psychological thriller well worth the read.”—The Guardian

Fenn Cooper is a journalist in trouble. His boss has given him one last chance to write a riveting story or lose his job. He decides to write about the eccentric people who work at a travelling circus in Ithaca, New York, where silent movies where once made. There he meets Zena, a "little person" fortune teller with uncanny abilities, and her friend Holey John, a Vietnam vet whose act is piercing his flesh for five bucks a pop, as penitence for what he imagines he did in Nam. Marvin Brinks, a Hollywood exec for a big-time movie production company, also finds himself in trouble when he stumbles upon a one-hundred-year old contract his company inherited from a long forgotten silent movie company that was based in Ithaca. Wording in the contract would trigger an audit, and an audit would expose him for embezzling millions of dollars from the company. When he realizes that several copies of the contract are missing, he hires an assassin to find the contracts and kill any heirs. As Fenn begins to write his story, he uncovers a connection between the long-forgotten contracts and a series of recent unsolved murders. What's more, he realizes that Zena and Holey John could be the killer's next victims. As these players converge in Ithaca, a deadly game of car and mouse ensues. Will Fenn uncover Marvin Brinks secrets and stop the murders before Zena and Holey John become the killer's next victim?

The city of Ludlow is gripped by the hottest July on record. The asphalt is melting, the birds are dying, petty crime is on the rise, and someone in Hannah Wagnor's peaceful suburban community is killing girls. For Hannah, the summer is a complicated one. Her best friend Lillian died six months ago, and Hannah just wants her life to go back to normal. But how can things be normal when Lillian's ghost is haunting her bedroom, pushing her to investigate the mysterious string of murders? Hannah's just trying to understand why her friend self-destructed, and where she fits now that Lillian isn't there to save her a place among the social elite. And she must stop thinking about Finny Boone, the big, enigmatic delinquent whose main hobbies seem to include petty larceny and surprising acts of kindness. With the entire city in a panic, Hannah soon finds herself drawn into a world of ghost girls and horrifying secrets. She realises that only byconfronting the Valentine Killer will she be able move on with her life - and it's up to her to put together the pieces before he strikes again.

Rhyming text and die-cut pages present a ghost at the window, a ghost in the water tap, and ghosts everywhere you look.

In 1993, Donna Palomba was raped by a masked assailant in her own home. Yet, her story is more than a victim’s tale of physical and emotional recovery. It is a story of one woman’s hunt for justice while fending off attacks by institutions designed to defend and protect her—the police department, the local government, and a community clinging to an outrageous claim that Donna had invented the crime to cover up a sexual affair. From the night of the attack, the botched crime scene investigation, and the abuse as authorities attempted to close the case by discrediting her, Donna was left as a victim with no name and no identity. Meanwhile, there was one courageous detective, later to become chief of police, who broke a cops’ code of silence in the name of justice. As they fought on, a legal battle ensued after the Waterbury Police Department—now with media support—refused to let go of its allegations against her and admit wrongdoing. Finally, after eleven years of struggle, Donna learned the identity of her attacker from the chief of police, who explained that the DNA from the rape kit taken a decade ago had turned up a shocking match. In 2007, Donna Palomba was the subject of a special two-hour Dateline episode about her case. Suddenly, she was Jane Doe no more, launching the Jane Doe No More organization and becoming a promoter of the rights of women and victims of sexual assault. With the help of crime investigator and author M. William Phelps, this is her story.

'I would get out of the car at every shopping centre and want to ask the stranger walking by with their trolley: "Why are you still shopping? Someone I love has died."' – Dela Gwala Death is a fact of life, but the experience of grief is unique to each of us. This timely collection brings together a range of voices to offer refl ections on death and dying, from individual losses to large scale catastrophes. Karin Schimke revisits her troubled relationship with her late father, a Second World War survivor 'whose brain had been broken by violence'. Madeleine Fullard, the head of South Africa's Missing Persons Task Team, draws us into the search for activists who were 'disappeared' or went missing in political circumstances between 1960 and 1994. Caine Prize winner Lidudumalingani remembers his childhood in a small village in the Eastern Cape, and how his mother always listened to death notices read over the radio as a way of bearing witness to the grief of strangers. The other contributors in this poignant and thought-provoking anthology turn their minds to subjects as varied as the ritual of washing the body of the deceased before burial, the ethics of killing small animals, and the extinction of humankind. In a time of relentless grief, Our Ghosts Were Once People reminds us that one of the small consolations of literature is that all sorrows can be borne. Sindiswa Busuku • Lucienne Bestall • Khadija Patel • Shrikant Peters • Sudirman Adi Makmur • Paula Ihozo Akugizibwe • Rofhiwa Maneta • Madeleine Fullard • Musawenkosi Khanyile • Simone Haysom • Thato Monare • Angifi Dladla • Nick Mulgrew • Tariq Hoosen • Catherine Boulle • Tatamkhulu Afrika • Dela Gwala •Anna Hartford • Gabeba Baderoon • Barry Christianson • Vonani Bila • Khanya Mtshali • Robert Berold

Tired of living in a haunted house, a young witch captures, washes, and turns her pesky ghosts into curtains, table linens, and bedding.

“Failing schools. Underprivileged schools. Just plain bad schools.” That’s how Eve L. Ewing opens Ghosts in the Schoolyard: describing Chicago Public Schools from the outside. The way politicians and pundits and parents of kids who attend other schools talk about them, with a mix of pity and contempt. But Ewing knows Chicago Public Schools from the inside: as a student, then a teacher, and now a scholar who studies them. And that perspective has shown her that public schools are not buildings full of failures—they’re an integral part of their neighborhoods, at the heart of their communities, storehouses of history and memory that bring people together. Never was that role more apparent than in 2013 when Mayor Rahm Emanuel announced an unprecedented wave of school closings. Pitched simultaneously as a solution to a budget problem, a response to declining enrollments, and a chance to purge bad schools that were dragging down the whole system, the plan was met with a roar of protest from parents, students, and teachers. But if these schools were so bad, why did people care so much about keeping them open, to the point that some would even go on a hunger strike? Ewing’s answer begins with a story of systemic racism, inequality, bad faith, and distrust that stretches deep into Chicago history. Rooting her exploration in the historic African American neighborhood of Bronzeville, Ewing reveals that this issue is about much more than just schools. Black communities see the closing of their schools—schools that are certainly less than perfect but that are theirs—as one more in a long line of racist policies. The fight to keep them open is yet another front in the ongoing struggle of black people in America to build successful lives and achieve true self-determination.

When you're a quilt instead of a sheet, being a ghost is hard! An adorable picture book for fans of Stumpkin and How to Make Friends with a Ghost. Ghosts are supposed to be sheets, light as air and able to whirl and twirl and float and soar. But the little ghost who is a quilt can't whirl or twirl at all, and when he flies, he gets very hot. He doesn't know why he's a quilt. His parents are both sheets, and so are all of his friends. (His great-grandmother was a lace curtain, but that doesn't really help cheer him up.) He feels sad and left out when his friends are zooming around and he can't keep up. But one Halloween, everything changes. The little ghost who was a quilt has an experience that no other ghost could have, an experience that only happens because he's a quilt . . . and he realizes that it's OK to be different.

Pete and his new friend Ghost go trick-or-treating on Halloween, but Ghost can't remember what to say.