Many people who do not believe in God believe that 'everything is God' - that everything is part of an all-inclusive divine unity. In Pantheism, this concept is presented as a legitimate position and its philosophical basis is examined. Michael Levine compares it to theism, and discusses the scope for resolving the problems inherent in theism through pantheism. He also considers the implications of pantheism in terms of practice. This book will appeal to those who study philosophy or theology. It will also be of interest to anyone who does not believe in a personal God, but does have faith in a higher unifying force, and is interested in the justification of this as a legitimate system of thought.

Pantheism is the idea that God and the world are identical—that the creator, sustainer, destroyer, and transformer of all things is the universe itself. From a monotheistic perspective, this notion is irremediably heretical since it suggests divinity might be material, mutable, and multiple. Since the excommunication of Baruch Spinoza, Western thought has therefore demonized what it calls pantheism, accusing it of incoherence, absurdity, and—with striking regularity—monstrosity. In this book, Mary-Jane Rubenstein investigates this perennial repugnance through a conceptual genealogy of pantheisms. What makes pantheism “monstrous”—at once repellent and seductive—is that it scrambles the raced and gendered distinctions that Western philosophy and theology insist on drawing between activity and passivity, spirit and matter, animacy and inanimacy, and creator and created. By rejecting the fundamental difference between God and world, pantheism threatens all the other oppositions that stem from it: light versus darkness, male versus female, and humans versus every other organism. If the panic over pantheism has to do with a fear of crossed boundaries and demolished hierarchies, then the question becomes what a present-day pantheism might disrupt and what it might reconfigure. Cobbling together heterogeneous sources—medieval heresies, their pre- and anti-Socratic forebears, general relativity, quantum mechanics, nonlinear biologies, multiverse and indigenous cosmologies, ecofeminism, animal and vegetal studies, and new and old materialisms—Rubenstein assembles possible pluralist pantheisms. By mobilizing this monstrous mixture of unintentional God-worlds, Pantheologies gives an old heresy the chance to renew our thinking.

This book is a study in a new form of religious naturalism called “Deep Pantheism,” which has roots in American Transcendentalism, but also in phenomenology and Asian thought. It argues that the great divide within nature is that between nature naturing and nature natured, the former term defined as “Nature creating itself out of itself alone,” while the latter term defined as “The innumerable orders of the World.” Explorations are made of the connections among the unconscious of nature, the archetypes, and the various layers of the human psyche. The Selving process is analyzed using the work of C.G.Jung and Otto Rank. Evolution and involution are compared as they relate to the Encompassing, and the priority of art over most forms of religion is argued for.

Spinoza was a 17th century philosopher most famously known for his pantheistic view of God, nature and their relationship to the self. The book Spinoza’s Pantheism is a critical evaluation of the pantheistic theory proposed by Spinoza about God and reality. The author evaluates Spinoza’s pantheistic view of God as an infinite substance. A related theory to that of Spinoza known as unity of existence, developed by the 17th century Muslim philosopher Sadr Al-Din Mohammad Shirazi, is also critically analysed in the book. The author comes to the conclusion that neither version is philosophically tenable on the basis argued for by their respective proponents. Dr Shahin Soltanian is the founder of Kashfence Philosophy. He has a PhD from the University of Auckland in Philosophy.

Philosophy was invented by pagans. Yet this fact is almost always ignored by those who write the history of ideas. This book tells the history of the pagan philosophers, and the various places where their ideas appeared, from ancient times to the 21st century. The Pagan philosophers are a surprisingly diverse group: from kings of great empires to exiled lonely wanderers, from devout religious teachers to con artists, drug addicts, and social radicals. Three traditions of thought emerge from their work: Pantheism, NeoPlatonism, and Humanism, corresponding to the immensities of the Earth, the Gods, and the Soul. From ancient schools like the Stoics and the Druids, to modern feminists and deep ecologists, the pagan philosophers examined these three immensities with systematic critical reason, and sometimes with poetry and mystical vision. This book tells their story for the first time in one volume, and invites you to examine the immensities with them. And as a special feature, the book includes summaries of the ideas of leading modern pagan intellectuals, in their own words: Emma Restall Orr, Michael York, John Michael Greer, Vivianne Crowley, and more ,

This Element focuses on some core conceptual and ontological issues related to pantheistic conceptions of God by engaging with recent work in analytic philosophy of religion on this topic. The conceptual and ontological commitments of pantheism are contrasted with those of other conceptions of God. The concept of God assumed by pantheism is clarified and the question about what type of unity the universe must exhibit in order to be identical with God receives the most attention. It is argued that the sort of unity the universe must display is the sort of unity characteristic of conscious cognitive systems. Some alternative ontological frameworks for grounding such cognitive unity are considered. Further, the question of whether God can be understood as personal on pantheism is explored.

The Triumph of Vulgarity in a thinker's guide to rock 'n' roll. Rock music mirrors the tradition of nineteenth-century Romaniticsm, Robert Patison says. Whitman's "barbaric yawp" can still be heard in the punk rock of the Ramones, and the spirit that inspired Poe's Eureka lives on in the lyrics of Talking Heads. Rock is vulgar, Pattison notes, and vulgarity is something that high culture has long despised but rarely bothered to define. This book is the first effort since John Ruskin and Aldous Huxley to describe in depth what vulgarity is, and how, with the help of ideas inherent in Romaniticism, it has slipped the constraints imposed on it by refined culture and established its own loud arts. The book disassembles the various myths of rock: its roots in black and folk music; the primacy it accords to feeling and self; the sexual omnipotence of rock stars; the satanic predilictions of rock fans; and rock's high-voltage image of the modern Prometheus wielding an electric guitar. Pattison treats these myths as vulgar counterparts of their originals in refined Romantic art and offers a description and justification of rock's central place in the social and aesthetic structure of modern culture. At a time when rock lyrics have provoked parental outrage and senatorial hearings, The Triumph of Vulgarity is required reading for anyone interested in where rock comes from and how it works.