"First published in 1937, two years after Durrell took up residence on the Greek island Kerkyra, Panic Spring broke with the realist tradition in 1930s novels and shows the young author's first attempts to extend High Modernist innovations in rural and personal landscapes. Cubist, surrealist, and imagist techniques merge with rural life and the peasant village that an international group of expatriates are led to by a curiously Pan-like boatman. Unavailable for seven decades, this new edition of Panic Spring shows Durrell's emerging passion for Mediterranean life and the Greek world as well as his first attempts to articulate a political-aesthetic direction distinct from his peers, George Orwell and W.H. Auden. Under the shadow of financial and political ruin, on the verge of revolution and war, the one chance summer depicted in Panic Spring will make readers reconsider the impetus and interests behind Durrell's late modernist masterpieces, The Alexandria Quartet, The Black Book, and Prospero's Cell." -- Publisher's website.

The essays in On Miracle Ground represent a collaborative attempt to assess the place of Lawrence Durrell in twentieth-century fiction.

"Spring's Sensations" is a collection of vivid and painful poetry depicting the author's personal bout with postpartum depression. Filled with powerful imagery and explicit candor, the author draws readers into her abrupt descent and back again towards hope and inner peace.

Lawrence Durrell excelled in a great variety of genres: poetry, drama, travel books, humorous writings, translations, critical essays, philosophical essays, character sketches, and, above all, genre- and culture-transforming experimental novels. In keeping with Durrell's multifaceted career and the centrality of his experiments, the essays in this collection use a variety of literary approaches to the diversity of Durrell's contributions to literature, illuminating four major dimensions of Durrell's writing.

Spring Man: A Belief Legend between Folklore and Popular Culture deconstructs the nationalistic myth of Spring Man that was created after the Second World War in visual culture and literature and presents his original form as an ambiguous, ghostly denizen of oral culture. Petr Janeček analyzes the archetypal character, social context, and cultural significance of this fascinating phenomenon with the help of dozens of accounts provided by period eyewitnesses, oral narratives, and other sources. At the same time, the author illustrates the international origin of the tales in the originally British migratory legend of Spring-heeled Jack that reaches back to the second-third of the nineteenth century, and Janeček also draws parallels between the Czech myth of Spring Man and similar urban phantom narratives popular in the 1910s Russia, 1940s United States and Slovakia, and 1950s Germany, as well as other parts of the world.

Durrell's best-known work fused Western notions of time and space with Eastern metaphysics. Very little has been written about Durrell's work before the Second World War. With A Smile in His Mind's Eye, Ray Morrison seeks to redress this neglect.

Durrell and the City commemorates the fiftieth anniversary of the publication of The Alexandria Quartet with a collection of fourteen new essays by a group of international scholars and critics. The collection provides a critical consideration of Durrell's urban landscapes, from the London of his early novels to Avignon during World War II in his last great series, while focusing on the place that made him famous--the city of Alexandria--in order to provide a reassessment of his career and achievement.