This books examines how the Aztec god Quetzalcoatl and two ancient Chinese books thought to be fiction prove that the Chinese traveled across the Pacific and into the Americas in the 5th century, much sooner than any European country.

This story is about a long suppressed love triangle between Leonidas Tachezy, a high-level Austrian career bureaucrat, his younger, trophy wife Amelie, and a Jewish woman from his past, Vera Wormser, with whom he'd fallen in love when she was fourteen. After his marriage, Leonidas encounters Vera in a German university town where she is studying philosophy. He makes a promise that implies marriage, but drops out of her life entirely to return to a comfortable existence until one day when a letter arrives, addressed with Vera's unmistakable handwriting in pale blue ink. Like Humbert Humbert in Lolita, Leonidas explains his "crime" against Vera to an imaginary courtroom in a way that anticipates Nabokov.

"Cases argued and determined in the Court of Appeals, Supreme and lower courts of record of New York State, with key number annotations." (varies)

A renowned literary coterie in eighteenth-century Philadelphia—Elizabeth Fergusson, Hannah Griffitts, Deborah Logan, Annis Stockton, and Susanna Wright—wrote and exchanged thousands of poems and maintained elaborate handwritten commonplace books of memorabilia. Through their creativity and celebrated hospitality, they initiated a salon culture in their great country houses in the Delaware Valley. In this stunningly original and heavily illustrated book, Susan M. Stabile shows that these female writers sought to memorialize their lives and aesthetic experience—a purpose that stands in marked contrast to the civic concerns of male authors in the republican era. Drawing equally on material culture and literary history, Stabile discusses how the group used their writings to explore and at times replicate the arrangement of their material possessions, including desks, writing paraphernalia, mirrors, miniatures, beds, and coffins. As she reconstructs the poetics of memory that informed the women's lives and structured their manuscripts, Stabile focuses on vernacular architecture, penmanship, souvenir collecting, and mourning. Empirically rich and nuanced in its readings of different kinds of artifacts, this engaging work tells of the erasure of the women's lives from the national memory as the feminine aesthetic of scribal publication was overshadowed by the proliferating print culture of late eighteenth-century America.

Join artist Sarah Simblet on an inspirational journey of discovery as she teaches you how to draw every type of plant. From the tiniest mosses to exotic flowers and majestic trees, this book shows how understanding botany will give your portraits of plants vibrancy and life. In Botany for the Artist, Sarah Simblet takes you on a personal tour of the kingdom of plants, encouraging you to observe them more closely and draw them more accurately. She shows how to begin with simple shapes, outline the composition, blend colors, and add highlights and other finishing touches. Complemented by beautiful photographs, Sarah's drawings reveal the structure of roots, stems, leaves, flowers, and fruits. Step-by-step drawing classes and detailed pages from Sarah's sketchbooks guide you through all the techniques that you need to draw plants successfully. Masterclasses by famous artists - from Renaissance masters to contemporary illustrators - showcase different approaches to botanical illustration over the centuries. Botany for the Artist is a visual feast, not just for anyone wishing to master drawing plants, but for gardeners, photographers, and everyone who is passionate about plants and how they are portrayed in art.