Mauk, mischievous apprentice to the master architect, must not draw on the plans for the new Palazzo. But by turning the plans a bit each day, he finds a way to alter them, turning the master’s creation onto its head! Discover what mystery and excitement a small change of perspective has brought to the Palazzo. In this M.C. Escher-inspired masterpiece, D.B. Johnson pushes the picture book form to new extremes. With its continuous narrative and illustrations that can viewed upside down, readers can turn the book over on page thirty two and read all the way back to page one. Enter the Palazzo Inverso...and see if you can find your way out.

Inspired by a passage from Henry David Thoreau’s Walden, the wonderfully appealing Henry Hikes to Fitchburg follows two friends who have very different approaches to life. When the two agree to meet one evening in Fitchburg, which is thirty miles away, each decides to get there in his own way, and the two have surprisingly different days.

An award-winning author and illustrator adds a lively new chapter to George Orwells classic "Animal Farm," in which a duck brings a joyful transformation to the farm--and to Orvie the pig. Full color.

"Everything we see hides another thing, we always want to see what is hidden by what we see." —Rene Magritte D.B. Johnson writes and illustrates the surreal story of famous surrealist painter Rene Magritte and his very mysterious (and mischievous!) hat. While the art reflects some of Magritte's own work, the text sets readers on a fun and accessible path to learning about the simpler concepts behind Mr. Magritte's work. This delightful picture book captures the playfulness and the wonderment of surrealist art.

When Henry cannot sleep, he takes the night jar and tries to capture the song of the night bird.

In this debut collection, Voodoo Inverso, Mark Wagenaar composes a startling mystical imagism and sets it to music, using self-portraits to explore differing physical and spiritual landscapes. He uses a variety of personae—a victim of sex trafficking in Amsterdam, a fichera dancer, a portrait haunted by Dante, a carillonneur of starlight, an elephant in pink slippers remembering its beloved—to silhouette the intricacies and frailties of the body and the world. In a series of “gospels” and “histories”—such as the poems “History of Ecstasy” and “Moth Hour Gospel”—he shines a light on the possibilities of transcendence and transfiguration, weaving together memory and loss with desire and hope.

When Zuzu smiles at the new boy next door and he does not smile back, she makes him a series of gifts that she thinks he needs.

Bear is happily painting a picture when two fine, proper gentlemen approach and begin critiquing his work. But Bear knows that beauty is in the eye of the beholder, and the only person that his picture needs to impress is himself.