The story of the Stuart dynasty is a breathless soap opera played out in just a hundred years in an array of buildings that span Europe from Scotland, via Denmark, Holland and Spain to England.

This book gathers contributions on the later Stuart queens and queen consorts. It seeks to re-insert Henrietta Maria, Catherine of Braganza, Mary of Modena, Mary II, Anne, and Maria Clementina Sobieska into the mainstream of Stuart and early Georgian studies, concentrating on the later Stuart queens from the restoration of King Charles II (who married Catherine of Braganza in 1662) until the death of Maria Clementina Sobieska in 1735, who was married to James Francis Edward Stuart, the titular King James III, otherwise known as the Old Pretender. It showcases these women’s roles as queen consorts and as ruling queens in Britain and Europe, and reveals how their positions allowed them to act as power-brokers, diplomats, patrons, and religious trendsetters during their lifetimes. It also explores their impact in early modern Britain and Europe by assessing their influence in religion, political culture, and the promotion of patronage.

Compiles information about a myriad of topics, ranging from the arts and life sciences to computers and the zodiac. 8 yrs+

Hampton Court Palace has been the locus of monarchy, revolution, religious fundamentalism, sexual scandals, and military coups. Russel moves through the rooms and the decades to focus on the people who called Hampton Court their home. From the Tudors to the present, he captures the stories of the many sovereigns and servants who lived and worked in its halls. In doing so, Russel reveals the personal tragedy and political importance of this extraordinary place. -- adapted from jacket.

Today we associate the Renaissance with painting, sculpture, and architecture—the “major” arts. Yet contemporaries often held the “minor” arts—gem-studded goldwork, richly embellished armor, splendid tapestries and embroideries, music, and ephemeral multi-media spectacles—in much higher esteem. Isabella d’Este, Marchesa of Mantua, was typical of the Italian nobility: she bequeathed to her children precious stone vases mounted in gold, engraved gems, ivories, and antique bronzes and marbles; her favorite ladies-in-waiting, by contrast, received mere paintings. Renaissance patrons and observers extolled finely wrought luxury artifacts for their exquisite craftsmanship and the symbolic capital of their components; paintings and sculptures in modest materials, although discussed by some literati, were of lesser consequence. This book endeavors to return to the mainstream material long marginalized as a result of historical and ideological biases of the intervening centuries. The author analyzes how luxury arts went from being lofty markers of ascendancy and discernment in the Renaissance to being dismissed as “decorative” or “minor” arts—extravagant trinkets of the rich unworthy of the status of Art. Then, by re-examining the objects themselves and their uses in their day, she shows how sumptuous creations constructed the world and taste of Renaissance women and men.

*WINNER OF THE WOLFSON HISTORY PRIZE 2022* A BOOK OF THE YEAR 2021, AS CHOSEN BY THE TIMES, NEW STATESMAN, TELEGRAPH AND TIMES LITERARY SUPPLEMENT 'A big historical advance. Ours, it turns out, is a very un-insular "Island Story". And its 17th-century chapter will never look quite the same again' John Adamson, Sunday Times A ground-breaking portrait of the most turbulent century in English history Among foreign observers, seventeenth-century England was known as 'Devil-Land': a diabolical country of fallen angels, torn apart by seditious rebellion, religious extremism and royal collapse. Clare Jackson's dazzling, original account of English history's most turbulent and radical era tells the story of a nation in a state of near continual crisis. As an unmarried heretic with no heir, Elizabeth I was regarded with horror by Catholic Europe, while her Stuart successors, James I and Charles I, were seen as impecunious and incompetent. The traumatic civil wars, regicide and a republican Commonwealth were followed by the floundering, foreign-leaning rule of Charles II and his brother, James II, before William of Orange invaded England with a Dutch army and a new order was imposed. Devil-Land reveals England as, in many ways, a 'failed state': endemically unstable and rocked by devastating events from the Gunpowder Plot to the Great Fire of London. Catastrophe nevertheless bred creativity, and Jackson makes brilliant use of eyewitness accounts - many penned by stupefied foreigners - to dramatize her great story. Starting on the eve of the Spanish Armada in 1588 and concluding with a not-so 'Glorious Revolution' a hundred years later, Devil-Land is a spectacular reinterpretation of England's vexed and enthralling past.

Charles II's reign was a period of revolutionary experimentation: in science, art and sexual etiquette. For the first time in British history, Royal mistresses - such as Nell Gwyn - played an active, public role in court life. Women sensed new possibilities and freedoms, appearing on stage, managing their own financial, matrimonial - and extra-marital - affairs. Encouraged by a licentious King, 'being beautiful' could get you what you wanted. But if beauty was admired and revered, praised by poets and idealised by artists, it was also distrusted and feared, pursued and possessed. Beautiful women were chased and abused, pilloried as whores. This equivocal nature of beauty explains the lives of some of the most charismatic and controversial men and women in British history - those Restoration mistresses and degenerate libertines who lived, loved and died amidst the bespangled luxury of the late Stuart Court. This beautiful book, published to accompany an exhibition at Hampton Court Palace, traces the rise and fall of the 'beautiful revolution' from the Restoration of Charles II to the death of Queen Anne in 1714. It is also a book about beauty itself: its ambiguity, its authority and its transience. This is a timeless tale about our continuing obsession with beauty, celebrity, power and love. AUTHOR: Brett Dolman is Curator of Collections at Hampton Court Palace and joint author of several publications including The Royal Palaces of London. SELLING POINTS: *Showcases familiar and little-known paintings from The Royal Collection and other public and private houses across the country *Features the 'Windsor Beauties' and the 'Hampton Court Beauties' - portraits of ladies at court by the leading royal artists, Peter Lely and Godfrey Kneller - each with their own stories to tell *Reveals Charles II's own exotic artistic tastes, and his own 'collection' of beautiful women 97 colour illustrations

From Tudor to Stuart: The Regime Change from Elizabeth I to James I tells the story of the troubled accession of England's first Scottish king and the transition from the age of the Tudors to the age of the Stuarts at the dawn of the seventeenth century. From Tudor to Stuart: The Regime Change from Elizabeth I to James I tells the story of the dramatic accession and first decade of the reign of James I and the transition from the Elizabethan to the Jacobean era, using a huge range of sources, from state papers and letters to drama, masques, poetry, and a host of material objects. The Virgin Queen was a hard act to follow for a Scottish newcomer who faced a host of problems in his first years as king: not only the ghost of his predecessor and her legacy but also unrest in Ireland, serious questions about his legitimacy on the English throne, and even plots to remove him (most famously the Gunpowder Plot of 1605). Contrary to traditional assumptions, James's accession was by no means a smooth one. The really important question about James's reign, of course, is the extent of change that occurred in national political life and royal policies. Sue Doran also examines how far the establishment of a new Stuart dynasty resulted in fresh personnel at the centre of power, and the alterations in monarchical institutions and shifts in political culture and governmental policies that occurred. Here the book offers a fresh look at James and his wife Anna, suggesting a new interpretation of their characters and qualities. But the Jacobean era was not just about James and his wife, and Regime Change includes a host of historical figures, many of whom will be familiar to readers: whether Walter Raleigh, Robert Cecil, or the Scots who filled James's inner court. The inside story of the Jacobean court also brings to life the wider politics and national events of the early seventeenth century, including the Gunpowder Plot, the establishment of Jamestown in Virginia, the Plantations in Ulster, the growing royal struggle with parliament, and the doomed attempt to bring about union with Scotland.

A vibrant history of the castle in Britain, from the early Middle Ages to the present day The castle has long had a pivotal place in British life, associated with lordship, landholding, and military might, and today it remains a powerful symbol of history. But castles have never been merely impressive fortresses--they were hubs of life, activity, and imagination. John Goodall weaves together the history of the British castle across the span of a millennium, from the eleventh to the twenty-first century, through the voices of those who witnessed it. Drawing on chronicles, poems, letters, and novels, including the work of figures like Gawain Poet, Walter Scott, Evelyn Waugh, and P. G. Wodehouse, Goodall explores the importance of the castle in our culture and society. From the medieval period to Civil War engagements, right up to modern manifestations in Harry Potter, Goodall reveals that the castle has always been put to different uses, and to this day continues to serve as a source of inspiration.

An intimate look at James II and VII, exploring his romantic escapades, tumultuous life, and the personal struggles that shaped his controversial reign. The personal side of James II and VII has long been obscured by the propaganda storm emanating from the “Glorious Revolution” of 1688, one of the great founding myths of modern Britain. Justine Brown unveils James the man, teasing out a fresh dimension. The Private Life of James II details the romantic adventures of a true Cavalier—handsome, courageous, loyal, pleasure-seeking, lusty, determined and soulful. The Stuart “spare” briefly experienced a golden childhood before, aged nine, he was flung headlong into the English Civil Wars of 1642-1649. After escaping England in disguise, he endured the execution of his adored father, Charles I, and years of exile on the Continent. In 1660 the Duke of York returned to his native land in triumph. He rode into the capital at the right hand of his brother, Charles II. James fully embraced the role of Restoration rake, headed up the Royal Navy, fought the Fire of London with gusto, and was a great patron of theater, painting, and music. “The darling of the people” until his dramatic conversion to Roman Catholicism transformed him into England’s scapegoat, the heir to the Crown had a turbulent road ahead. Come to understand what truly drove James, and learn about his complex relationships with his children, his two remarkable wives, Anne Hyde and Mary of Modena; his many mistresses, as well as the extraordinary friends and rivals who helped shape the fate of this consequential Stuart monarch of England, Scotland and Ireland.