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This book examines the development of painting in France during the 19th century, in the wake of the decline of classicism. Written by Philip Gilbert Hamerton, an art critic and historian, the volume provides a detailed analysis of the major artistic movements of the era, including realism, impressionism, and post-impressionism. This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work is in the "public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.