By the time Vivienne Eliot was committed to an asylum for what would be the final nine years of her life, she had been abandoned by her husband T.S. Eliot and shunned by literary London. Yet Vivienne was neither insane nor insignificant. She generously collaborated in her husband’s literary efforts, taking dictation, editing his drafts, and writing articles for his magazine, Criterion. Her distinctive voice can be heard in his poetry. And paradoxically, it was the unhappiness of the Eliots’ marriage that inspired some of the poet’s most distinguished work, from The Family Reunion to The Waste Land. This first biography ever written about Vivienne draws on hundreds of previously unpublished papers, journals and letters to portray a spontaneous, loving, but fragile woman who had an important influence on her husband’s work, as well as a great poet whose behavior was hampered by psychological and sexual impulses he could not fully acknowledge. Intriguing and provocative, Painted Shadow gracefully rescues Vivienne Eliot from undeserved obscurity, and is indispensable for anyone wishing to understand T.S. Eliot, Vivienne, or the world in which they traveled.

"[The Shadow Drawing] reorients our perspective, distills a life and brings it into focus—the very work of revision and refining that its subject loved best." —Parul Sehgal, The New York Times | Editors' Choice An entirely new account of Leonardo the artist and Leonardo the scientist, and why they were one and the same man Leonardo da Vinci has long been celebrated for his consummate genius. He was the painter who gave us the Mona Lisa and The Last Supper, and the inventor who anticipated the advent of airplanes, hot air balloons, and other technological marvels. But what was the connection between Leonardo the painter and Leonardo the scientist? Historians of Renaissance art have long supposed that Leonardo became increasingly interested in science as he grew older and turned his insatiable curiosity in new directions. They have argued that there are, in effect, two Leonardos—an artist and an inventor. In this pathbreaking new interpretation, the art historian Francesca Fiorani offers a different view. Taking a fresh look at Leonardo’s celebrated but challenging notebooks, as well as other sources, Fiorani argues that Leonardo became familiar with advanced thinking about human vision when he was still an apprentice in a Florence studio—and used his understanding of optical science to develop and perfect his painting techniques. For Leonardo, the task of the painter was to capture the interior life of a human subject, to paint the soul. And even at the outset of his career, he believed that mastering the scientific study of light, shadow, and the atmosphere was essential to doing so. Eventually, he set down these ideas in a book—A Treatise on Painting—that he considered his greatest achievement, though it would be disfigured, ignored, and lost in subsequent centuries. Ranging from the teeming streets of Florence to the most delicate brushstrokes on the surface of the Mona Lisa, The Shadow Drawing vividly reconstructs Leonardo’s life while teaching us to look anew at his greatest paintings. The result is both stirring biography and a bold reconsideration of how the Renaissance understood science and art—and of what was lost when that understanding was forgotten.

"Magnificent." -- Holly Black, New York Times Book Review Come to the crossroads, to the crossroads comeSierra Santiago planned an easy summer of making art and hanging with her friends. But then a corpse crashes the first party of the season. Her stroke-ridden grandfather starts apologizing over and over. And when the murals in her neighborhood begin to weep real tears . . . Well, something more sinister than the usual Brooklyn ruckus is going on.Where the powers converge and become oneWith the help of a fellow artist named Robbie, Sierra discovers shadowshaping, a thrilling magic that infuses ancestral spirits into paintings, music, and stories. But someone is killing the shadowshapers one by one -- and the killer believes Sierra is hiding their greatest secret. Now she must unravel her family's past, take down the killer in the present, and save the future of shadowshaping for herself and generations to come.Full of a joyful, defiant spirit and writing as luscious as a Brooklyn summer night, Shadowshaper introduces a fantasy heroine and magic unlike any you've ever seen before, and marks the YA debut of a brilliant new storyteller.

Alex Ross' ultra-realistic, painted renditions of iconic superheroes have made him a superstar. In the vein of acclaimed and fan-favorite Alex Ross books such as Mythologies and Rough Justice, we are proud to present the ultimate collection of Alex Ross art from his extensive collaboration with Dynamite, The Dynamite Art of Alex Ross. Containing sketches, designs, layouts and pencils, interior work, covers, and a wealth of unpublished art. Collecting all of Alex's Dynamite covers and interior art in digital form, also featuring Marvel pages, along with commentary throughout the book by Alex Ross himself, as well as special bonus material, this is a package not to be missed. A must-buy for Alex Ross' legion of fans!

The history of painters in comics goes back to the dawn of pulp magazine covers. From "The Shadow" and "The Spider" to "The Black Bat" and so many other characters, painter's works have graced the covers of comics and pulps, which have influenced many artists over the decades. This deluxe coffeetable art book, edited and overseen by Alex Ross — one of the comic industry's most recognized painters, whose expertise has helped guide and define its contents — is the most important, most comprehensive prestige hardcover retrospective of the history of painters in comics, of all time.

This book about the art of windows painting and staining is an important source for practical and historical information. It is an overview of researching the art, history, and technical aspects of stained and painted glass. A reader can learn a lot about church windows, firms, artists, and designs.

Rick Howell's conversational prose takes readers on the artist's journey. Insightful and intimate, Howell speaks with forthright conviction, using his own work as objects for interrogation, and then, in wonderfully unexpected moments, easily turns inward, reflecting on personal joys and frustrations, often using his trademark self-deprecating humor. Chasing Shadows is a concise guide for artists wanting to start painting but too offers much insight for those who have been painting for years. Howell's approach goes well beyond any how-to book on the market; he begins with a quiet glimpse into his soul then bravely moves forward pressing the notion of what makes one an artist. From inspiration to the joy of packing one's gear and heading out into the sweet escape of nature and one's own mind, on into finding the perfect local to setting up, blocking-in, and complete a painting, Howell offers no-nonsense advice based on years of teaching and painting, reflecting throughout this book on his own experiences, from disappointments to triumphs.