Born in the late 1930s, the daughter of a white settler and an Alyawarra woman, Claire was four years old when she was taken to the Bungalow mission in Alice Springs. Much of her young life was spent on the newly formed Croker Island mission, and she recalls happy days in the care of compassionate missionaries. Sent south to escape the threat from Japanese fighters during World War II, Claire later returned to Croker Island and married. Inspired by others, Claire traced her Aboriginal family, however; she was never to meet her mother.

Heather Marie Fry was pretty, vivacious, popular, smart, and witty. Everybody in town knew her and loved her. She was the pride of her teachers and as loving and kind as she was talented. But she was starting to get headaches, and they were rapidly growing worse. When her mother took her to the doctor, she was told that Heather was fine, but Heather's health continued to deteriorate. Finally, they found someone who had the answer. Heather had a brain tumor. It was inoperable. Heather was twelve at the time. The doctors found the answer but not a solution. The best they could do was keep Heather as comfortable as possible for as long as possible. Family and friends rallied around Heather and Debra for support.Paint Me Black All Over is the story of a mother's quest to find the best help possible for her ill daughter and her struggle to keep her family together. Debra Tolar recounts the last year in the life of her daughter, Heather; the multiple bouts of radiation and chemotherapy; and all the pain and sorrow that went along with it. But amidst all the sorrow, Debra also relates a message of hope and joy, of the friends and support she found, and of the never-ending strength of her daughter. Paint Me Black All Over is a heart-wrenching account of childhood cancer that will inspire others in similar situations to never give up the fight.

In the rhythm of a familiar folk song, a child cannot resist adding one more dab of paint in surprising places.

A sixty-year history of Afro–South Asian musical collaborations From Beyoncé’s South Asian music–inspired Super Bowl Halftime performance, to jazz artists like John and Alice Coltrane’s use of Indian song structures and spirituality in their work, to Jay-Z and Missy Elliott’s high-profile collaborations with diasporic South Asian artists such as the Panjabi MC and MIA, African American musicians have frequently engaged South Asian cultural productions in the development of Black music culture. Sounds from the Other Side traces such engagements through an interdisciplinary analysis of the political implications of African American musicians’ South Asian influence since the 1960s. Elliott H. Powell asks, what happens when we consider Black musicians’ South Asian sonic explorations as distinct from those of their white counterparts? He looks to Black musical genres of jazz, funk, and hip hop and examines the work of Miles Davis, John Coltrane, Rick James, OutKast, Timbaland, Beyoncé, and others, showing how Afro–South Asian music in the United States is a dynamic, complex, and contradictory cultural site where comparative racialization, transformative gender and queer politics, and coalition politics intertwine. Powell situates this cultural history within larger global and domestic sociohistorical junctures that link African American and South Asian diasporic communities in the United States. The long historical arc of Afro–South Asian music in Sounds from the Other Side interprets such music-making activities as highly political endeavors, offering an essential conversation about cross-cultural musical exchanges between racially marginalized musicians.

Colors can make you feel different each day, so what will you paint in your picture today?This colorful picture book of art inspiration helps children explore and understand emotions and feelings through the worlds of color and language. Filled with a simple rhyming text, glorious, bright colors, and child-friendly, accessible adjectives and adverbs, Paint Me a Picture will foster discussion and inspire the artist in everyone!

Just when Trav thinks they may have mastered every demon in rock star Mackey's past, the biggest, baddest demon of all comes knocking.

Angel, a spell-bindingly beautiful boy, is plucked from the streets to be the plaything of a wealthy newspaper proprietor. This street-boy turned socialite moves with ease between the worlds of privilege and poverty in 1890s Paris and London. Angel's rapid success turns as swiftly into self-destruction as he is caught in a downward spiral of obsession, money, murder, suicide and white slavery. Original Sin premiered at the Sheffield Crucible Theatre in June 2002.

My Soulful Home, A Year in Flowers offers detailed instruction for those new to floral arrangements and fresh inspiration to the experienced. Join award winning blogger Kelly Wilkniss as she seeks to elevate the every day with fresh cut beauty, illustrated with 105 gorgeous pictures.

“Fine! You’re all kings. In fact, we ALL can be kings!” **** She’s Rosalie Amber Stan. A simple teenage girl, who made a wish to have a more adventurous life, was a victim of an abduction by the Fae queen to a different realm. She was brought to a castle with 5 supernatural princes, who are fighting for the throne. The queen gave her a task to be the one to choose the future heir to their kingdom. Little did she know that the queen only wanted one thing from her and the princes: Romance. Between a sparkly wizard, a rude obnoxious elf, a flirty vampire, and a couple of twin trouble-making wolf princes; Is there really a right choice? And why is there a wolf spirit, who suddenly awakened upon sensing her arrival, kept stalking her? A romantic-comedy in ‘another world’ with a quirky-temperamental female heroine learning the culture of this new fantasy world.

Barack Obama's election as the first black president in American history forced a reconsideration of racial reality and possibility. It also incited an outpouring of discussion and analysis of Obama's personal and political exploits. Paint the White House Black fills a significant void in Obama-themed debate, shifting the emphasis from the details of Obama's political career to an understanding of how race works in America. In this groundbreaking book, race, rather than Obama, is the central focus. Michael P. Jeffries approaches Obama's election and administration as common cultural ground for thinking about race. He uncovers contemporary stereotypes and anxieties by examining historically rooted conceptions of race and nationhood, discourses of "biracialism" and Obama's mixed heritage, the purported emergence of a "post-racial society," and popular symbols of Michelle Obama as a modern black woman. In so doing, Jeffries casts new light on how we think about race and enables us to see how race, in turn, operates within our daily lives. Race is a difficult concept to grasp, with outbursts and silences that disguise its relationships with a host of other phenomena. Using Barack Obama as its point of departure, Paint the White House Black boldly aims to understand race by tracing the web of interactions that bind it to other social and historical forces.