Walsh's book should be a vade mecum for anyone who would teach the Carmina Burana on any level and be of considerable value in general to medievalists, comparatists, and those in related disciplines.--New England Classical Newsletter and Journal "Teachers, students, and any reader interested in medieval lyric will find this volume a clear and useful approach to intrinsically interesting texts.--Renaissance Quarterly "The most scholarly and most helpful presentation of a group of these captivating lyrics that has yet appeared in English.--Peter Dronke, University of Cambridge "A superb volume, fully worthy of these famous but often misunderstood poems. P. G. Walsh's unmatched erudition in Latin literature furnishes lucid grammatical explanations, incisive analysis of goliardic literary values and technique, and illuminating references to ancient and medieval parallels. His prose translations make the poems accessible also to those with little or no Latin.--Janet M. Martin, Princeton University

Uncovers the unexplored history of the love song, from the fertility rites of ancient cultures to the sexualized YouTube videos of the present day, and discusses such topics as censorship, the legacy of love songs, and why it is a dominant form of modern musical expression.

"Parzival has inspired and influenced works as diverse as Wagner's Parsifal and Lohengrin, Franz Kafka's The Castle, Terry Jones's film The Fisher King, and Umberto Eco's Baudolino. Cyril Edwards's thoughtful translation vividly conveys the power of this complex, wide-ranging medieval masterpiece."--BOOK JACKET.

The theory of Blending, or Conceptual Integration, proposed by Gilles Fauconnier and Marc Turner, is one of most promising cognitive theories of meaning production. It has been successfully applied to the analysis of poetic discourse and micro-textual elements, such as metaphor. Prose narrative has so far received significantly less attention. The present volume aims to remedy this situation. Following an introductory discussion of the connections between narrative and the processes of blending, the contributions demonstrate the range of applications of the theory to the study of narrative. They cover issues such as time and space, literary character and perspective, genre, story levels, and fictional minds; some chapters show how such phenomena as metalepsis, counterfactual narration, intermediality, extended metaphors, and suspense can be fruitfully studied from the vantage point of Conceptual Integration. Working within a theoretical framework situated at the intersection of narratology and the cognitive sciences, the book provides both fresh readings for individual literary and film narratives and new impulses for post-classical narratology.

This collection of essays centers on musical elements that authors have employed in their work, thus joining heard sounds to a visual perception of their stories. The spectrum of authors represented is a wide one, from Pound to Durrell, from Steinbeck to Cather, from Beckett to Gaines, but even more unusual is the variety of musical type represented. Classical music (the quartet, the fugue, the symphony), Jazz (the jazz riff and jazz improv) and the spiritual all appear along with folk song and so-called random “noise.”Such diversity suggests that there are few limits when readers consider how great writers utilize musical styles and techniques. Indeed, each author seems to realize that it is not the type of music that s/he chooses to employ that is important. Rather, it is the realization that such musical elements as harmony, dissonance, tonal repetition and beat are just as important in prose composition as they are in poetry and song. The essayists have selected some works that may be considered obscure and some that are modern classics. Each one, however, has captured one of the varied ways in which words and music complement and enhance each other.

Intimate Friends offers a fascinating look at the erotic friendships of educated English and American women over a 150-year period, culminating in the 1928 publication of The Well of Loneliness, Radclyffe Hall's scandalous novel of lesbian love. Martha Vicinus explores all-female communities, husband-wife couples, liaisons between younger and older women, female rakes, and mother-daughter affection. Women, she reveals, drew upon a rich religious vocabulary to describe elusive and complex erotic feelings. Vicinus also considers the nineteenth-century roots of such contemporary issues as homosexual self-hatred, female masculinity, and sadomasochistic desire. Drawing upon diaries, letters, and other archival sources, she brings to life a variety of well known and historically less recognized women, ranging from the predatory Ann Lister, who documented her sexual activities in code; to Mary Benson, the wife of the Archbishop of Canterbury; to the coterie of wealthy Anglo-American lesbians living in Paris. In vivid and colorful prose, Intimate Friends offers a remarkable picture of women navigating the uncharted territory of same-sex desire.

Preliminary Material /John A. Ramsaran -- Preface /John A. Ramsaran -- Introduction /John A. Ramsaran -- The European Background /John A. Ramsaran -- The Indian Background /John A. Ramsaran -- Religious Practice and Poetic Expression /John A. Ramsaran -- Middle English Lyrics and Saguṇa Bhakti /John A. Ramsaran -- The Baroque in English and Hindi Religious Poetry /John A. Ramsaran -- Divine Infatuation /John A. Ramsaran -- The Metaphysical Vision /John A. Ramsaran -- English Metrical Psalms, Donne's Holy Sonnets and Tulasī Dāsa's Vinaya Patrikā /John A. Ramsaran -- Allegory and the Religious Epic /John A. Ramsaran -- Conclusion /John A. Ramsaran -- Bibliography /John A. Ramsaran -- Index /John A. Ramsaran.