'Paddington' Pollaky, Victorian super-sleuth, was a contradiction: a man of mystery who tried to keep out of the limelight, while at times craving recognition and publicity. He was a busybody, a meddler, yet someone whose heart was ultimately in the right place. Newspaper accounts detail his work as a private detective in London, his association with the Society for the Protection of Young Females, his foiling of those involved in sex-trafficking and of his dogged search for abducted children – issues still sadly relevant today. In this first biography, author Bryan Kesselman investigates Pollaky's involvement in the American Civil War, his placing of cryptic messages in the agony columns of The Times, and examines whether it was Pollaky who provided the inspiration for the literary greats Hercule Poirot and Sherlock Holmes.

Who was the Victorian super-sleuth ‘Paddington’ Pollaky? In reality, he was a contradiction: a man of mystery who tried to keep out of the limelight, while at times he craved recognition and publicity. He was a busybody, a meddler, yet someone whose heart was ultimately in the right place. Newspaper accounts detail his work as a private detective in London, his association with The Society for the Protection of Young Females, his foiling of those involved in sex-trafficking, and of his tracking down of abducted children. Themes that remain relevant in the twenty-first century. What was his involvement in the American Civil War? Why did he place cryptic messages in the agony column of The Times? And why were the newspapers so interested in this Hungarian detective and adventurer while the police thoroughly disapproved of him? In this first biography of this complex character, author Bryan Kesselman answers these questions, and examines whether it was Pollaky who provided the inspiration for the literary greats Hercule Poirot and Sherlock Holmes.

London 1881: Bayswater is in the grip of panic as a ruthless murderer prowls the foggy streets of the nation's capital. Residents live in fear, rumors and accusations abound, and vigilante groups patrol by night. It is not of course, a suitable case for a lady detective, but when a friend falls victim to the killer's knife, Frances Doughty cannot help but be drawn into a sinister new case. Myth and reality collide in another thrilling mystery, and Frances must untangle the truth from the lies in order to solve her most difficult case to date.

London, 1881: When a body is found in the Paddington canal basin, a woman with a hearing impairment claims that the remains are those of her missing husband, who disappeared three years ago. Unable to prove her case, she appeals to Frances Doughty, the lady detective, to investigate. In this, her fifth case, Frances soon learns that the missing man has secrets of his own, and, when another body is discovered and a witness is viciously attacked, it becomes clear that she must choose her allies wisely. The fifth book in the popular Frances Doughty Mystery series.

“A unique and inherently fascinating history that brings a particular aspect of the role of women in law enforcement up out of obscurity.” —Midwest Book Review The 1857 Divorce Act paved the way for a new career for women: that of the private detective. To divorce, you needed proof of adultery—and men soon realized that women were adept at infiltrating households and befriending wives, learning secrets and finding evidence. Over the course of the next century, women became increasingly confident in gaining work as private detectives, moving from largely unrecognized helpers to the police and to male detectives, to becoming owners of their own detective agencies. In fiction, they were depicted as exciting creatures needing money and work; in fact, they were of varying ages, backgrounds and marital status, seeking adventure and independence as much as money. Former actresses found that detective work utilized their skills at adopting different roles and disguises; former spiritualists were drafted to denounce frauds and stayed to become successful private eyes; and several female detectives became keen supporters of the women’s suffrage movement, having seen for themselves how career-minded women faced obstacles in British society. Sister Sleuths seeks to shed light on the groundbreaking women who have worked over the past century and a half to uncover wrongdoing and solve crimes. “The book is well-researched and provides numerous examples of women who either dabbled in investigation or made it their life’s work.” —Historical Novel Society “Absolutely enthralling stuff.” —Books Monthly

The dramatic story of the real-life murder that inspired the birth of modern detective fiction.

Represents the collection of extant Rossetti correspondence, a primary witness to the range of ideas and opinions that shaped Gabriel Rossetti's art and poetry. This work features known surviving letters, a total of almost 5,800 to over 330 recipients, and includes 2,000 letters by Rossetti and selected letters to him.

If you have ever read “A Scandal in Bohemia” and wondered what Watson's allusion to “Mr. John Hare” means… if you aren't sure who was in charge in southeast Asia when Mycroft Holmes mentions “the present state of Siam”… if you’re wondering about Watson’s portrait of General Gordon or Holmes’s Vernet relatives or what Scottish expert on poisons Scotland Yard consulted when the Baker Street duo weren’t available… this is your book. It provides one-paragraph biographies of 800 real-life Victorians and Edwardians who strolled down Oxford Street near Holmes and Watson or figured in the newspapers they read. That mention of Blondin on the roof at Pondicherry Lodge? Arthur Conan Doyle’s literary friends? The King of Scandinavia? The British commander at Maiwand? Enquire within.

With its unparalleled coverage of English slang of all types (from 18th-century cant to contemporary gay slang), and its uncluttered editorial apparatus, Cassell's Dictionary of Slang was warmly received when its first edition appeared in 1998. 'Brilliant.' said Mark Lawson on BBC2's The Late Review; 'This is a terrific piece of work - learned, entertaining, funny, stimulating' said Jonathan Meades in The Evening Standard.But now the world's best single-volume dictionary of English slang is about to get even better. Jonathon Green has spent the last seven years on a vast project: to research in depth the English slang vocabulary and to hunt down and record written instances of the use of as many slang words as possible. This has entailed trawling through more than 4000 books - plus song lyrics, TV and movie scripts, and many newspapers and magazines - for relevant material. The research has thrown up some fascinating results

From long-haired 'Fleshly Poets' to intense, 'ultra pre-Raphaelite' artists, few stylistic movements in the history of art and literature have provoked the imagination and indignation of British playwrights as much as the Aesthetic Movement. During an intense and short-lived period from 1877 to 1881, the London stage saw fierce competition as playwrights and theatre managers raced to capture the zeitgeist, capitalizing on the unorthodox, eccentric and highly theatrical proponents of the Aesthetic Movement. The 'quite too utterly utter' Apostles of this new school were satirized to such an extent that the Illustrated London News (1881) complained that the London stage was 'thickly sown over with a crop of lilies and sunflowers', with 'aesthetes in every burlesque and comic opera produced'. This edited volume brings the four key plays satirizing the Aesthetic Movement together for the first time in an easily accessible format, allowing scholars and students to discover their secrets: The Grasshopper by John Hollingshead (Gaiety Theatre, 1877) Where's The Cat? by James Albery (Criterion, 1880) The Colonel by F.C. Burnand (Prince of Wales's Theatre, 1881) Patience by W.S. Gilbert (Opera Comique/Savoy, 1881) Including a brief introduction by Dr. Devon Cox, providing background and context to the dynamic, symbiotic relationship between the Aesthetic Movement and the British stage, and complete with biographical notes and an introduction to each play, Aesthetic Movement Satire: A Dramatic Anthology shines a light on this explosive flashpoint in British Theatre