Always outrageous but equally compelling, Ozzy Knows Best is THE book to have on Ozzy, MTV's The Osbournes, and everything in between. Meet the Osbournes: children Kelly and Jack, mother Sharon, and the father, none other than Godfather of Metal Ozzy Osbourne. Starring in MTV's most popular show ever, the Osbournes have proven that the family of a heavy metal superstar can teach America what parenting is all about with their new twist on family values. So what's made Ozzy into such a great father? Experience. You name it, he's done it. He's bitten the heads off doves and bats, urinated on the Alamo (while wearing a woman's dress!), and been addicted to drink and drugs. With his first band, Black Sabbath, he practically invented heavy metal. As a solo performer, he's sold millions of albums, and helped turn the annual Ozzfest tour into one of the biggest events in music. Learn how Ozzy went from being banned at the Alamo to a guest at the White House, from bats to Beverly Hills. It's all in here, with plenty of trivia-like why oldest daughter, Aimee, didn't want to be a part of series- and all the parenting tips any father needs to be as good a dad as Ozzy.

Wondering if science could explain how he survived his 40-year avalanche of drugs and alcohol, Ozzy Osbourne became one of a handful of people in the world to have his entire DNA mapped in 2010. It was a highly complex, $65,000 process, but the results were conclusive: Ozzy is a genetic anomaly. The "Full Ozzy Genome" contained variants that scientists had never before encountered and the findings were presented at the prestigious TEDMED Conference in San Diego-making headlines around the world. The procedure was in part sponsored by The Sunday Times of London, which had already caused an international fururoe by appointing Ozzy Osbourne its star health advice columnist. The newpaper argued that Ozzy's mutliple near-death experiences, 40-year history of drug abuse, and extreme hypocondria qualified him more than any other for the job. The column was an overnight hit, being quickly picked up by Rolling Stone to give it a global audience of millions. In Trust Me, I'm Dr. Ozzy, Ozzy answers reader's questions with his outrageous wit and surprising wisdom, digging deep into his past to tell the memoir-style survival stories never published before-and offer guidance that no sane human being should follow. Part humor, part memoir, and part bad advice, Trust Me, I'm Dr. Ozzy will include some of the best material from his published columns, answers to celebrities' medical questions, charts, sidebars, and more.

Heavy metal legend Ozzy Osbourne shares his unbelievable story for the first time in this tell-all memoir of sex, drugs, and rock-and-roll. Take what you thought was "rock and roll excess" and double it–you still wouldn't be anywhere near the dizzying life of Ozzy Osbourne. Born into a life so poor that the whole family slept in one room, music was his salvation, and his band Black Sabbath went on to change the musical landscape forever. But along with the rock and roll came the inevitable sex and drugs, and Ozzy soon fell into an epic relationship with booze and chemicals. The stories of Ozzy's days on the road are now those of legend–biting the head off a live bat, the tragic plane crash that took the life of his best friend and writing partner Randy Rhoades–but few know of the real heartbreak he suffered during those days of hard living. In the end, it was the love of his family that saved him. Told for the first time in the rocker’s hilarious and inimitable voice, Ozzy finally comes clean.

Mama Hook reminisces about her great experiences sailing the Never Sea and the stories she told young James Hook when he was growing up. Written by Sharon Osbourne, the stories are reminiscent of familiar fables like "The Tortoise and the Hare," set in Jake and the Never Land Pirates' world of fun pirate playfulness and daring adventures.

The most intensive analysis of Sabbath's first 8 albums ever attempted. Also touches upon torrid troubles with money, management, drugs & booze; tour tales, album cover stories & production tips 'n' tricks. All told, it's everything needed to send the reader back to the catalogue, headphones on, for a second listen of this landmark run of recor

People ask Kelly Osbourne all the time: “What’s your secret?” Kelly Osbourne may not always have been a typical role model, but no one can say that her perspective isn’t hard won after spending three decades in the spotlight: from growing up completely exposed to the heavy metal scene—replete with crazy antics most readers have only begun to hear about—to spending her teenage years as the wild middle child of an even wilder Ozzy Osbourne, to the family’s popular stint on their wacky eponymous reality show. Since then, Osbourne has forged her own path as a style icon and powerful woman in the media who isn’t afraid to tell it like it is and be honest with her fans. But being the daughter of a music legend hasn’t always been glamorous; growing up Osbourne is an experience that Kelly wouldn’t trade, but there are battle scars, and she is finally now ready to embrace and reveal their origins. Told as a series of letters to various people and places in her life, There Is No F*cking Secret gives readers an intimate look at the stories and influences that have shaped Osbourne’s highly speculated-about life, for better or for worse. The stories will make readers’ jaws drop, but ultimately, they will come away empowered to forge their own path to confidence, no matter how deranged and out of control it may be, and to learn the ultimate lesson: that there just is no f*cking secret.

Heavy Metal, Gender and Sexuality brings together a collection of original, interdisciplinary, critical essays exploring the negotiated place of gender and sexuality in heavy metal music and its culture. Scholars debate the current state of play concerning masculinities, femininities, queerness, identity aesthetics and monstrosities in an area of music that is sometimes mistakenly treated as exclusively sustaining a masculinist hegemony. The book combines a broad variety of perspectives on the main topic, regarding gender in connection to: the history of the genre; the range of metal subgenres; heavy metal's multidimensional scope (music, lyrics, performance, style, illustrations); men and women; sexualities and various local and global perspectives. Heavy Metal, Gender and Sexuality is a text that opens up the world of heavy metal to reveal that it is a very diverse and ground-breaking stage where gender play is at the centre of its theatricality and sustains its mass appeal.

"From celebrated music writer Dan Ozzi comes a comprehensive chronicle of the punk music scene's evolution from the early nineties to the mid-aughts, following eleven bands as they dissolved, "sold out," and rose to surprise stardom. From its inception, punk music has been identified by two factors: its proximity to "authenticity," and its reliance on an antiestablishment ethos. Yet, in the mid- to late '90s, major record labels sought to capitalize on punk's rebellious undertones, leading to a schism in the scene: to accept the cash flow of the majors, or stick to indie cred?Sellout chronicles the evolution of the punk scene during this era, focusing on prominent bands as they experienced the last "gold rush" of the music industry. Within it, music writer Dan Ozzi follows the rise of successful bands like Green Day and Jimmy Eat World, as well as the implosion of groups like Jawbreaker and At the Drive-In, who buckled under the pressure of their striving labels. Featuring original interviews and personal stories from members of eleven of modern punk's most (in)famous bands, Sellout is the history of the evolution of the music industry, and a punk rock lover's guide to the chaotic darlings of the post-grunge era. "--

Containing rare and previously unpublished material culled from Popoff's interviews over the last decade with all the principal members of the band - an exhaustive song-by-song, album-by-album trek through the Sab's 37-year history. Numerous one-on-one conversations with Ozzy, Tony, Geezer and Bill, as well as 10 interviews with Ronnie James Dio and additional interviews with supporting musicians make this full-colour retrospective a must-have for any fan. Rock on!

Rock Brands: Selling Sound in a Media Saturated Culture, edited by Elizabeth Barfoot Christian, is an edited collection that explores how different genres of popular music are branded and marketed today. The book's core objectives are addressed over three sections. In the first part of Rock Brands, the authors examine how established mainstream artists/bands are continuing to market themselves in an ever-changing technological world, and how bands can use integrated marketing communication to effectively 'brand' themselves. This branding is intended as a protection so that technology and delivery changes don't stifle the bands' success. KISS, AC/DC, Ozzy Osbourne, Phish, and Miley Cyrus are all popular musical influences considered in this part of the analysis. In the second section, the authors explore how some musicians effectively use attention-grabbing issues such as politics (for example, Kanye West and countless country musicians) and religion (such as with Christian heavy metal bands and Bon Jovi) in their lyrics, and also how imagery is utilized by artists such as Marilyn Manson to gain a fan base. Finally, the book will explore specific changes in the media available to market music today (see M.I.A. and her use of new media) and, similarly, how these resources can benefit music icons even after they are long gone, as with Elvis and Michael Jackson. Rock Brands further examines gaming, reality television, and social networking sites as new outlets for marketing and otherwise experiencing popular music. What makes some bands stand out and succeed when so many fail? How does one find a niche that isn't just kitsch and can stand the test of time, allowing the musician to grow as an artist as well as grow a substantial fan base? Elizabeth Barfoot Christian and the book's contributors expertly navigate these questions and more in Rock Brands: Selling Sound in a Media Saturated Culture.