A generous selection from New Zealand's foremost writer of short stories. Peter Simpson in reviewing Owen Marshall's stories in the New Zealand Listener wrote: 'Marshall is held in uncommon affection by New Zealand readers - generally we admire and respect rather than love our writers.' This love is perhaps evoked not just by the superb quality of Marshall's writing but because his stories so precisely capture his fellow New Zealanders and their country. From the provinces to the cities, the remote landscapes to journeying overseas, Marshall's stories show a deep understanding of who and where we are. Sometimes he skewers the locals with sharp and sly comedy, in other stories there's an elegiac sadness or a grim reality, but always an insightful exploration of human emotions. From the substantial body of work created over the last thirty years, critic, writer and academic Vincent O'Sullivan has selected sixty stories that give a wide representation of Marshall's range. He once wrote that short stories should aspire to a combination of 'intransigence and poetry', both of which are evident in this fine selection. 'Marshall is a writer who speaks with equal intensity to the unbearable loveliness and malevolence of life.' - Carolyn Bliss, World Literature Today

Chosen by the author from his thirteen previous collections, this latest selection of stories includes 'Coming Home in the Dark', the inspiration for a new feature film. Owen Marshall is regarded as one of our finest living writers. His stories capture the imagination and refuse to let go. From dark to funny, acerbic to warm, they probe our national psyche with clear-eyed insight. This selection from a long career ranges across New Zealand and ventures overseas; the pieces explore both cruelty and love; they look back to childhood and also capture the world we live in today. Full of unexpected turns, lyrical writing, wry observations and intriguing plots, this sampling offers a provocative take on New Zealand. `I very much envy his ability to lay things down in such a way that each one has its natural weight and place, without any straining and heaving.' - Maurice Gee, Sport 'Owen Marshall has established himself as one of the masters of the short story' - Livres Hebdo, Paris

Brilliantly tracing the progress of unexpected love and the perils of relationships, this gripping novel is a tour de force. Temporarily in Auckland while her husband is undergoing treatment, Sarah enjoys a walk in the coolness of the Symonds Street Cemetery. As she pauses at the grave of Emily Keeling, murdered in 1886 by a rejected suitor, a stranger named Hartley strikes up a conversation. Before long he arranges to meet Sarah for coffee. So their friendship begins, and soon blossoms into an affair, rich in mutual understanding and sexual excitement. But love may become obsession, which brings with it disquieting demands, even menace. ‘When love is not madness, it is not love.’

Twenty-seven stories offering a rich variety in subject, tone and style. As well as the wry, laconic, always truthful examinations of relationships and life in provincial and rural New Zealand, the reader will find anarchic humour, surreal fantasy and sharp, well-aimed satire.

This entertaining and insightful novel both skewers and celebrates small-town New Zealand. Pat `Pearly' Gates has achieved a lot in his life and evinces considerable satisfaction in his achievements. He has a reputation as a former Otago rugby player and believes he would have been an All Black but for sporting injuries. He runs a successful real-estate agency in a provincial South Island town, of which he is the second-term mayor. Popular, happily married, well established, he cuts an impressive figure, especially in his own eyes. But will his pride and complacency come before a fall?

Rich and subtle, this is a compelling novel from one of New Zealand's finest writers. It is a moving study of love and disappointment, of the harm we do to each other, knowingly and unknowingly, of the power and significance of landscape in our lives. A graveyard is all that's left of the remote Central Otago settlement of Drybread, which miners, often hungry and disappointed, once searched for gold. It is to an old cottage nearby that Penny Maine-King flees with her young son, defying a Californian court order awarding custody of the child to her estranged husband. And seeking her in this austere, burnt country is journalist Theo Esler. He is after a story, but he discovers something far more personal and significant.

Based on a real love triangle, this fascinating novel is by one of New Zealand's most-loved respected authors. 'Dougie's story and mine is not told in the history of William Larnach. It is our private journey, and only we understand how it came about; only we know the fitness and the wonder of it.' William James Mudie Larnach's name resonates in New Zealand history - the politician and self-made man who built the famous 'castle' on Otago Peninsula. In 1891, after the death of his first two wives, he married the much younger Constance de Bathe Brandon. But the marriage that began with such happiness was to end in tragedy. The story of the growing relationship between Conny and William's younger son, Dougie, lies at the heart of Owen Marshall's subtle and compelling new novel. The socially restrictive world of late nineteenth-century Dunedin and Wellington springs vividly to life as Marshall traces the deepening love between stepmother and stepson, and the slow disintegration of the domineering yet vulnerable figure of Larnach himself. Can love ever really be its own world, free of morality and judgement and scandal? Moving, thought-provoking and superbly written, The Larnachs is a memorable piece of fiction from one of our wisest authors.

A handsome, landmark book celebrating the work of three of our literary and artistic heavyweights. The complementary work of artist Grahame Sydney, fiction writer Owen Marshall and poet Brian Turner was first brought together in the hugely successful Timeless Land in 1995. Its pages showed their shared, deep connection to Central Otago, to its vast skies, its wide plains punctuated by jagged ranges, its unique colours and its dwarfing effect on the people who pass through it. Twenty-five years later, this lavish new volume from these three long-time friends showcases a rich selection of their subsequent work, including recently written, previously unpublished pieces. Through their own marks about the land and its people, be it in ink or paint, they offer a love song to the South Island, in particular Central Otago.

This anthology presents 50 stories by over 40 of New Zealand's best writers. Nineteenth-century writing, which is largely unknown, is represented by Clara Cheeseman and G B Lancaster, as well as by the more familiar Lady Barker and itinerant Henry Lawson. In the early twentieth century Katherine Mansfield is followed by Greville Texidor as well as Frank Sargeson and Dan Davin. The middle years of the century exhibit a flowering of talent. Janet Frame, Maurice Duggan, and Maurice Geeare all fine practitioners of the genre, while Witi Ihimaera and Patricia Grace are the strong voices of Maori writing. The past dozen or so years have seen an explosion of new writing, with talents as diverse as Owen Marshall, Keri Hulme, Barbara Anderson, and Peter Wells. The selection provides an introduction to New Zealand short fiction that readers interestd in the new literatures in English will find stimulating and surprising. The stories are accompanied by brief biographical notes and a glossary of Maori words.

A startlingly original collection of short stories that was winner of the 2011 Commonwealth Writers' Prize for Best First Book. A son worries he is becoming too perfect a copy of his father. The co-owner of a weight-loss camp for teens finds himself running the black market in chocolate bars. A man starts melting and nothing can stop it, not even poetry. This terrific collection of stories by an exciting new talent moves from the serious and realistic to the humorous and outlandish, each story copying an element from the previous piece in a kind of evolutionary chain. Amid pigeons with a taste for cigarette ash, a rash of moa sightings, and the identity crisis of an imaginary friend, the characters in these eighteen entertaining stories look for ways to reconnect with people and the world around them, even if that means befriending a robber wielding an iguana.