An acclaimed medical expert and patient advocate offers an eye-opening look at many common and widely used medical interventions that have been shown to be far more harmful than helpful. Yet, surprisingly, despite clear evidence to the contrary, most doctors continue to recommend them. Modern medicine has significantly advanced in the last few decades as more informed practices, thorough research, and incredible breakthroughs have made it possible to successfully treat and even eradicate many serious ailments. Illnesses that once were a death sentence, such as HIV and certain forms of cancer, can now be managed, allowing those affected to live longer, healthier lives. Because of these advances, we now live 30 years longer than we did 100 years ago. But while we have learned much in the preceding decades that has changed our outlook and practices, we still rely on medical interventions that are vastly out of date and can adversely affect our health. We all know that finishing the course of antibiotics prevents the recurrence of illness, that sunscreens block harmful UV rays that cause skin cancer, and that all cancer-screening programs save lives. But do scientific studies really back this up? In this game-changing book, Dr. Paul A. Offit debunks fifteen common medical interventions that have long been considered gospel despite mounting evidence of their adverse effects, from vitamins, sunscreen, fever-reducing medicines, and eyedrops for pink eye to more serious procedures like heart stents and knee surgery. Analyzing how these practices came to be, the biology of what makes them so ineffective and harmful, and the medical culture that continues to promote them, Overkill informs patients to help them advocate for their health. By educating ourselves, we can ask better questions about some of the drugs and surgeries that are all too readily available—and all too heavily promoted.

"You ruined my life. You ruined my baby’s life!" Laurie Show was as compassionate as she was hard-working. The outgoing high-school junior worked part-time to pay for the home she and her divorced mother shared. Yet she always had time to tutor friends struggling in school. And she befriended a dejected classmate after his traumatic breakup with his pregnant long-time girlfriend Michelle Lambert. But soon things spiraled into jealous obsession, stalking, and a brutal attack that left Laurie murdered in her own bedroom. And once Michelle started telling one lie too many, the ensuing investigation shattered a peaceful community. Noted crime writer Lyn Riddle also brings you the latest updates on Michelle Lambert, her accomplices, and those involved in this unforgettable case. Includes 16 pages of dramatic photos.

Borenstein argues that the popular cultural products consumed in the post-perestroika era were more than just diversions; they allowed Russians to indulge their despair over economic woes and everyday threats.

At twenty-three, Jazen Parker has completed his Legion hitch a hero. But in four months, he'll have a price on his head. Worse, he's lost his past, and he cant find his future. Worst of all, he's chosen to search for them on the deadliest planet known to mankind. When Jazen reluctantly hires on to a Trueborn Earthman tycoon's safari to bag a deadly trophy, the reluctant mercenary finds himself shipped out to Downgraded Earthlinke 476, the outpost at the end of the universe known to everyone except its tourism bureau as "Dead End." But the hunt goes terribly wrong, and Jazen must survive a tough, beautiful local guide who hates mercenaries, an eleven ton beast that can crush main battle tanks with one claw tied behind its back, and the return of a nightmare that has haunted Jazen since birth. Then Jazen learns that the stakes are not merely his own life, but the fate of an entire alien race. At the publisher's request, this title is sold without DRM (Digital Rights Management).

Ninety percent of the world’s megafauna (its larger creatures) have disappeared since humans migrated from Africa and fanned out across the rest of the world. Within a very short time the megafauna – mammoths, mastodons, woolly rhinoceros and the huge carnivores that preyed upon them were extinct. Only Africa seems to have escaped: not unscathed, but not entirely vanquished either. This book describes the history and extent of human impact on the world's wildlife (marine included), good and bad; it examines, in particular, the status of wildlife in Africa – the world’s last great megafaunal sanctuary; and it questions whether Africa’s wildlife has reached its lowest ebb, and whether it is about to witness the turn of the tide? The author sounds a note of cautious optimism: conservation initiatives have gained a new urgency in the 21st century, and in Africa and elsewhere are showing increasing resolve to tackle poaching. Vast transfrontier parks, many still in development, have the potential to provide a sustainable habitat for the continent’s megafauna. If we can muster both local and international support, name and shame the rogue nations, and build a practical conservation model that does not conflict with human needs, then Africa’s wildlife can perhaps be saved.

Emma Streat is rebuilding her shattered life in Boston when she receives an SOS from Venice. She must come at once to intervene in a disastrous affair between her opera singer niece, Vanessa, and a notorious playboy. But the night Emma and Vanessa return home, Vanessa is struck down by what appears to be the first case of avian flu in the United States. Suddenly Emma is forced to cope with the medical world. As the case assumes a larger, international aspect, she finds herself working again with a charismatic British peer. Will their unusual relationship survive Emma's new interest in a brilliant doctor? After two shocking murders, Emma has to rev up her now-established talent for making unlikely connections, in order to smoke out a lethal global network that sells stolen viruses—and save herself from a painful and horrifying death. Eugenia Lovett West's sequel to Without Warning is a fast-moving, thrilling ride, featuring a resourceful, mature woman, a unique character in crime fiction today.

DIVWhen the body of a young mother is found on the banks of New Zealand's Mataura River, young female police constable Sam Shephard begins an investigation, with horrifying and very personal implications. Book one in an addictive, atmospheric new series. *** SHORTLISTED for the CWA John Creasey (New Blood) Dagger 2019*** ***SHORTLISTED for the Ngaio Marsh Award*** 'The tensions within a tightknit village, along with various aspects of Kiwi society, are laid out with real authority, but it is Symon's copper Sam, self-deprecating and very human, who represents the writer's real achievement' Guardian ‘Lively evocation of small-town life, with a plot that grabs the reader's attention with a heart-stopping opening and doesn't let go' The Times ‘An achievement that blends heart-stopping thrills with deep, believable characters in a stark New Zealand setting. It will leave readers reaching for the next Sam Shephard mystery' Foreword Reviews –––––––––––––––––––––––––––––– When the body of a young mother is found washed up on the banks of the Mataura River, a small rural community is rocked by her tragic suicide. But all is not what it seems. Sam Shephard, sole-charge police constable in Mataura, soon discovers the death was no suicide and has to face the realisation that there is a killer in town. To complicate the situation, the murdered woman was the wife of her former lover. When Sam finds herself on the list of suspects and suspended from duty, she must cast aside her personal feelings and take matters into her own hands. To find the murderer … and clear her name. A taut, atmospheric and page-turning thriller, Overkill marks the start of an unputdownable and unforgettable series from one of New Zealand's finest crime writers. –––––––––––––––––––––––––––––– ‘A sassy heroine, fabulous sense of place, and rip-roaring stories with a twist' Kate Mosse ‘Symon has created a compelling series lead, and her treatment of small-town New Zealand is superbly atmospheric. This one's a cracker' Liam McIlvanney ‘Overkill certainly feels like the beginning of something great. It's a clever first novel and a dark thriller that's well-paced and well-plotted … with a satisfying and fitting ending' CultureFly ‘Symon nicely balances action, character and story in a well-drawn rural setting, and realistically speckles the book with light-hearted moments and humour throughout' Kiwi Crime ‘Powerful, coolly assured, and an absolute belter of a read' LoveReading ‘The key to the novel for me is definitely the humorous portrayal of the one-woman police band, both extremely naïve and too eager to prove herself in the eyes of her superiors and against the silent backdrop of her parents' disappointment' Crime Review ‘With a twisty plot, a protagonist who shines and beautifully written observations of the cruellest things, Overkill is crime fiction at its best and this is an outstanding book. I predict that this series is going to soar here in the UK and it deserves to' Crime

In 1975 legendary bassist Lemmy decreed that Motörhead would be “the dirtiest rock’n’roll band in the world. If you moved in next door, your lawn would die.” Overkill: The Untold Story Of Motörhead tells the whole story of the ultimate rock trip. The Omnibus Enhanced edition includes a Digital Timeline spanning all four decades of Motörhead's reign, packed with audio, video and images of tour nights, memorabilia, music videos and interviews. Additionally, throughout the book are links to curated playlists allowing you to hear Motörhead's finest rock n' roll gems, their early influences and more. Overkill: The Untold Story Of Motörhead is based upon original interviews with those closest to the action and is packed with fresh insights. Joel McIver presents a more philosophical view than most of Lemmy and the band without shying away from the turbulent excesses of a life lived on the road. Updated in the wake of Lemmy's death, and with an introduction by rock legend Glenn Hughes, this is the definitive book for those wanting to sit at a bar with Lemmy, Whisky-in-hand, and listen to his odyssey.

“I love the dry wit of Teller's work. Nelson Demille meets Turow or Grisham!”—Goodreads review of Overkill A Jaywalker Case: Book 5 (originally published in 2011) It may be a case even Jaywalker can't win. There's no question that seventeen-year-oldJeremy Estrada shot another boy point-blank blank between the eyes after a fight over agirl. Not only that, Jeremy may have the face of an angel but he can barely string threewords together, much less explain—to Jaywalker or a jury—what happened that day. Andyet, despite all those handicaps, he's determined to go to trial. Jaywalker has spent his entire career bending the rules, but he's always had something towork with. This time all he has is a “yesbut” defense: “Did you kill him?” “Yes, but…” Inorder to win he'll have to stretch the law to the breaking point and beyond, but even thatmay not be enough. Don't miss a single one of Joseph Teller's award-winning Jaywalker novels: The Tenth Case Bronx Justice Depraved Indifference Guilty as Sin Overkill

Perestroika and the end of the Soviet Union transformed every aspect of life in Russia, and as hope began to give way to pessimism, popular culture came to reflect the anxiety and despair felt by more and more Russians. Free from censorship for the first time in Russia's history, the popular culture industry (publishing, film, and television) began to disseminate works that featured increasingly explicit images and descriptions of sex and violence. In Overkill, Eliot Borenstein explores this lurid and often-disturbing cultural landscape in close, imaginative readings of such works as You're Just a Slut, My Dear! (Ty prosto shliukha, dorogaia!), a novel about sexual slavery and illegal organ harvesting; the Nympho trilogy of books featuring a Chechen-fighting sex addict; and the Mad Dog and Antikiller series of books and films recounting, respectively, the exploits of the Russian Rambo and an assassin killing in the cause of justice. Borenstein argues that the popular cultural products consumed in the post-perestroika era were more than just diversions; they allowed Russians to indulge their despair over economic woes and everyday threats. At the same time, they built a notion of nationalism or heroism that could be maintained even under the most miserable of social conditions, when consumers felt most powerless. For Borenstein, the myriad depictions of deviance in pornographic and also detectiv fiction, with their patently excessive and appalling details of social and moral decay, represented the popular culture industry's response to the otherwise unimaginable scale of Russia's national collapse. "The full sense of collapse," he writes, "required a panoptic view that only the media and culture industry were eager to provide, amalgamating national collapse into one master narrative that would then be readily available to most individuals as a framework for understanding their own suffering and their own fears."