Over the Threshold is the first in-depth work to explore the topic of intimate violence in the American colonies and the early Republic. The essays examine domestic violence in both urban and frontier environments, between husbands and wives, parents and children, and masters and slaves. This compelling collection puts commonly held notions about intimate violence under strict historical scrutiny, often producing surprising results.

Beyond the Threshold is the first book to seriously consider the interplay between traditional world religions and metaphysical experiences in exploring the timeless question of what happens when we die. Christopher M. Moreman examines and compares the beliefs and practices of Judaism, Christianity, Islam, Hinduism, Buddhism, Confucianism, and Taoism, as well as psychic phenomena such as mediums and near-death experiences. While ultimately the afterlife remains unknowable, Moreman's unique, in-depth exploration of both beliefs and experiences can help readers reach their own understanding of the afterlife and how to live.

Create a wedding that reflects your Christian values with this guide to wedding traditionsDo you know where your favorite wedding traditions came from? Do you want to create a wedding that reflects your Christian faith and practice? From “something borrowed, something blue” to white veils and bridal gowns, from orange blossoms to tossing rice at the happy couple, you’ll learn about the meaning and historical significance of traditions for before, during, and after the wedding. For every Christian bride who wants to let her light shine, Carry Me Over the Threshold will help you create a memorable wedding that reflects your deepest spiritual values.

'A wild, sleazy, drug-filled odyssey ... Doyle's maverick novel deserves the accolades coming its way' Independent 'The best work to date from a writer who gets better and better with each release' Irish Indepdendent 'A masterclass in what not to do' New Statesman 'His best book so far: riddling, irreverent, fearless' TLS Rob has spent most of his confusing adult life wandering, writing, and imbibing literature and narcotics in equally vast doses. Now, stranded between reckless youth and middle age, between exaltation and despair, his travels have acquired a de facto purpose: the immemorial quest for transcendent meaning. On a lurid pilgrimage for cheap thrills and universal truth, Doyle's narrator takes us from the menacing peripheries of Paris to the drug-fuelled clubland of Berlin, from art festivals to sun-kissed islands, through metaphysical awakenings in Asia and the brink of destruction in Europe, into the shattering revelations brought on by the psychedelic DMT. A dazzling, intimate, and profound celebration of art and ageing, sex and desire, the limits of thought and the extremes of sensation, Threshold confirms Doyle as one of the most original writers in contemporary literature.

The Threshold Covenant shows the beginning of religious rites, by which man evidenced a belief, however obtained, in the possibility of covenant relations between God and man; and the gradual development of those rites, with the progress toward a higher degree of civilization and enlightenment.

"Jusionyte explores the sister towns bisected by the border from many angles in this illuminating and poignant exploration of a place and situation that are little discussed yet have significant implications for larger political discourse."—Publishers Weekly, STARRED Review Emergency responders on the US-Mexico border operate at the edges of two states. They rush patients to hospitals across country lines, tend to the broken bones of migrants who jump over the wall, and put out fires that know no national boundaries. Paramedics and firefighters on both sides of the border are tasked with saving lives and preventing disasters in the harsh terrain at the center of divisive national debates. Ieva Jusionyte’s firsthand experience as an emergency responder provides the background for her gripping examination of the politics of injury and rescue in the militarized region surrounding the US-Mexico border. Operating in this area, firefighters and paramedics are torn between their mandate as frontline state actors and their responsibility as professional rescuers, between the limits of law and pull of ethics. From this vantage they witness what unfolds when territorial sovereignty, tactical infrastructure, and the natural environment collide. Jusionyte reveals the binational brotherhood that forms in this crucible to stand in the way of catastrophe. Through beautiful ethnography and a uniquely personal perspective, Threshold provides a new way to understand politicized issues ranging from border security and undocumented migration to public access to healthcare today.

On the Threshold of Eurasia explores the idea of the Russian and Soviet "East" as a political, aesthetic, and scientific system of ideas that emerged through a series of intertextual encounters produced by Russians and Turkic Muslims on the imperial periphery amidst the revolutionary transition from 1905 to 1929. Identifying the role of Russian and Soviet Orientalism in shaping the formation of a specifically Eurasian imaginary, Leah Feldman examines connections between avant-garde literary works; Orientalist historical, geographic and linguistic texts; and political essays written by Russian and Azeri Turkic Muslim writers and thinkers. Tracing these engagements and interactions between Russia and the Caucasus, Feldman offers an alternative vision of empire, modernity, and anti-imperialism from the vantage point not of the metropole but from the cosmopolitan centers at the edges of the Russian and later Soviet empires. In this way, On the Threshold of Eurasia illustrates the pivotal impact that the Caucasus (and the Soviet periphery more broadly) had—through the founding of an avant-garde poetics animated by Russian and Arabo-Persian precursors, Islamic metaphysics, and Marxist-Leninist theories of language —on the monumental aesthetic and political shifts of the early twentieth century.

"A threshold is a sacred thing," goes the traditional saying of ancient wisdom. In some corners of the earth, in some traditional cultures, and in monastic life, this is still remembered. But in our fast-paced modern world, this wisdom is often lost on us. It is important for us to remember the significance of the threshold. While it is certainly true that thresholds mark the end of one thing and the beginning of another, they also act as borders-the places in between, the points of transition. These can be physical, such as the geographical borders of a country; others, such as the spiritual border between the inner and outer world-between ourselves and others-are intangible. In To Pause at the Threshold, Esther de Waal looks at what it is like to live in actual "border country," the Welsh countryside with its "slower rhythms" and "earth-linked textures," and explores the importance of opening up and being receptive to one's surroundings, whatever they may be.

"This is the story of a religiously motivated young woman who was manipulated, turned into a fanatic, and only gradually came to her senses - all because of a religious organization working in the highest echelons of the Roman Catholic Church: Opus Dei, "God's Work." Much has been written about Opus Dei, which during the pontificate of Pope John Paul II has become the most powerful organization in the Roman Catholic Church. Described as a "Holy Mafia" by its critics, "The Work," as it is known, has been charged with secrecy, elitism, reactionary politics, and questionable financial practices. But no one until now has described the inner workings of Opus Dei, from its goals and methods to the actual day-to-day activities of it members, with as much thoroughness and detail as Maria del Carmen Tapia." "The author describes what she calls the making and unmaking of a fanatic. There is the devious recruitment, the forced estrangement from her family, the indoctrination, life in the "Golden Cage" of Opus Dei's governing center in Rome, her years as head of the women's section in Venezuela, her sudden recall to Rome, where for seven months she was held virtually prisoner, and finally the reprisals after she left the organization." "In this strongest indictment of Opus Dei to date, Maria del Carmen Tapia reveals the dark side of "The Work": its duplicity, questionable recruitment practices, shocking disregard for human rights, and the unwholesome cult of its founder."--BOOK JACKET.Title Summary field provided by Blackwell North America, Inc. All Rights Reserved