A ring of braided grass. A promise. Ten years of separation. And memories of an innocent love with the power to last through time. When Luca Ward was five years old, he swore he would love Imre Claybourne forever. Years later, that promise holds true-and when Luca finds himself shipped off to Imre's North Yorkshire goat farm in disgrace, long-buried feelings flare back to life when he finds, in Imre, the same patiently stoic gentle giant he'd loved as a boy. The lines around Imre's eyes may be deeper, the once-black night of his hair silvered to steel and stone...but he's still the same slow-moving mountain of a man whose quiet-spoken warmth, gentle hands, and deep ties to his Roma heritage have always, to Luca, meant home. The problem? Imre is more than twice Luca's age. And Luca's father's best friend. Yet if Imre is everything Luca remembered, for Imre this hot-eyed, fey young man is nothing of the boy he knew. Gone is the child, replaced by a vivid man whose fettered spirit is spinning, searching for north, his heart a thing of wild sweet pure emotion that draws Imre into the compelling fire of Luca's frustrated passions. That fragile heart means everything to Imre-and he'll do anything to protect it. Even if it means distancing himself, when the years between them are a chasm Imre doesn't know how to cross. But can he resist the allure in cat-green eyes when Luca places his trembling heart in Imre's hands...and begs for his love, over and over again?

At first glance, 27-year-old Dionni Stone, owner of Whateva You Like Entertainment seems to have what all black women desire: natural beauty, a successful business, and a beautiful black man on her side. But once again, Dionni finds the love of her life in a compromising situation. This is the final heart break. Dionni decides to concentrate on her business, and it's there she meets new client, Xavier "Zay" Grey, an investment banker that hires her to plan a surpise graduation party for his baby sister. Again, Dionni begins to think she might have found "the one" for her, but a devastating secret finds her world once again shaken--P. [4] of cover

‘The year’s seasonal changes and festivities that are important in a little child’s life are imaginatively [described]. . . . The story ends with the happy realization that it will all come round ‘over and over’ again.’ —H.

A prescription for recovery from obsessive-compulsive disorder, this new paperback combines the latest in scientific knowledge with case histories and practical suggestions for self-help, offering new hope to those touched by this insidious and widespread malady. The authors have distilled their years of research, experimentation, and practice into a readable how-to manual.

On Repeat offers an in-depth inquiry into music's repetitive nature. Drawing on a diverse array of fields, it sheds light on a range of issues from repetition's use as a compositional tool to its role in characterizing our behavior as listeners, and considers related implications for repetition in language, learning, and communication.

Over the last twenty years, reenactment has been appropriated by both contemporary artistic production and art-theoretical discourse, becoming a distinctive strategy to engage with history and memory. As a critical act of repetition, which is never neutral in reactualizing the past, it has established unconventional modes of historicization and narration. Collecting work by artists, scholars, curators, and museum administrators, the volume investigates reenactment's potential for a (re)activation of layered temporal experiences, and its value as an ongoing interpretative and political gesture performed in the present with an eye to the future. Its contributions discuss the mobilization of archives in the struggle for inclusiveness and cultural revisionism; the role of the body in the presentification and rehabilitation of past events and (impermanent) objects; the question of authenticity and originality in artistic practice, art history, as well as in museum collections and conservation practices.

A step-by-step plan offers examples and exercises on how to determine and live by a set of values, experiment with failure as a formula for success, and take life beyond set limits.

By turns graceful and knowing, funny and moving, Niagara Falls All Over Again is the latest masterwork by National Book Award finalist and author of The Giant’s House, Elizabeth McCracken. Spanning the waning years of vaudeville and the golden age of Hollywood, Niagara Falls All Over Again chronicles a flawed, passionate friendship over thirty years, weaving a powerful story of family and love, grief and loss. In it, McCracken introduces her most singular and affecting hero: Mose Sharp — son, brother, husband, father, friend ... and straight man to the fat guy in baggy pants who utterly transforms his life. To the paying public, Mose Sharp was the arch, colorless half of the comedy team Carter and Sharp. To his partner, he was charmed and charming, a confirmed bachelor who never failed at love and romance. To his father and sisters, Mose was a prodigal son. And in his own heart and soul, he would always be a boy who once had a chance to save a girl’s life — a girl who would be his first, and greatest, loss. Born into a Jewish family in small-town Iowa, the only boy among six sisters, Mose Sharp couldn’t leave home soon enough. By sixteen Mose had already joined the vaudeville circuit. But he knew one thing from the start: “I needed a partner,” he recalls. “I had always needed a partner.” Then, an ebullient, self-destructive comedian named Rocky Carter came crashing into his life — and a thirty-year partnership was born. But as the comedy team of Carter and Sharp thrived from the vaudeville backwaters to Broadway to Hollywood, a funny thing happened amid the laughter: It was Mose who had all the best lines offstage. Rocky would go through money, women, and wives in his restless search for love; Mose would settle down to a family life marked by fragile joy and wrenching tragedy. And soon, cracks were appearing in their complex relationship ... until one unforgivable act leads to another and a partnership begins to unravel. In a novel as daring as it is compassionate, Elizabeth McCracken introduces an indelibly drawn cast of characters — from Mose’s Iowa family to the vagabond friends, lovers, and competitors who share his dizzying journey — as she deftly explores the fragile structures that underlie love affairs and friendships, partnerships and families. An elegiac and uniquely American novel, Niagara Falls All Over Again is storytelling at its finest — and powerful proof that Elizabeth McCracken is one of the most dynamic and wholly original voices of her generation.

A bedtime tale about two siblings, Ira and Isabelle, who live in a little red house by the sea, and decide one night to escape the sound of the city’s beeping cars. They sail off to a faraway land where they learn from a newly made friend, a robin with a soft voice, that dreams really can come true.

How can I be the person I want to be when I’m stuck in a job I hate? How is it possible to stay present in an era of nearly constant distractions? Can I pick someone up at a bar or club and still call myself spiritual? This nitty-gritty guide to life for the spiritual-but-not-necessarily-religious uses Buddhist teachings to answer those burning questions and a host of others related to going out, relationships, work, and social action. Based on Lodro Rinzler’s popular advice columns, Walk Like a Buddha offers wisdom that can be applied to just the sort of dilemmas that tend to arise for anyone making even a modest attempt to walk like a Buddha—that is, to live with honesty, wisdom, and compassion in the face of whatever life surprises you with.